It's the 1970s and Captain James Conrad and Lieutenant Colonel Packard are leading a group of soldiers and explorers to a seemingly idyllic unmapped location in the Pacific.
Unfortunately, their journey requires some serious collateral damage, as they are forced to bomb the island and unwittingly incite the treacherous ire of Kong, the King of Skull Island. He crushes them - literally. That's what happens when you bomb the habitat of a giant ape. But soon they realise that Kong isn't the only outsize creature they have to fear, because the island is home to a group of demonic monsters as well, some that resemble spiders and others that resemble reptiles. Their only hope is to enlist the help of the island's inhabitants, tribal men and women who worship the great Kong but disapprove of the Americans' willingness to attack their home.
Directed by Jordan Vogt-Roberts ('The Kings of Summer'), 'Kong: Skull Island' is a re-imagining of the King Kong story, following him to his home on Skull Island where he first originated. The screenplay was written by Dan Gilroy and Max Borenstein, and filming spanned locations the likes of Hawaii, Australia's Gold Coast and Vietnam. Starring Tom Hiddleston, Samuel L. Jackson and John C. Reilly, the film is scheduled to be released on March 10th 2017.
Gold is more than a valuable commodity for Kenny Wells, to him it's an obsession. The year is 1988 and Wells lives in Reno with his partner, Kay. The balding, fast-aging man is constantly down on his luck and often resorts to pawning his partner's possessions just to get hold of a little money.
The wannabe businessman attempts to start many new ventures but constantly finds himself being turned away. One day Wells awakes from his slumber and recalls a vivid dream telling him to go find Gold in unchartered territory. Kenny has little knowledge of how to make it work but knows that this is the big break he's been waiting for.
Teaming up with geologist Michael Acosta, Wells tells Acosta about the land he feels is rich with unmined gold reserves in Indonesia. Talking Acosta into the project, they begin their ambitious dig with basic supplies and minimal investment. As their workers begin to see that their efforts are not garnering any results they begin to leave and everything looks like it's going against the Americans.
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James Conrad is a British captain who leads an international envoy to the middle of the Pacific Ocean to charter some of Earth's most distant and mysterious lands. The captain is accompanied by a number of other members on the team including Randa, a government official who appears to know a few of the islands mysteries; a female photojournalist called Weaver who is known for her war photography; US Lieutenant Colonel Packard who is in charge of the UK troops who are also part of the mission.
As the vessel approaches the island, spirits are high and the team are ready to take choppers to the green land known as Skull Island. Soon their mission becomes disastrous as the inhabitants are far more feral than they could ever imagine. Equipped with guns, Ammunition and rocket launchers, the humans feel that they're able to overcome whatever may await them on the island but the truth is that they could never come face to face and beat the beast that awaits them.
Kong: Skull Island is the latest reboot of the King Kong story and it focusses on the start of the story originally told in 1933.
Continue: Kong: Skull Island Trailer
Azeroth is a beautiful and civilized kingdom, it's human inhabitants are goverend by their much loved king, King Llane Wrynn. When a mysterious porthole is opened up between Azeroth and the orc world of Draenor, the civilians of Azeroth are left fearing for their life. The Orcs face extinction from their old world and the humans know they will bring destruction of their own should they find a home in Azeroth.
As war spreads across the land, the king seeks advisal from his most powerful knights to decide what action to take to protect the capital. The king is dubious about the Orcs abilities, they huge creatures but are known more for their brutish ways than their intelligence. Anduin Lothar is the kings highest knight and feels there's a far deeper problem than first thought. Anudin and a small group of fighters must find a way to put an end to the battle before their land is lost for good.
Warcraft: The Beginning is based Blizzard Entertainment's online role-playing game and features some of the characters seen in the games.
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After years of work and millions of dollars in funding, Dr. Storm has come up with nothing to show for all his work into interdimensional travel. That is, until the arrival of Reed Richards (Miles Teller), who demonstrates such an understanding of the science they are studying, that the project is finished shortly afterwards. Now Reed, Storm's children Susan (Kate Mara) and Johnny (Michael B. Jordan) and Ben Grimm (Jamie Bell) are sent to test the machine. But something goes wrong - having successfully travelled to another dimension, the four children are changed forever, in ways they never could have imagined.
