Sanaa Lathan

In Minneapolis, Mitch (Damon) is horrified when his wife (Paltrow) comes home from a business trip to China, collapses with the flu and dies. But she's only the first of a series of similar cases around the world, and soon officials from the Centers for Disease Control (Winslet, Fishburne and Ehle) and the World Health Organisation (Cotillard) are on the case, trying to manage emerging clusters while tracing the disease back to its source. Meanwhile, a blog hack (Law) is pestering a San Francisco scientist (Gould) for a cure.

Continue reading: Contagion Review

Alice Pratt (Alfre Woodard) and Charlotte Cartwright (Kathy Bates) have been friends for over 30 years. The former runs a small diner. The latter is the CEO of a local construction company. Alice has two daughters -- snooty career gal Andrea (Sanaa Lathan) and honest, hardworking Pam (Taraji P. Henson). Charlotte has a conniving son named William (Cole Hauser) who cheats on his wife Jillian (KaDee Strickland). After marrying the decent Chris (Rockmond Dunbar), Andrea begins a torrid affair with her boss -- who happens to be William. He wants to take over for his aging mother, believing it is his birthright. In the meantime, a new employee (Robin Givens) stirs things up for the adulterous duo. Soon, all the simmering secrets in the Pratt and Cartwright households will be out in the open.

Continue reading: The Family That Preys Review

The film's setup is simple. Dre (Taye Diggs) and Sidney (Sanaa Lathan) have been very close friends since childhood, when hip-hop was just coming into its own. Dre is a well-known hip-hop record producer who is unhappy with his job and is about to get married. Sidney is a magazine editor who is working on a book about the origins of hip-hop and cannot find the right man to fit her groove. She is of course secretly in love with Dre because he is the only man who can connect with her and her music, and Dre is secretly in love with Sidney because she is the only woman who will support his dreams. Both Dre and Sidney have problems with the other's initial choice of spouse (Nicole Ari Parker and Boris Kodjoe).

Continue reading: Brown Sugar Review

Chief of Police Matt Lee Whitlock (Washington) monitors the comings and goings of Banyan Key, an intimate beach community located several miles south of Miami. His private life is plagued by failed relationships and love triangles. A pending separation from his wife Alex (Eva Mendes) doesn't stop Whitlock from sleeping with Anne (Sanaa Lathan), a married townie with an abusive husband (Dean Cain).

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Both a winning, friends-or-more romance with intelligent, down-to-earth characters and a melodious love-letter to the heart and soul of hip-hop, "Brown Sugar" signals director Rick Famuyiwa's emergence as an articulate, grown-up voice in African-American (and cross-over) cinema.

Far more mature and perceptive than recent stereotype-hocking, battle-of-the-sexes "comedies" like "The Brothers" and "Two Can Play That Game," this movie may not have a terribly original plot -- in the midst of plans to marry other people, two life-long best friends (Taye Diggs and Sanaa Lathan) finally realize they're meant for each other -- but the story is built around smart, appealing, multi-dimensional characters whose romantic (and other) problems are not simplistic or easily resolved.

The supernaturally handsome and magnetic Diggs plays Dre, an executive at a record label that has sold its soul for commercial success. Torn between making a good living and sticking to his principles (defined by his true love of unadulterated, old-school hip-hop), he finally walks out when his boss tells him "You wanna keep it real, you go to (another label). You wanna keep it profitable, that's what we do." (A running gag features the label's talentless new black-and-white novelty rap duo who call themselves "the dalmatians of hip-hop" and plan to remake "The Girl Is Mine" as "The Ho is Mine.")

Continue reading: Brown Sugar Review