John 'Breacher' Wharton is the leader of a DEA Special Operations Team who, although happen to be the most skilled in their field, don't exactly always play by the rules. In perhaps one of the biggest busts of their careers, they arrest a major cartel leader and uncover a hoard of meth, cocaine and a stack of millions of dollars, and subsequently wind up celebrating by sneaking away some of the drugs they confiscated. However, when the folks above them discover that $10 million has been stolen from the money they seized, John is forced to plead his innocence, though with the unnerving feeling that someone on his not-so-straight team is absolutely capable of doing just that. The theft leads to the brutal murder of two DEA agents and John must find out where the money has gone before another dies - however, the time he has is drastically shortened when the cartel kidnap his beloved wife and child.
'Sabotage' is the latest action-packed crime drama from director David Ayer ('End of Watch', 'The Fast and the Furious', 'Training Day') who co-wrote the screenplay with Skip Woods ('A Good Day to Die Hard', 'Swordfish', 'X-Men Origins: Wolverine'). It is set to hit movie theaters in the US on April 11th 2014.
Justin and the Knights of Valour will attempt to break a challenging and competitive animation market for 2013.
It’s been a pretty solid year for animated features so far; Wreck it Ralph, Despicable Me 2 and Monsters University all performed solidly with the critics and in the box office. But it hasn’t been all plain sailing – films like Turbo and Escape From Planet Earth haven’t gone down too well.
Can Justin, voiced by Highmore, learn the ways of the Knight?
There was a time when all animated films were basically the best films ever: Ratatouille, Finding Nemo, Toy Story(s), Up – but now there seems to be room for some pretty average efforts. Striking up some cute characters with big eyes, pitting them against a baddie and creating a weird little fella for comic relief just doesn’t cut it anymore.
Justin is an average boy with big dreams living in a Kingdom where the Queen has enlisted lawyers instead of knights. However, Justin wants more than anything in the world to become one the latter, just like his deceased grandfather Sir Roland. He must embark on a quest to train to become the best knight he can and on the way meets his three mentors, Blucher, Legantir and Braulio, a wacky wizard named Melquiades and the very beautiful Talia. Sooner than he'd hoped, he finds his first challenge; Sir Heraclio and his sidekick Sota are attempting to raise an army to defeat the Kingdom, leaving Heraclio crowned king. Justin must protect the Kingdom he was brought up in and, in doing so, purloin his grandfather's old sword from Heraclio's clutches.
Continue: Justin and the Knights of Valour Trailer
John Gregory is a Spook charged with ridding the country of witches, beasts and malevolent forces. But, as the years tick by, he realises that he must enlist another to keep evil at bay in the form of Thomas Ward, the seventh son of the seventh son who possesses the power to see things others cannot. When the powerful witch Mother Malkin makes her return, after Gregory thought he'd defeated her years ago, Thomas is forced to confront her and slay her once and for all. But things aren't as easy they seem when he befriends a witch girl who convinces him that not all witches are bad. Will Thomas succeed in sending Malkin back to the grave? Or will he find himself putting his trust in the wrong people?
Continue: Seventh Son Trailer
'Anna Karenina' actress Olivia Williams is interviewed at a press junket in Cannes for her new movie 'Last Days On Mars' and talks about what attracted her to the script, who she modelled her character on and her favourite memory from shooting.
The breezy, entertaining tone of this historical comedy-drama kind of undermines the fact that it centres on one of the most pivotal moments in US-British history. Director Michell (Notting Hill) knows how to keep an audience engaged, and yet he indulges in both tawdry innuendo and silly cliches, never giving the real-life events a proper sense of perspective. Even so, some terrific performances make it enjoyable.
The events in question take place in 1939, when President Franklin D. Roosevelt (Murray) invites Britain's King George VI and Queen Elizabeth (West and Colman) to visit Hyde Park, the upstate New York residence he shares with his mother (Wilson), while his wife Eleanor (Williams) lives down the road with her "she-male" friends. Roosevelt knows that George is here to ask for help against the growing threat of Hitler's Germany, and as a result of their talks a "special relationship" develops between America and Britain. Meanwhile, the womanising Roosevelt is not-so-quietly having an affair with his distant cousin and confidant Daisy (Linney).
