Richard Mulligan

Richard Mulligan

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Oliver & Company Review


OK
Disney's animated version of Dickens' Oliver Twist, Oliver & Company, is a true oddity in the Disney canon. For starters, the animation style is completely different from anything else in its repertoire. Obviously inspired by Ralph Bakshi (of Felix the Cat fame), the movie features garish perspectives, serious abuse of zoom (in almost every scene), and an attempt at urban grittiness which Walt Disney never knew in his entire life.

And yet here it is, Oliver & Company, wherein an orphaned kitten falls in with a crowd of dogs-cum-hustlers, only to end up adopted into a rich girl's house. A kidnappng and rescue plot (pushing the boundaries of the G rating) ensues -- ironically, it's the best part of the movie.

Continue reading: Oliver & Company Review

Trail Of The Pink Panther Review


Weak
In 1980, Peter Sellers died. In 1982, Trail of the Pink Panther, with Sellers as the headliner, was released by a studio hungry to capitalize further on the popular series.

Trail certainly isn't historically unique in its use of archival footage to create a role for a passed-on movie star, but it's inarguably one of the ballsiest attempts at it. Sellers isn't some bit player (like Lawrence Olivier in Sky Captain and the World of Tomorrow), he's the star. He's Inspector freakin' Clouseau, and he's in more than half of the running time of the film.

Continue reading: Trail Of The Pink Panther Review

Oliver & Company Review


OK
Disney's animated version of Dickens' Oliver Twist, Oliver & Company, is a true oddity in the Disney canon. For starters, the animation style is completely different from anything else in its repertoire. Obviously inspired by Ralph Bakshi (of Felix the Cat fame), the movie features garish perspectives, serious abuse of zoom (in almost every scene), and an attempt at urban grittiness which Walt Disney never knew in his entire life.

And yet here it is, Oliver & Company, wherein an orphaned kitten falls in with a crowd of dogs-cum-hustlers, only to end up adopted into a rich girl's house. A kidnappng and rescue plot (pushing the boundaries of the G rating) ensues -- ironically, it's the best part of the movie.

Continue reading: Oliver & Company Review

Richard Mulligan

Richard Mulligan Quick Links

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