Continue: Fantastic Four Trailer
A teleportation experiment malfunctions, leaving four young scientists undoubtable irrecoverably changed. With the steady manifestation of superhuman abilities, the four come together in order to defend the world from an infamous and sinister villain, known only as Doom (Toby Kebbell). Now, the scientist fashion themselves as the first superhero team, with Reed Richards (Miles Teller) becoming Mr Fantastic, Susan Storm (Kate Mara) becoming The Invisible Woman, Johnny Storm (Michael B. Jordan) becoming The Human Torch, and Ben Grimm (Jamie Bell) becoming The Thing. Together, they must combine their abilities of elasticity, invisibility, spontaneous combustion, and being able to turn into a rock, in order to become The Fantastic Four.
Continue: The Fantastic Four - Teaser Trailer
Director Matt Reeves (Cloverfield) ramps up this reboot franchise with a strikingly well-written action-drama, which takes an unusually complex route through the story. By refusing to have any simplistic villains, the film encourages viewers to see all sides of the conflict, which draws out vivid emotions and some unusually relevant political themes. It's also a technical triumph, obliterating the line between animation and actors.
It's been 10 years since the events of 2011's Rise of the Planet of the Apes, and Caesar (Andy Serkis) has built a thriving ape community in the woods north of San Francisco. They haven't seen any humans in years, since the simian flu has killed all but one in every 500 people. But there's a tenacious group of human survivors in the city, and when Malcolm (Jason Clarke) and his team venture out to search for a source of hydroelectric power, they run into the ape community. Both Caesar and Malcolm are willing to talk about cooperating, but Caesar's second in command Koba (Toby Kebbell) finds it impossible to trust men after they so viciously tortured him as a young chimp. And Malcolm's sidekick Carver (Acevedo) is more than a little trigger happy, as is the community's leader Dreyfus (Oldman) back in the city.
Instead of concentrating on the conflict between apes and men, the film's perspective is through their family units. Caesar's mate Cornelia (Judy Greer) has just given birth to a son, while their older son Blue Eyes (Nick Thurston) struggles to make sense of the clash between humans and apes. Meanwhile, Malcolm's scientist partner Ellie (Keri Russell) and his observant teen son Alexander (Kodi Smit-McPhee) offer similar emotions from the human side. The script's clear suggestion is that the next generation may offer more hope for understanding, which makes the stakes startlingly high as violence threatens to break out. Indeed, the film is a bracing exploration of how our decisions today will affect our future.
Continue reading: Dawn Of The Planet Of The Apes Review
Caesar was the world's first genetically modified ape, who was more than let down by his supposedly caring human conterparts as he grew older and wiser, with the ability to communicate like a human being. Now living in a world where apes rule over the Earth, and over the few remaining humans after a deadly virus swept the planet nearly ten years ago, Caesar has every right to feel unsympathetic. The humans appeal to the apes for peace but most of them are brutal and merciless in response, unwilling to let mankind rule over the planet again. However, Caesar sees that unless they can live in peace, everyone will die and he starts to feel that perhaps there's more good in humans than he was starting to believe. As a devastating war breaks out, he bonds with a man he likens to the scientist who brought him up and decides to find a way to help everyone live in harmony, risking his own life for both their races.
'Dawn of the Planet of the Apes' is the unnerving sequel to the 2011 sci-fi 'Rise of the Planet of the Apes'. Both are precursors to the 'Planet of the Apes' franchise, and 'Dawn...' has been directed by Matt Reeves ('The Pallbearer', 'Let Me In', 'Cloverfield') alongside writers Mark Bomback ('The Wolverine'), Scott Z. Burns ('The Bourne Ultimatum'), Rick Jaffa ('The Relic') and Amanda Silver ('The Hand That Rocks the Cradle'). It is due for release on July 17th 2014.
Earth has become a post-apocalyptic nightmare inhabited by the few survivors of a virus that plagued the globe nearly ten years ago, affecting only humans and destroying civilisation. Now, a breed of genetically modified apes whose intelligence and strength exceed far beyond the mental capabilities of mankind are well on their way to becoming the rulers of the planet - a power that the humans aren't about to give up in a hurry. They are led by the ruthless original 'improved' primate Caesar, and the once immaculately built-up cities of the world have overgrown into isolated wilderness. With apes on the warpath and mankind struggling to rebuild their homes and their lives in the face of the oncoming menace, the two races must join together and form some kind of peaceful truce, lest the fate of the world becomes even more dismal.
Continue: Dawn Of The Planet Of The Apes Trailer
Toby Kebbell is the chosen one for The Fantastic Four - but will it work?
