Steven (Ryan Phillip) and Shannon (Rachelle Lefevre) want nothing more than to have a child of their own. After some deliberation, the couple decide to adopt a child from Haiti, although when she goes missing the same evening, they realise that things are not as they seem. After consulting the local police, they discover that this known practice of 'reclaiming' is a scam, set up to take large amounts of money from wealthy individuals. Soon, the couple begin to spiral further into the seedy underworld of child trafficking as they battle against the sinister Benjamin (John Cusack) to keep either their money or their lives.
Continue: Reclaim Trailer
The season premiere fell in line with the standard of the first season.
CBS’s Under the Dome returned on Monday night and if there’s one moral to take away from the season premiere is that no one is ever safe on TV. Ever. As always, spoilers below.
The more things change, the more they stay the same under the dome.
In the very first week of Season 2, we lost Sheriff Linda Esquivel (Natalie Martinez), who was killed by an SUV – or at least that’s how it seemed until she reappeared later and spoke to Big Jim Rennie (Dean Norris), who interpreted her communication as a message from the dome. Another goner, Dodee (Jolene Purdy), also came back to haunt Big Jim.
With a powerhouse cast and an anaemic script, this violent revenge thriller never quite gets off the ground. It's watchable for the character detail, but resolutely refuses to make any logical sense as it charges through its corny plot. Fortunately the slick filmmaking and charismatic acting hold our attention, adding a hint of sophistication to the bluntly brutal story.
It's set in the Louisiana bayou, where former undercover agent Phil (Statham) is trying to have a quiet life with his young daughter (Vidovic). But the locals are wary of outsiders, and a schoolyard confrontation escalates into a feud between Phil and a resentful woman (Bosworth) who calls her gangster brother Gator (Franco) for help in getting even. Gator quickly discovers Phil's past, then enlists his trashy pal Sheryl (Ryder) to contact Phil's old enemies. But as these ruthless thugs descend on the bayou, they fail to take into consideration the fact that Phil has nearly super-human fighting skills.
There's plenty of possibility in this rather tired premise, but Stallone's boneheaded script never bothers to make things believable, skipping over key details and indulging in trite coincidences. Fleder manages to obscure this with his fluid, pacey direction, and the cast is unusually good for such a simplistic thriller. The charismatic Statham doesn't stretch himself much, occasionally attempting a bit of real acting in the father-daughter scenes (his romance with LeFevre's teacher is never developed). Bosworth and Ryder add some unpredictable edges to their stereotypical roles. And it's Franco who steals the film as an unusually thoughtful redneck thug. Although his moral quandary doesn't put off any of the nastiness.
Continue reading: Homefront Review
Phil Broker is an ex-cop sadly widowed and left with his 10-year-old daughter Maddie. The pair decide to move to a beautiful small Southern town with the most stunning lake views, a good size house and plenty of places for quiet horse riding. However, their utopic vision is ruined very soon when a bully targets Maddie at her school. Like her father taught her, she fights back and she and her father find themselves facing the wrath of one unhappy parent with connections to the local drug lord Gator. Soon their lives get very comfortable when Gator begins to torment them by breaking into their house while their out. When he discovers Broker's former occupation, he and his comrades arm themselves and set out to teach this newcomer a lesson. Broker can handle himself, but when his daughter his kidnapped, he finds himself fighting harder than he ever has before.
Continue: Homefront - International Trailer
Phil Broker is a former DEA agent who moves to a beautiful small town with his 10-year-old daughter Maddie after the death of his wife. It seems like the perfect place to live with its incredible lakes, horses and a large house, but things aren't always what they seem which Phil finds out when his daughter fights back against a bully at school. The mother of that bully takes revenge by getting in touch with Gator; a local drug lord who enjoys subjecting his victims to weeks of fear and paranoia. He breaks into Phil's house while he and Maddie are out and doesn't hesitate to leave a few clues that someone's been there. Phil proves to be able to handle himself, but that only puts him in further danger when Gator and his crew force their way into the house at night armed with guns and try to take his daughter from him.
Continue: Homefront Trailer
'Under the Dome', airing last night attracted 13.1 million viewers and has been, on the whole, praised by critics.
Stephen King's novel Under the Dome, adapted into a miniseries, aired yesterday (June 25, 2013) in the US and has been met with favourable reviews. The horror writer's 2009 novel had a huge audience of 13.1 million viewers and is likely to continue filming until September. Owing to its initial popularity, it is possible CBS could fund further episodes.
The pilot episode introduces the audience to the bizarre Maine town of Chester's Mill, an area which is trapped in a bubble from which the residents cannot escape. With a healthy dose of a mysterious murder; a plane crash and many of the residents suffering convulsions it's definitely Stephen King's style.
Under The Dome is CBS' latest attempt to compete with rival networks who offer such series as The Following and Revolution. The cast of Under the Dome may not match up to the likes of Kevin Bacon (in The Following) but Joanne Ostrow of the Denver Post comments on the suitability of mixing 'veteran actors and fresh new faces'.
