‘Guerrilla’ is among a number of new dramas announced by Sky, which include shows starring Julia Stiles and Christina Hendricks.
Idris Elba will be starring in a new political drama for Sky Atlantic set in 1970s London. Titled ‘Guerrilla’, it will be Elba’s first small-screen drama since BBC1’s ‘Luther’. The six-part series is set to debut on Sky Atlantic next year.
Idris Elba will star in new Sky Atlantic drama ‘Guerrilla’.
‘Guerilla’ follows a politically active couple after they liberate a political prisoner and form a radical underground cell. Their target becomes the “black power desk”, a true-life, secretive counter-intelligence unit within Special Branch which was dedicated to crushing all forms of black activism.
Continue reading: Idris Elba To Star In Sky Atlantic Drama 'Guerrilla'
In Martha's mind, she's a fantastic girlfriend but finds it impossible to hold on to a boyfriend. When her partner cheats on her, that's the last straw, Martha begins to lose it. She turns into a party animal and takes everything to the extreme.
Francis is a hitman, for years he's been one of the best in the trade but recently he's been doubting his profession and grown a conscience that he's not had before. Dealing with it in the only way he knows how, Francis begins killing the clients who recruit him to perform hits.
Francis meets Martha when she's on the brink of doing something silly. The two instantly connect and are soon out having drinks together. When Francis notices the guy next to them is carrying a weapon, his new sense of justice kicks in and takes matters into his own hands.
Continue: Mr. Right Trailer
Quentin Tarantino is a filmmaker who simply can't be ignored, especially when he lobs a three-hour wide-screen epic whodunit Western into the cinema. This strikingly entertaining film is packed with his trademark plot twists and dialogue that snaps and crackles in every direction imaginable. So even though it's mainly set in a single room, it's never boring. But with no discernible point, it also leaves the audience rather cold.
In the snowy Rockies of southern Wyoming, cavalry officer turned bounty hunter Warren (Samuel L. Jackson) hitches a ride on a stagecoach with shifty gunslinger John (Kurt Russell), who is escorting feisty outlaw Daisy (Jennifer Jason Leigh) to collect the reward on her head and see her hanged. They also pick up lost new sheriff Chris (Walton Goggins) before an intense blizzard forces them to take shelter at a mountain lodge run by the suspicious Bob (Demian Bichir). Inside, hangman Oswaldo (Tim Roth), war veteran Sandy (Bruce Dern) and their mysterious friend Joe (Michael Madsen) are also waiting out the storm. And as these eight people circle around each other, it's clear that each of them wants the others dead.
No, there's not a single trustworthy person in this story, and Tarantino has a great time revealing the inner murkiness within each one. This gives the actors plenty of texture to work with, as they deliver their lines with knowing innuendo, razor-sharp wit and glowering loathing. The set-up feels somewhat belaboured, but the film's second half is a cracking Agatha Christie-style mystery as we wait for the first shot to be fired. With its single setting, it feels like a particularly nasty stage play, livened up by Tarantino's wordy writing, which drops in big issues like racism and sexism without ever quite grappling with them. And there's of course also a steady stream of vicious violence, including an extended flashback featuring Channing Tatum.
Continue reading: The Hateful Eight Review
Ahead of the British release of 'The Hateful Eight', Tim Roth spoke to us at the European premiere about working with Quentin Tarantino once again.
Ahead of the widespread theatrical release of Quentin Tarantino’s latest movie The Hateful Eight in British cinemas in the new year, one of the film’s stars, Tim Roth, spoke to us at its European premiere earlier this month.
Roth starred in both of Tarantino’s first two major films, Reservoir Dogs (1992) and Pulp Fiction (1994), which are both arguably still most people’s favourites among all of his films. The Hateful Eight therefore sees Roth work with the great director for the first time in over two decades, and we asked him what the differences were in Tarantino’s work then and now.