As we predicted a couple of weeks back now, British actor Toby Kebbell will play villain Victor von Doom, aka Doctor Doom, in Fox's Fantastic Four reboot. The role was being chased by a number of rising stars including Jack Huston, Domhnall Gleeson and Sam Riley though the studio has plumped for arguably the least known of the contenders, according to Variety.
Toby Kebbell Will Play Doctor Doom in 'The Fantastic Four'
The casting of Kebbell completes a fresh looking cast for the new movie, with Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell forming the herpic quartet. The movie starts shooting in the Spring.
Continue reading: Toby Kebbell To Play Doctor Doom In 'Fantastic Four' - But Who Is He?
The casting of 'Dr Doom' in the Fantastic Four reboot is nearing its conclusion, but who will play the villain?
The casting of Dr Doom in the new Fantastic Four movie has reached its final stages, with four actors in with a shot of playing the main villain. So who will be the one to terrorize the new line-up of superheroes, Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell?
According to The Wrap, casting directors have singled out Sam Riley, Eddie Redmayne, Toby Kebbell and Domhnall Gleeson as the final four. A fifth actor, Jack Huston, was also in the mix a couple of weeks back though it's unclear whether it remains a possibility.
Continue reading: One Of These Four Actors Will Play 'Fantastic Four's' Dr Doom
Nearing a decade after a massive percentage of human civilisation was destroyed after a virus affecting only mankind spread its way across the globe, a breed of genetically modified apes with intelligence beyond normal capacity are on the verge of ruling the Earth, led by the original genetically reformed primate, Caesar. The once immaculate cities have become wild, with only a few survivors left to take on the challenge of rebuilding their lives - but it's something they are unlikely to achieve until some sort of peace is reached between the humans and apes. When that fails, the only thing left is war; something that could turn brutal enough to wipe out both species on their quest for dominance.
This film proves that all the right ingredients don't necessarily make a movie work. Even with top-drawer filmmakers and actors, this dramatic thriller simply never grabs our interest. It looks great, and everyone is giving it their all, but the story and characters remain so badly undefined that we can't identify with either.
The story's set on the US-Mexico border, where a slick lawyer (Fassbender) known as "the Counsellor" has slightly too much going on in his life. He has just proposed to his dream woman Laura (Cruz), while he's planning to open a nightclub with Reiner (Bardem). For extra cash, he's organising a massive cocaine shipment with Westray (Pitt). And it's this drug deal that goes wrong, creating a mess that engulfs Reiner and Laura, as well as Reiner's shrewd girlfriend Malkina (Diaz). As his life collapses around him, the Counsellor scrambles to salvage what he can, even as he realises that it'll be a miracle if anyone survives.
There are problems at every level of this production. McCarthy's first original script is simply too literary, putting verbose dialog into the actors mouths that never sounds like people talking to each other. Fassbender and Bardem are good enough to get away with this, but Pitt and Diaz struggle. Both Fassbender and Cruz bring out some wrenching emotions in their scenes, but their characters are never much more than cardboard cutouts. In fact, no one in this story feels like a fully fleshed-out person. And the little we know about each character makes most of them fairly unlikeable.
Continue reading: The Counselor Review
Despite a bunch of cold characters and a deeply contrived plot, this film is so infused with hot topicality that we are held in its grip all the way through. The issue is corporate irresponsibility and grass-roots activism, both of which feel ripped straight from the headlines to give the movie an edgy, almost documentary urgency. On the other hand, it's nearly impossible to get involved in the story's inter-personal dramas.
Director Batmanglij is reteaming with Sound of My Voice actress-cowriter Marling, who this time plays Jane, a corporate-security spy assigned by her shark-like boss (Clarkson) to infiltrate the eco-terrorism group The East. The goal is to prevent them from attacking any of her clients. It takes Jane awhile to worm her way into the anarchists' inner sanctum, where she immediately finds an affinity with leader Benji (Skarsgard), medically trained Doc (Kebbell) and flamboyant Luca (Fernandez). It takes longer to warm to the prickly Izzy (Page), but eventually Jane finds herself part of the core team, invited to participate in a series of jams in which The East gives company bosses a taste of their own toxic medicine.
In the cast of a pharmaceutical giant, this is quite literally the case: they infect the executive (Ormond) with the dangerous drug she's selling to the developing world. And the gang also stages assaults on oil companies in ways that are eerily easy for us to identify with, because the activists are making an important point. Indeed, we never really doubt where the filmmakers' sympathies lie: even if their actions are illegal and rather nasty, these "terrorists" are the good guys. At least this moral complexity gives the film a brainy kick.
