Kathleen Hanna was one of the pioneering icons of the riot grrrl feminist punk movement in the 90s as the lead singer of Bikini Kill and later Le Tigre. Outspoken and determined, she wanted to bring feminism to pop culture in a way that had never before been done, at a time where male orientated grunge artists such as Nirvana were at the top of their game. The years after her initial music career were a deep struggle for Kathleen, however, due to serious health issues. She had contracted Lyme disease which forced her to leave Le Tigre in 2005 and undergo treatment. It caused much confusion among her fans who thought she'd never stop making powerful pro-woman music, but now she's back in business with her newest band The Julie Ruin.
This candid documentary tells the story of Kathleen's chaotic career and troublesome personal life featuring intimate interviews with the likes of Kathleen herself, her husband and Beastie Boys member Adam Horovitz, Sleater-Kinney singer Carrie Brownstein, Joan Jett from Joan Jett & the Blackhearts, fashion blogger Tavi Gevinson and Sonic Youth vocalist Kim Gordon. 'The Punk Singer' won the Women in Cinema Lena Sharpe Award at the Seattle International Film Festival where it also landed 2nd place for the Golden Space Needle Award and was nominated for the Documentary Award. It is due for release on May 23rd 2014.
With a strikingly against-type performance from the late Gandolfini, this film gives the romantic-comedy formula a welcome adult spin. Writer-director Holofcener keeps the characters authentic even as she indulges in some rather farcical plotting. And her astutely observational dialog lets the cast members create characters who are funny, flawed and thoroughly engaging.
At a party, massage therapist Eva (Louis-Dreyfus) meets two people who become important in her life. First is Marianne (Keener), whose snappy wit and honesty make her much more than just a new client. And then there's Albert (Gandolfini), an unlikely suitor who charms Eva with his dry wit and warm camaraderie as they share common emotions about daughters (Fairaway and Hewson) who are leaving home for university. But as Marianne moans about her miserable ex-husband, Eva realises that she's talking about Albert. And she knows that if she tells them that she's made this connection, she'll lose both a friend and a boyfriend.
Holofcener takes this simple idea and stretches it nearly to the breaking point. Fortunately, the film's real strength lies in the interaction between these people, and it's easy to identify with their hesitance as they endure a series of awkward moments that feel bracingly realistic. All of the dialog bristles with humour that feels improvised, and Louis-Dreyfus has always been an expert at combining comedy with both underlying strength and fragility (see Veep). Gandolfini seems like a strange match for her, but he plays the role so beautifully that we root for them as a couple.
Continue reading: Enough Said Review
Eva, a divorced, single mother who faces the impending departure of her soon to be college bound daughter, meets Albert, an easy going, teddy-bear of man who has a complicated relationship with his ex-wife.
Eva pursues Albert and the couple's relationship quickly blossoms until Eva's latest friend, Marianne, gets a phone call from her supposedly miserable, horrible and selfish ex-husband. Albert.
Eva finds her relationship being tested and doubting her new partner after being sub-consciously influenced by Marianne. Eva must discover the truth about Albert in order find out first hand if he is as the man Marianne suggests he is.
Continue: Enough Said Trailer
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