Tim Roth with his wife Nikki Butler at the US premiere of 'The Hateful Eight' in December 2015
Continue reading: Tim Roth Talks About Working With Quentin Tarantino On 'The Hateful Eight'
Roth played the suspended FIFA president in 'United Passions', which bombed at the box office earlier in 2015.
A matter of days before Sepp Blatter was handed down an eight year ban from all football-related activities, Tim Roth has trashed the movie in which he starred as the disgraced former FIFA president, United Passions.
You may remember the movie’s disastrous box office performance when it was released back in June this year, taking just $607 on its opening weekend in the United States. 90% funded by FIFA itself, it unfortunately came out just as the organisation was engulfed in the much-publicised corruption scandal and the subsequent investigation.
Tim Roth played the disgraced suspended FIFA president Sepp Blatter
Continue reading: Tim Roth "Hated" Playing Sepp Blatter In FIFA Movie, Did It For The Money
John Ruth earnt his nickname The Hangman for a good reason, he's one of the best bounty hunters of his generation and he's just caught himself a BIG prize, Daisy Domergue has a bounty of ten thousand dollars on her head and Ruth isn't going to share his reward with any other man he might meet on the road.
On their trip, the weather in Wyoming begins to turn and the bounty hunter and his trophy must leave the road and take shelter. They find themselves hauled up at Minnie's Haberdashery, a small stagecoah stopover. This trip just became all the more risky for Ruth as they're not the only dubious residents staying at the layover.
Knowning that the chatter will soon spread, each member of the boarding house are introduced to one another. There's the new sheriff Chris Mannix; Bob The Mexican who's looking after Minnie's Haberdashery whilst Minnie is busy; Oswaldo Mobray AKA The Little man; General Sanford Smithers, an aging confederate General; Joe Gage also known as The Cow-puncher and finally the mysterious Major Marquis Warren, an ex-soldier (for the Union) turned notable bounty hunter.
Continue: The Hateful Eight Trailer
The Bafta nominations have been revealed, leading to some shock by what has been missed out from the ceremony.
Friday morning's British Academy Film Awards nominations show the predicted BAFTA love for home-grown movies like 'The Imitation Game' and 'The Theory of Everything', but were even more notable for who was missing from the shortlists.
Timothy Spall - snubbed by the academy?
The most obvious snub was for Mike Leigh's acclaimed biographical drama 'Mr Turner', for which Timothy Spall won Best Actor at the Cannes Film Festival. But the film only has a handful of technical nods (for cinematography, production design, costumes and make-up/hair), with nothing for Spall or Leigh, and most surprisingly no British Film nomination.
Continue reading: Bafta 2015 Nominations Reveal Secrets Of Awards Season
'Birdman' stars Emma Stone and Edward Norton made their arrivals on the red carpet at the movie's premiere held at the 71st Venice Film Festival. The comedy drama is set for UK release in January 2015.
Continue: Video - Emma Stone And Edward Norton Arrive At Venice Film Festival 'Birdman' Premiere
How did Olivier Dahan's Grace Kelly biopic fare at the Cannes Film Festival?
Grace of Monaco is about to premiere on the opening night of the 67th Cannes Film Festival. Olivier Dahan's sumptuously shot Grace Kelly biopic, which stars Nicole Kidman in the titular role, has had months of problems securing a release date but is finally ready to make its debut on a world stage.
Nicole Kidman's 'Grace Of Monaco' Prepares For Premiere In Cannes Tonight.
The film features Kidman ('Moulin Rouge') as the titular actress-turned-princess at a critical time in her life when she is married to Prince Rainier III of Monaco (Tim Roth) but has been offered a role in Alfred Hitchcock's (Roger Ashton-Griffiths) Marnie. Grace is forced to have to choose between her new royal life and the irresistible pull of her old Hollywood film star lifestyle.
Continue reading: 'Grace Of Monaco' Opens Cannes: A Royal Embarrassment For Nicole Kidman? [Trailer]
Tarantino's ditched Western could have been one of his best.