Essentially there are two films here fighting for our attention. Much of the story is seen through Daisy's eyes, complete with an annoyingly mousy voiceover that never tells us anything we can't see on screen. Linney underplays the character to the point where we barely notice that she's in the room, and the depiction of Daisy's romance with FDR is often squirm-inducing. By contrast, the other aspect of the plot is fascinating, with West and especially Colman shining in their roles as witty, nervous Brits trying to make the most of the first ever visit of a British monarch to America. Their steely resolve is brilliantly undermined by their brittle nerves and endless curiosity.
Continue reading: Hyde Park On Hudson Review
Kind of a disappointing showing this week folks, best hold on for those Christmas heartwarmers, or, if you’re one of the 56 people left on the globe that haven’t seen Skyfall, that’s probably still showing…
Hyde Park On Hudson has been touted by many as Bill Murray’s next stab at Oscar success. However, the movie itself has hardly received glowing reviews. Directed by Roger Michell (Notting Hill) and also starring Laura Linney and Olivia Williams, Hyde Park on Hudson tells the story of Franklin D Roosevelt and his love affair with his distant cousin, Margaret Stuckley. The ‘action’ takes place over a weekend in 1939, when the King & Queen of England visited upstate New York.
Murray’s performance has been hailed as a masterpiece and there have been mutterings of Oscar contention, but it seems that Murray is a jewel in a pretty shabby crown, here. He may carry the film, but it’s clear that it’s a deadweight. Bill will have to keep his fingers crossed that the Academy award voters can stay awake through the historical drama long enough to appreciate his performance.
'Hyde Park On Hudson' is the story of the 32nd President of the United States Franklin Delano Roosevelt and his growing love affair with his soon to be mistress Daisy. In the summer of 1949, Roosevelt decides to invite the reigning monarchs of England King George VI and Queen Elizabeth over to America for their first ever trans-Atlantic trip - incidentally, the first trip to America any English monarch has ever made. The President's friends, colleagues and family rally together to create a fun and interesting weekend for the Royals despite their unfamiliarity with proper royal protocol such as knowing the proper way to address the King and Queen. Nonetheless, the royals remain polite and do their best to cover up their nervousness and lack of experience of American culture as war with Germany is imminent and they may need someone to turn to.
This partially biographical and downright comical drama has been told in the shoes of Daisy and takes place only months before World War II broke out. 'Hyde Park on Hudson' has been directed by Roger Michell ('Notting Hill', 'Changing Lanes', 'Morning Glory') and written by Richard Nelson ('Ethan Frome') and is set to hit cinemas from February 1st 2013.
Preteen girls will find this soppy romance unbearably romantic, but everyone else will struggle to sit through it. Based on the Jenny Downham novel Before I Die, the movie feels like a British variation on the Nicolas Sparks genre with its seaside locations and teary drama. It looks lovely, but is so emotionally manipulative that older viewers are more likely to roll their eyes than shed a tear.
Dakota Fanning stars as 17-year-old Tessa, known locally as the girl with leukaemia who opted out of treatment. She has a secret bucket list that her parents (Considine and Williams) know nothing about, and her best pal Zoey (Scodelario) is helping her work through, from committing petty crime to trying drugs. But sex is at the forefront of Tessa's mind, especially when she meets the dreamy new boy next door. Adam (Irvine) is a sensitive soul who is dealing with his own grief, so is perfectly suited to help Tessa face her own mortality.
Writer-director Parker shamelessly steers each scene into the desired emotion. Some sequences are cute and silly, while others are melodramatic and tense, but it's all so deliberate that we never have a sense of real life taking place. There isn't a single throwaway moment, which prevents the actors from creating complex characters. Instead, they spend much of the time gazing at each other wistfully. Fanning's iridescent blue eyes are mesmerising, while Irvine's quivering features are strikingly beautiful, but we're left wondering why we should be interested in these mopey teens.