Continue reading: The East Review
While this sequel is just as loud and chaotic as 2010's Clash of the Titans remake, it's also considerably more fun due to some exhilarating action and a refreshing sense of humour. It also looks amazing in 3D on an Imax screen.
Years later, the now-widowed hero Perseus (Worthington) is trying to live as an anonymous fisherman with his pre-teen son Helius (Bell). Then he hears about stirrings of a coming calamity. Indeed, his father Zeus (Neeson) has been kidnapped by Hades (Fiennes) and Ares (Ramirez) as pat of a plan to release Zeus and Hades' evil father Kronos from the underworld. So Perseus teams up with Queen Andromeda (Pike) and rogue demigod Agenor (Kebbell), son of Poseidon (Huston), to rescue his father and stop his brother, uncle and grandfather.
Yes, this is one seriously dysfunctional family, as four generations of men set out to either destroy the world or save it. To be honest, it's never clear why Hades and Ares are so hellbent, as it were, on cataclysmic destruction, but at least this also allows for changing alliances as the story progresses. Not that there's much story, really, as the plot essentially just links a series of action set-pieces.
Fortunately, most of these sequences are entertaining enough to keep us gripped. Highlights include a rather fabulous dragon attack and a desperate, full-on fight with cyclops-giants in a forest. Less convincing are a convoluted underworld rescue-battle and the climactic assault on the volcano-sized Kronos, who rains down fire and destruction rather selectively. (There's also the problem of how the filmmakers can top Kronos in the probable sequel.)
Along the way, there are some refreshing moments of deranged humour, mainly in Kebbell's snarky dialog, Pike's sharp glances and a particularly colourful turn by Nighy (as super-spear smelter Hephaestus). But as the story progresses, there's more than a whiff of Lord of the Rings (the fires of Mount Doom, plus some pointless two-torsoed Orc-a-likes), Harry Potter (the three-pronged Deathly Hallows) and even Star Wars (all that father-son angst). But filmmaker Liebesman keeps things moving briskly, wowing us with so much eye-candy that we just sit back and enjoy the rickety ride for what it is.
In early 1900s Devon, teenager Albert (Irvine) lives on a farm with his impulsive-drunk father Ted (Mullan) and his tough-minded mum Rose (Watson).
When Ted overpays for the wrong horse to work the fields, Albert adopts the horse, names him Joey and teaches him the ropes. But when war breaks out in Europe, Ted sells Joey to a cavalry captain (Hiddleston). At war, Joey changes hands between British and German officers, a young soldier (Kross) and a French farmer (Arestrup). Meanwhile, Albert joins the army, heading into the trenches to search for Joey.
Continue reading: War Horse Review
It's been ten years since Perseus triumphantly defeated the gargantuan Kraken that roamed the shores of a fishing village. Now, though, he is content to scrape a living as a fisherman, while raising his ten year old son, Helius, alone.
Continue: Wrath Of The Titans Trailer
After the President is murdered in 1865, inexperienced lawyer Frederick (McAvoy) is assigned to defend Mary Surratt (Wright), who is charged with conspiracy alongside eight others. As a war hero from the North, Frederick is horrified to get this job, but is convinced by his boss (Wilkinson) that she at least deserves a fair trial. Of course, in the hysteria following the war and assassination, that's not likely. The judge (Meaney) clearly takes sides, the prosecutor (Huston) is relentlessly arrogant and the war secretary (Kline) has already decided on a verdict and sentence.
Continue reading: The Conspirator Review
One of Merlin's apprentices, Balthazar (Cage), has been searching for Merlin's heir for nearly three thousand years, finally locating him in New York City in physics geek Dave (Baruchel). Doubtful but intrigued, Dave learns that Balthazar's ex-colleague Horvath (Molina) is determined to resurrect the evil Morgana (Krige) to destroy humanity. But Dave is badly preoccupied by the fact that the girl (Palmer) he has loved since age 9 is suddenly showing him some interest. Can't this world-saving business wait?
Continue reading: The Sorcerer's Apprentice Review
RocknRolla is sexy, fast, loose, smart, and extremely funny. It's crammed with colorful criminals, which Ritchie and cinematographer David Higgs backlight to great effect. It chokes on delightfully screwy schemes, which the director and his editor James Herbert slice, tape, and test drive at breakneck speeds. And that's the key. It keeps moving, hardly caring if you are keeping up.
Continue reading: RocknRolla Review
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