Quentin Tarantino has revealed this week that he has shelved his latest movie project, Hateful Eight, after the scripts that he carefully handed out to a trusted few leaked out, bringing unwanted attention to the director. The filmmaker revealed to Deadline that the script, which was still in its embryonic stages, was handed out to the actors he was courting as leads.
Quentin Tarantino Dropped His Latest Script After It Leaked.
The Hateful Eight script was given to six people, including Michael Madsen, Bruce Dern and Tim Roth but was leaked after one of the actors' agents passed it around. Soon after, Tarantino's longtime agent Mike Simpson began getting phone calls from agents looking to pitch their clients for roles in the proto-movie and the furious director felt compelled to shut the whole project down.
Continue reading: Quentin Tarantino's Scrapped 'Hateful Eight' Would Have Been Bloody 70mm Western
Grace Kelly is one of the most loved women of the past 100 years. The former Hollywood star was a favourite of the silver screen, but that was only really the beginning of her journey. When Grace Kelly fell in love with Prince Rainier III of Monaco, her personal life turned into a story that could rival that of a classic fairy tale.
Though not from royal stock, Grace is to many their favourite royal to have lived; beauty, elegance and a gentle and nurturing nature only added to the appeal of Grace throughout the world.
Nicole Kidman now takes on one of her most difficult roles to date and plays the much loved actress. Set in the 1960's whilst her husband, Prince Rainier III of Monaco, faced invasion by the French over tax disputes, the princess was also facing one of the most turbulent times of her life. Grace of Monaco was directed by Oscar winner Olivier Dahan (La Vie En Rose) and written by relative newcomer Arash Amel.
While this strikingly well-made film is a great calling card for rising-star filmmaker Norris, it's also so relentlessly dark and unsettling that it's difficult to see the point of it all. This is such a bleak coming-of-age tale that it almost obscures any hope at all, focussing a series of horrific incidents into a confined space that gives the actors and filmmaker a change to shine, but leaves the audience exhausted.
It's set in a North London cul-de-sac, where the pre-teen Skunk (Laurence) lives with her big brother Jed (Milner), her single dad (Roth) and her nanny Kasia (Marjanovic). But her happy life is thrown into chaos when violence erupts: hotheaded widower Bob (Kinnear) storms across the street and punches simple-minded Rick (Emms), seemingly for no reason, triggering a series of events that Skunk struggles to understand. And Bob's three daughters seem to be just as violent. One (Bryant) is mercilessly bullying Skunk at school, while another (Daveney) is seducing Jed.
The way so many story elements circle around Skunk makes the film feel almost like a stage play. Everyone is so interconnected that we wonder if much of this exists only in her mind. For example, Kasia has just started a relationship with Skunk's schoolteacher (Murphy), who has been accused of abusing one of Bob's daughters. And there are even more issues that put Skunk in both emotional and physical peril, including a new boyfriend (Sergeant) who might have to move away and the fact that she has Type 1 diabetes. And Skunk's world seems to be limited to her street and a junkyard across the field.
Continue reading: Broken Review
Richard Gere delivers such a charming, layered performance that he overcomes a contrived plot that piles too many financial and personal crises on the central character. But Gere is magnetic, and the film's themes resonate at a time of economic difficulty, most notably in the idea that all major world events revolve around money.
Gere plays 60-year-old financial mogul Robert, who lives the high life with a private jet, glamorous philanthropist wife Ellen (Sarandon) and sexy French art-dealer mistress Julie (Casta). He seduces the press with his intelligent wit, and has managed to conceal the fact that he's in severe money trouble. Everything hinges on selling his company, but the buyers are dragging their feet. Then he is involved in a fatal car crash that could undo everything. He turns to an estranged friend (Parker) for help, but a tenacious police detective (Roth) is beginning to piece it all together.