Continue reading: Stephen King's 'Under The Dome' "Could Be Just What We've Needed"
The show opens with promise, but it might very well fizzle out mid-series.
The premise of CBS’s brand new Stephen King adaptation, Under the Dome, is a familiar one – take a group of people with clashing personalities and a whole lot of secrets, lock them up together and see what happens. What has happened so far is an okay pilot for what is going to be a summer mini-series, based on the eponymous 2009 King novel.
While the first hour of the horror/drama doesn’t really have a lot to offer in terms of plot, we’re willing to explain that away with the necessary exposition. What Under the Dome seems to offer (besides some thoroughly entertaining footage of a cow and several houses sliced in half) is a tale of middle class mediocrity breaking down under the threat of apocalyptic mayhem. And really, with the slew of zombie films, disaster films and various apocalyptic interpretations across all forms of media, we’ve seen quite a lot of that already. At some point the breakdown of society ceases to be an entertaining plot and becomes a cliché. What’s supposed to bring some flavor to the somewhat bland series is the weight of the secrets most of the characters are hiding.
In the first episode, we see the show’s immediate villain, “Barbi” (Mike Vogel) bury a body and try to get out of town – only to be stopped by the dome dropping, of course. He then goes on to make government jokes and disrupt the discussion, which doesn’t really go beyond the “Oh no, what do?” stage in the first episode. Still, most of the pilot’s flaws are typical of a first episode and Under the Dome might still build up to an exciting resolution by the end of the series. In case you feel like catching an episode or two, the show airs Monday at 10PM on CBS.
Continue reading: CBS's The Dome Is Less Thriller And More Formula
When USCP officer John Cale is turned down as he applies for a highly coveted role in the Secret Service, he is devastated but cannot find it in himself to disappoint his young daughter Emily who idolises him and his job. In a bid to give Emily an experience to remember, he takes her on a tour of the White House, but what started out as the most normal of days (if a little extra exciting for Emily) quickly becomes a situation of life and death when terrorist groups launch a series of bombs that hit the White House causing a shocking scene of devastation. John now finds himself with the responsibility of keeping his daughter safe from harm as well as protecting President James Sawyer along with the rest of his country. He may have lost out on becoming an official protector of the President, but he now faces a true test of his abilities that is unlikely to go unnoticed.
Continue: White House Down Trailer
Rachelle Lefevre will be joining the new CBS sci-fi drama Under the Dome, according to The Hollywood Reporter. The Twilight star is pegged to play the role of Julia, an investigative reporter who has recently moved to Chetser’s Mill, from Chicago. Once there, she and the rest of Chester’s Mill’s inhabitants, finds herself dealing with the “post apocalyptic conditions” that arise when a “strange dome” encapsulates the entire town.
With the show based on Stephen King’s popular novel, Julia is the editor of the town’s local paper and her curiosity is sparked by the news that multiple deliveries of propane gas had been made to a local warehouse. The appearance of the dome has her confused, though the disappearance of her husband – the local doctor – has her even more concerned. The drama is due to be produced by CBS Television studios and was taken straight to series, in association with Steven Spielberg’s own Amblin Television. Working as executive producers on the show will be Neal Baer, Darryl Frank, Justin Falvey, Stacey Snider and Brian K Vaughan. The premiere episode of the series will also feature Lost’s Jack Bender as executive producer.
The cast will also include Dean Norris (Breaking Bad), Mike Vogel (Pan Am) and Aisha Hinds (True Blood). Her casting in Under the Dome marks a return to CBS for Lefevre, who previously worked with them on A Gifted Man. The show is scheduled to premiere on June 24, 2013.
A handsome misfire of romanticized misfortune and decadence, war and idealism, tragedy and melodrama, "Head in the Clouds" aspires to be a sweetly risqué twist on the spirit of "Casablanca." But miscast leads and ersatz emotions leave the film's soundstagey period ambiance as its most comparable asset.
Underwhelming, accent-wavering Stuart Townsend ("Queen of the Damned") stars as Guy, an aspiring young writer and political idealist who comes under the spell of Gilda (Charlize Theron), a magnetically reckless woman who lives for the moment and for pleasure, believing she's doomed to die at 34 (as per an opening-scene palm reading). Passionate but uncommitted lovers at Cambridge in the early 1930s, they meet again in Paris just before the German occupation, where their disparate values in sex and life lead their renewed affair into tumultuous territory.
Townsend and Theron (a couple in real life) are wrong for their parts, both of which call for actors who can wear their intellects on their sleeves for confrontations that are at once lusty, emotionally raw and political in nature. More appropriately cast is Penelope Cruz as Mia, another of Gilda's lovers and a sexy Spanish dancer who became crippled, then turned to nursing in the hopes of returning to her country to serve in its republican revolution.
Continue reading: Head In The Clouds Review
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