Nicole (Aniston) is a New York journalist who's so busy with a breaking story that she neglects to turn up for a court date and ends up on the bail-jumper list of bounty hunter Milo (Butler), her ex-husband. Their stormy marriage didn't last long, and Milo is happy for the chance to get some revenge. But he's being chased by the goons (Coster and Garland) of an Atlantic City loan shark (Moriarty). Meanwhile, Nicole also has a lovelorn colleague (Sudeikis) and a vicious henchman (Greene) after her.
Continue reading: The Bounty Hunter Review
The Rich Man's Wife blindly ignores both of these rules, but still manages to float, thanks to a united effort by an exceptional cast and exquisite production values. Amy Holden Jones directs her own screenplay here, a modern-day reworking of Hitchcock's masterful Strangers on a Train.
Continue reading: The Rich Man's Wife Review
There seems to be an unwritten rule that movies starring ex-stand-up comedians must come to a grinding halt at some point for the star to have a vanity improv scene.
Every Robin Williams has such moments -- even his syrupy, sentimental pictures. Every Martin Lawrence movie does too. In "Blue Streak," the improv moment comes when Lawrence dons a nappy pigtails wig, gnarly false teeth, body padding and a velour jogging suit to pose as a hyperactive pizza delivery boy.
For that one scene, any common sense regarding the story is put on pause and Lawrence cuts loose with an epileptic booty bump dance and a lot of babbling smack, all of which is designed to produce seat-bouncing laughs (it doesn't), but has little to do with the movie.
Continue reading: Blue Streak Review
Looks like we need to learn basic humanity again.
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There seems to be an unwritten rule that movies starring ex-stand-up comedians must come to...