Continue reading: Now Is Good Review
Tolstoy's iconic novel may have been filmed several times, but you've never seen a version like this. Clever writer Tom Stoppard and visually whizzy director Joe Wright combine talents with this ambitious film, which sets all of the action in a theatre that expands and shifts into a variety of settings.
Yes, it's rather strange, but it's also drop-dead gorgeous.
Knightley reteams with Pride & Prejudice and Atonement director Wright to deliver another solid performance as Anna, an aristocrat in 1870s St Petersburg who is married to the achingly nice establishment gent Alexei (Law) but falls under the spell of the bland but sexy young heartbreaker Vronsky (Taylor-Johnson). And when she gets pregnant, she has to make a very difficult decision. The central theme is that these people are characters in a play dictated to them by their restrictive Russian society, so they have little choice but head toward tragedy.
Fortunately, there's a parallel plot about a wealthy farmer (Gleeson) who rejects so-called civilised society to stay in touch with the earth. He pursues the smart, young Kitty (Vikander), also entranced with Vronsky but beginning to become disgusted with so-called civilised culture. The film includes a rather huge number of characters, including Anna's womanising brother (Macfadyen) and his longsuffering wife (a particularly excellent Macdonald). And Wright and Stoppard effortlessly let everyone swirl around each other in a huge pool of emotion.
Although this pool often feels frozen over, as the feelings are pretty icy. So it's good to have open-hearted performances by Macdonald and Gleeson to hold our interest. Knightley is excellent, although we never understand why Anna does anything she does (which is the whole point). But perhaps the most impressive thing about this film is its astoundingly beautiful design: the sets, costumes, photography and music are sumptuous and lush, never fussy but always adding to the intensity of each scene. Look for it to deservedly hoover up Oscar nominations across the board.
Anna Karenina is the young wife of senior statesman Alexei Karenin. Theirs was more of a marriage of convenience rather than love and soon Anna's eyes begin to wander elsewhere as her desire for romance becomes ever more intense. She meets Count Vronsky, a handsome cavalry officer with whom she enters into a passionate adulterous affair. When people find out about their involvement, Anna's honour is crushed in the eyes of the Russian noble men and women and she is forced to make a choice; to leave her loveless marriage and family and lose all honour and dignity, or end her affair with her possessive lover and be potentially forgiven.
Continue: Anna Karenina Trailer
Bill, known to his friends as Wild Bill, has just been imprisoned for eight years for drug dealing. Now out on parole, he returns to his flat in a tower block in East London to find his two sons, Dean and Jimmy, living alone. Their mother abandoned them a while ago, so the respective fifteen and eleven year olds have been fending for themselves.
Continue: Wild Bill Trailer
Since their mum left nine months earlier, 15-year-old Dean (Poulter) has been taking care of 11-year-old brother Jimmy (Williams) by working in construction at the Olympic park. But Jimmy is failing at school and getting increasingly involved with a gang of local drug dealers (Gregory, Maskell and Rheon). Then after eight years in prison, their dad Bill (Creed-Miles) comes home, realising that he must show some responsibility to keep his sons from being taken into care. But they don't know him, and he doesn't know anything about being a father.
Continue reading: Wild Bill Review
Tessa is like every other sixteen year old; she'd love a boyfriend and she'd like to lose her virginity as soon as possible. Her best friend Tessa encourages her wishes. There is a difference, however: Tessa has leukaemia. She was diagnosed with it four years ago but has recently learned that it is terminal.
Continue: Now Is Good Trailer
Disabled by polio at age 10, Ian Dury (Serkis) grew up with a fierce determination to be himself, and against the odds became an iconic leader of Britain's punk scene in the 1970s. But his unruly lifestyle takes a toll on his personal relationships, and he barely knows his son Baxter (Milner) from his first wife Betty (Williams). So Baxter comes to stay with him and his current girlfriend Denise (Harris), and both father and son need to figure out how to relate to each other. And to realise how much they need each other.