Having Gere in the central role makes all the difference here, because he is able to add the subtext and moral ambiguity that's lacking in the script and direction. Otherwise, it's shot like a too-obvious TV movie with close-up camerawork, a bland Cliff Martinez score and constant moralising about family values. By contrast, Gere is a shady character who is up to all kinds of unethical things and yet holds our sympathies because we can see that he's not all bad. Even so, the script puts him through the wringer, with a never-ending stream of personal and professional problems.
Continue reading: Arbitrage Review
Robert Miller is billionaire hedge fund businessman who at first glance seems to have the perfect life; successful, plenty of money, a supportive wife and a daughter/ business partner willing to take on the company when he retires. However, something much darker is going on underneath as he is struggling to cover up many years of fraudulent activities while trying to sell away his business to a bank. Not only this, but he has also embarked on an illicit affair with the young and beautiful Julie Cote who he attempts to whisk away with him for a while. As fate would have it, Robert finds himself drifting off to sleep in the car as they drive out of town and subsequently fails to prevent a crash that instantly kills Julie. As he attempts to cover his tracks by setting fire to the vehicle, his whole life is on the line with suspicious police officers, a mistrustful wife and a daughter with an unfortunate eye for detail threatening to collapse the empire he has worked so hard for.
This gripping thriller drama premiered in the US in September 2012 and serves as the full-length feature directorial debut of Nicholas Jarecki ('The Informers' screenwriter) who was also responsible for writing the fantastic screenplay.
Starring: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Laetitia Casta, Nate Parker, Stuart Margolin, Chris Eigeman, Graydon Carter, Bruce Altman, Larry Pine, Curtiss Cook, Reg E. Cathey, Felix Solis, Monica Raymund, Gabrielle Lazure, Shawn Elliott, Maria Bartiromo, David Faber, Josh Pais, Alyssa Sutherland, Paula Devicq, Zack Robidas & Betsy Aidem.
Continue: Arbitrage Trailer
Among the group is Susie Carter (Sophie Okonedo), who quickly reunites with her husband Ian (Chiwetel Ejiofor) but is devastated to learn their four-year-old daughter slipped out of her father's arms and has disappeared. Meanwhile, Kim Peabody (Gina McKee) has lost her husband but finds her teenage son horribly injured.
Continue reading: Tsunami: The Aftermath Review
Prelude: A noisy 1980s London auction for van Gogh's Sunflowers dissolves to a 1880s vagabond-ish Vincent (Tim Roth) and brother Theo (Paul Rhys). Multi-million-pound bids of a distant future echo as Vincent declares he's becoming a painter.
Continue reading: Vincent & Theo Review
Joshua, a long-time Little Odessa expatriate, is called back to the neighborhood to perform a hit on a big shot resident. When he arrives, he encounters his worshipful brother Reuben (Edward Furlong), former lover Alla (Moira Kelly), hateful father Arkady (Maximilian Schell), and dying mother Irina (Vanessa Redgrave). Together, the cast creates a highly dysfunctional family the likes of which you've probably never seen before.
Continue reading: Little Odessa Review
Now, after Michael Moore's Fahrenheit 9/11, Robert Greenwald's Uncovered: The War on Iraq, France's The World According to Bush, the upcoming Bush's Brain, and many more, filmmaker John Sayles adds his satiric shovelful with Silver City, a (fictional) feature film which explores the ramifications of a political system that lends itself to corrupt and unseemly influences.
Continue reading: Silver City Review
Deceiver may not be the latest in this trend of trying to trick us, but it is, like most of them, incredibly easy to predict. You see, when you've watched enough movies, you become immune to their tricks. You see through them, know the killer ten seconds in from their first facial expressions.
