Everyone's back from last year's undemanding adult comedy, plus some starry new cast members, for a holiday romp that once again provides a few solid laughs. Alas, it's also just as unambitious, never pushing its characters very far or coming up with anything terribly original. But filmmakers Jon Lucas and Scott Moore know that sometimes audiences just want dumb entertainment.
In the week before Christmas, Amy (Mila Kunis) has reached breaking point with all of her motherly responsibilities. So she's delighted that her boyfriend (Jay Hernandez) and kids just want to have a mellow holiday. Then her hyper-demanding mother (Christine Baranski) arrives with enormous plans that Amy's meek dad (Peter Gallagher) quietly goes along with. So Amy turns to her best friends Kiki and Carla (Kristen Bell and Kathryn Hahn) for help. And they've also been invaded: Kiki's far-too-involved mother (Cheryl Hines) arrives for three weeks, while Carla's biker-chick mom (Susan Sarandon) is a gambling addict in need of cash. So Amy, Kiki and Carla team up to take back control of Christmas.
Continue reading: A Bad Moms Christmas Review
Since the loss of her mother, Doris hasn't really had much companionship. She has her best friend and work colleagues but love has always been something that's alluded her. She once had an offer of marriage but knowing that this would separate her from her mother, she declined.
After meeting the new director of art at her place of work, Doris automatically feels a connection with him. Sure, John might be a few years her junior and into very different things to herself, but Doris has a niggling feeling she can't leave alone. Doris might be a little bookish and bespectacled but she decides to explore new methods to attract her man.
Along the way Doris befriends some of John's friends, who at first might seem entirely different to Doris but in actuality have a lot of similarities. Doris must find a way to balance her new and old friends and also win her man. Hello, My Name is Doris actually started out as an eight minute short called Doris and the Intern, written and directed by Laura Terruso. Director Michael Showalter instantly saw the potential in the initial footage and started work on a large scale version of the film.
Continue: Hello, My Name Is Doris Trailer
In a noble but poor neighbourhood under a stack of bridges by the Miami River, Sean (Guzman) and his pal Eddy (Gabriel) lead an underground dance crew called The Mob to perform flash-mob antics in picturesque locations. Their goal is to win an online competition and go pro. Then Sean meets Emily (McCormick), whose property tycoon dad (Gallagher) wants to destroy Sean's neighbourhood to build another glitzy development. While trying to make her own way in dance school, Emily hides her identity to join The Mob and take on Dad.
Continue reading: Step Up Revolution [Step Up: Miami Heat] Review
Peter Gallagher Monday 7th February 2011 AARP The Magazine's 10th Annual Movies for Grownups Awards held at the Beverly Wilshire Hotel - Arrivals Los Angeles, California
By never taking their ludicrous plot seriously, they've made a true guilty pleasure.
Fed up with dead-end Iowa, Ali (Aguilera) heads for Hollywood. Despite having no experience or training, she's sure she can make it as a singer-dancer. After a series of rejections, she stumbles upon the Burlesque Lounge on Sunset, run by jaded diva Tess (Cher) with the help of her long-suffering buddy Sean (Tucci). Ali charms sexy barman Jack (Gigandet) into a barmaid job, while keeping her sights on the stage. And she's also wooed by Marcus (Dane), a developer who's trying to buy the financially strapped club.
Continue reading: Burlesque Review
Ali is a girl who's desperate to break away from her small-town life. Seeking a new start she buys a one way ticket to LA and lands a job waitressing at a club called The Burlesque Lounge, the club owner and headline act is a lady called Tess, though she was willing to give Ali a break by offering her the cocktail waitress job, all Ali wants to do is perform on stage. Enamoured by the lavish and flamboyant costumes and striking choreography Ali is sure she would be a perfect addition to their troupe. Tess doesn't see her potential but a few other of the club workers know Ali's secret; she can sing - a small girl with a big voice.
Continue: Burlesque Trailer
As the camera probes into a crowded room of ballerinas spinning and dipping, a young blond is immediately isolated from the bunch. The male choreographer's assistant notes that the girl has poor form. The choreographer retorts, "Who cares, look at her." And with that the blonde, blue-eyed Jodie is given a spot in the American Ballet Academy, the Julliard of dancing.
Continue reading: Center Stage Review
Every time I see a new Kevin Spacey movie, I expect the world from him, and every time he delivers the galaxy.
Arguably the greatest actor currently working in motion pictures, he is capable of putting across leagues of depth with the subtlest, most insignificant glance. He can play menacing or meek, ardent or indifferent, nervous or non-nonchalant with equal dexterity.
Look at "Midnight in the Garden of Good and Evil," "The Negotiator," "L.A. Confidential," "The Usual Suspects" or any of his recent roles and just try to imagine another actor in the part. It simply can't be done. Spacey doesn't act, he embodies his characters viscerally from the inside out.
Continue reading: American Beauty Review
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