Continue reading: Sex & Drugs & Rock & Roll Review
Watch the trailer for An Education
Jenny (Carey Mulligan - Public Enemies) is a schoolgirl with very high hopes in a considerably bleak post war Britain. Her thoughts of a place at Oxford University are fuel to her 'study-intensive' life as she forever tries to excel. Until just a short time before her 17th birthday she meets David (Peter Sarsgaard- Jarhead) who is considerably older than her, and she soon finds herself in the middle of a whirlwind romance.
Enticed by the lifestyle that it seems David can offer her, her dreams of Oxford start to slowly dissipate as the idea of an easy life becomes her new fascination. But as she makes the transition from enthusiastic schoolgirl to a lady of sophistication, she starts to question David, herself and the path in life she has chosen to take.
Directed by Lone Sherfig (Hjemve) and with a screenplay from Nick Hornby (Fever Pitch, About A Boy), and featuring a performance from Academy award winner Emma Thompson, the film received great critical acclaim when it premiered at this year's Sundance Film Festival.
Cast: Peter Sarsgaard, Carey Mulligan, Alfred Molina, Dominic Cooper, Rosamund Pike, Olivia Williams and Emma Thompson.
Screenplay: Nick Hornby.
Director: Lone Sherfig.
Olivia Williams Sunday 13th April 2008 UK film premiere of 'Flashbacks Of A Fool' held at Empire Leicester Square - Arrivals London, England
The plot is thin, if not threadbare, presenting the too-oft-seen love triangle. Perhaps the notion of a pair of sisters in love (in their particular ways) with one's husband seemed like an original idea, but it comes off as derivative and tedious. Paul Bettany, who played Chaucer in A Knight's Tale and John Nash's imaginary roommate in A Beautiful Mind, takes on the colorless banker-husband-lover Rickie, the object of the sisters' desires. Stuffy though he may be, we understand why he's prone to stray from his wife, Madeleine (Olivia Williams), a caustic and chilly socialite who criticizes her younger sister with haughty superiority. She seems to think that there's something wrong with Dinah (Helena Bonham Carter) for remaining unmarried and free-spirited when, as we see it, Dinah is the more attractive and sensual of the two.
Continue reading: The Heart Of Me Review
Though it goes against everything he stands for, this rejuvenated Pan actually shows signs of growth and maturity. Special effects advancements help Peter and his cohorts pop off the screen. Cinematographer Donald McAlpine expands the rich color palette he utilized in such vivid films as Moulin Rogue and Romeo + Juliet. And director P.J. Hogan slips in subplots of unrequited love, develops pangs of loneliness, and mixes fleeting flights of happiness with his heroism.
Continue reading: Peter Pan (2003) Review
In an era of severely dumbed-down children's movies, the first live-action "Peter Pan" picture since the silent era does something extraordinary -- it un-Disneyfies the story, revives the deeper themes of J.M. Barrie's original book and play, and emerges as an appropriately wily family-fare delight.
From its exquisite, Maxfield-Parish-inspired Neverland of golden sunlight, lush green forests and cotton-candy clouds to the quintessently pubescent and enigmatically tingly chemistry between Peter (the strangely pretty 14-year-old Jeremy Sumpter) and Wendy (the even prettier 13-year-old Rachel Hurd-Wood), the film is a vivid and surprisingly visceral experience.
Director P.J. Hogan ("My Best Friend's Wedding") evokes the true wonder of childhood in the eyes of his young stars as Peter Pan, the mythical leafy-clad boy who refused to grow up, hovers with the power of happy thoughts and fairy dust outside the third-story window of Wendy Darling on a snowy night in 1900s London, engrossed in the stories of adventure that the girl spins with wide-eyed zeal for her little bothers John and Michael.
Continue reading: Peter Pan Review
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