Continue reading: Deceiver Review
Torpid, trite and not the least bit scary -- just unrelen=tinglyunpleasant -- the first 45 minutes of the movie only came to life in twoscenes involving the messy divorce of miserable single mom Jennifer Connelly(proving Oscars don't bring talented actresses good roles). She subsequentlymoves into a drab, creepy cinderblock slum with her sad-eyed daughter (ArielGade), even though it's made very clear that there's nothing keeping herfrom finding a nicer place in the suburbs.
Soon the kid has an "imaginary friend" she won'ttalk about, their ceiling is dripping gooey black liquid from an abandoned(and eerily flooded) apartment upstairs, and the building's greasy manager(John C. Reilly) and bug-eyed, hollow-cheeked building superintendent (PetePostlethwaite) both seem to be hiding something sinister.
Director Walter Salles (the Brazilian behind "TheMotorcycle Diaries," making his inauspicious Hollywood debut) dragsout these routine, oppressively glum establishing scenes to a mind-numbingdegree. (If this apartment building is spooky enough to justify its ownominous soundtrack theme from the moment mom and daughter arrive, how comeConnelly isn't astute enough to realize something's amiss, even if shecan't hear the music?)
Continue reading: Dark Water Review
Without the faintest hint of director Tim Burton's uniquely uncanny style, "Planet of the Apes" version 2.0 feels like nothing more than a generic (albeit overblown) sci-fi summer movie -- and a forgettably mediocre one at that.
A passionless, elementary endeavor of wow effects and a yawn plot (which has been reinvented from the 1968 original), the picture opens circa 2029 with astronaut Mark Wahlberg working on a space station, training chimps to pilot one-man pods into electrical storms encountered in deep space.
After losing contact with one chimp in a rather ominous anomaly, Wahlberg establishes his maverick personality (which soon fades into a vanilla version of your standard action hero) by swiping a pod against orders to go rescue him. Once inside the storm, our hero is sucked into a wormhole that turns his helm dead and spits him out to crash land on a faraway world in the distant future where -- as if you didn't know -- a brutal, medieval society of evolved simians enslaves primitive humans as labor and pets.
Continue reading: Planet Of The Apes Review
After all its TV commercial posturing about "re-envisioning" a classic as a post-Hong Kong actioner, "The Musketeer" betrays the truth of its utter lack of real ambition in the casting of a wooden, charmlessly handsome, totally generic Hollywood pretty boy in the title role.
His name is Justin Chambers (Jennifer Lopez's irritating Italian suitor in "The Wedding Planner"), and he looks and acts like he got the part only because Chris O'Donnell -- the industry's preferred choice for glinty-eyed, mannequin-souled heroes -- already played D'Artagnan in Disney's weightless 1993 adaptation of Alexandre Dumas' "The Three Musketeers."
Out to avenge the murder of his father some 14 years before, this D'Artagnan is "all for one" without the "one for all." Ostensibly, he ventures to Paris to join King Louis XIII's elite guard, only to find them disbanded and in disarray following a power shift that favored troops loyal to the power-mad Cardinal Richelieu (Stephen Rea).
Continue reading: The Musketeer Review
Date of birth
14th May, 1961
Henry wakes up in a modern operating theatre unable to speak and with no memory...
In Martha's mind, she's a fantastic girlfriend but finds it impossible to hold on to...
Quentin Tarantino is a filmmaker who simply can't be ignored, especially when he lobs a...
John Ruth earnt his nickname The Hangman for a good reason, he's one of the...
John Ruth, known by his associates and like-minded peers as The Hangman on account of...
One of the finest biopics in recent memory, this drama manages to present someone as...
While the tone is all wrong, this fantastical version of a momentous year in the...
Grace Kelly is one of the most famous and most beloved Hollywood actresses in the...
When news gets round about a gold discovery in the Klondike region of the Yukon,...
Blackly comical writing and direction add a playful slant to what could have been a...
Adam is just 19-years-old but, after managing to prang his mother's mobster boyfriend's car, is...
While this strikingly well-made film is a great calling card for rising-star filmmaker Norris, it's...