Maggie's has always been practically minded and now that she's in her thirties and has decided that it's time to have a child, the small issue of not having a partner isn't going to stand in her way. She's never really experienced being head over heels in love so when she meets John Harding (an aspiring novelist) their instant connection comes as a shock to the sometimes bookish Maggie.
As Maggie and John's relationship becomes more and more serious, Maggie seeks advice from her best friends. Falling for John isn't just a usual case of starting a relationship, John has many other people to consider - namely his wife and kids. John has been married to a Danish academic for years but over recent times, the couple have become more and more distant.
Soon John realises that Maggie is a source of inspiration for him and he's ready to move on from his prior life. We fast-forward 2 years down the line and the couple have a child but Maggie isn't quite as head over heels in love with the man she thought John was. Maggie cannot bring herself to leave John and decides to come up a highly unconventional way to try and find a solution to her current predicament.
Portia Nathan is a prim and proper admissions officer for the prestigious Princeton University and finds herself living a consistent, routine life with rules and specifications that she is uncomfortable to veer from. During a visit to recruit possible admissions to the college, she calls at a rather unconventional countryside high school headed by John Pressman, a classmate of hers that she met when she was in college. While he is determined to steer Portia towards some rather gifted students of his, he also wants to introduce her to a boy named Jeremiah who he believes is a prodigy and also the he was the child that she gave up for adoption after an unplanned pregnancy in college. John and Portia find themselves falling for each other and while John is happy to let things take their course, Portia is adverse to the idea of romance but she soon finds her life moving towards the kind of happiness she never knew she could have while at the same time doing everything in her power to get her biological son to college - even if that means breaking rules to do so.
'Admission' is a wonderfully heart-warming romantic comedy directed by comedy genius Paul Weitz ('About a Boy', 'American Pie', 'Little Fockers') and written by Karen Croner ('One True Thing', 'Cold Sassy Tree') and novelist Jean Hanff Korelitz in her screenwriting debut. It is set for release on March 8th 2013.
Continue: Admission Trailer
Stacey and Goody are two vampires cursed to remain young and beautiful forever after being bitten and changed in the 19th Century. Whilst they have dated numerous men in the past, they still prove to be putty in the hands of love when Stacey falls for the son of the notorious vampire hunter Dr Van Helsing. Joey Van Helsing is equally as taken with her as she is with him, however his father immediately knows Stacey's secret and tries to warn Joey but to no avail. He gets together an angry mob of hunters who threaten to expose the coffin-lounging lady vamps to the sunlight they hate so much - always being slaves to the night when they spend their time partying. When Goody meets her dream man from years ago, both girls are faced with a choice: eternal immortality or love.
This side-splitting Rom Com is a brilliantly light-hearted take on the classic vampire; the perfect comic relief after the serious subject matter of modern vamp stories 'Twilight', 'True Blood' and 'Vampire Diaries'. It has been directed and written by Amy Heckerling; the writer of high-school parody series 'Clueless' and movies 'Loser' and 'Look Who's Talking' and has the same hilarious style of humour that has captured audiences since the '90s. 'Vamps' is set for release on November 2nd 2012 in the USA.
Starring: Alicia Silverstone, Krysten Ritter, Richard Lewis, Sigourney Weaver, Wallace Shawn, Justin Kirk, Malcolm McDowell, Zak Orth, Marilu Henner, Scott Thomson, Todd Barry, Kristen Johnston, Natalie Gal, Meredith Scott Lynn, Joel Michaely and Dan Stevens.
A quartet made up of first violinist Daniel, second violinist Robert, his wife and viola player Juliette and cellist Peter faces an uncertain future when Peter informs them of his recent diagnosis of Parkinsons disease which has resulting in him wishing to leave the quartet with immediate effect following their first show of the season. Him being the most talented of the four musicians, their musical cohesion is now under threat and it makes Robert consider what he wants for his future in the group. He expresses his feelings to Juliette and Daniel that he no longer wishes to play second violin exclusively, but perfectionist Daniel believes him to be insufficient for the role and Juliette tries to remind him that he must foremost consider the solidity of the quartet as a whole. Their disagreements cause a rift in the group, particularly in Robert and Juliette's marriage; Robert finds himself becoming more and more interested in a young dancer who he meets while jogging and Juliette and Daniel's relationship be
Continue: A Late Quartet Trailer
Andy (Morris) is getting ready to go to university, so the toys are preparing to be deposited in the attic. But a mix-up sees Woody (Hanks), Buzz (Allen) and pals sent instead to Sunnyside Daycare, an apparently happy place with no end of children to play with them. Except they're put in the terrible 2's room. And the leader of the Sunnyside toys, Lots-o-Huggin Bear (Beatty) is more like a prison warden. After a series of adventures, the toys must plot an elaborate escape.
Continue reading: Toy Story 3 Review
There's an odd sense of dragging in the middle, and some of the action sequences feel like they never quite crank up to high gear.
On the other hand, the film is a series of gorgeously conceived set pieces and terrific character interaction and, unlike newer films, it's not afraid to get a bit grim. Stinky Pete's character is especially well-realised, right through to the anarchic closing-credit outtakes. As with most good sequels, the secret is to create strong new characters, and Stinky Pete certainly does that. It's also great to have Barbie in this world.
Continue reading: Toy Story 2 [in 3D] Review
Thank God! Almost as good as the original, Toy Story 2 is an unabashed crowd-pleaser to children and adults. With enough (non-offensive) adult humor and plenty of good-natured kid stuff, this film had our tiny audience in stitches from start to finish.
Continue reading: Toy Story 2 Review
Far less funny and considerably more violent than audiences have come to expect from Pixar movies, "The Incredibles" is the animation studio's first feature to lack the winsome pizzazz that makes for mandatory repeat viewing.
Created by Brad Bird, the writer-director of "The Iron Giant," one of the greatest animated movies of all time, the story revolves around a family of far too sincerely glum superheroes trying hard to live normal suburban lives at a time when frivolous lawsuits have made saving the world cost-prohibitive.
But out of their spandex, they're just a bunch of sitcom clichés. Bob Parr (secretly super-strong do-gooder Mr. Incredible, voiced with idealistic comic-book resonance by Craig T. Nelson) is an irresponsible dad who tries to keep secrets and stupid mistakes from his (literally) stretched-in-every direction wife, Helen (a.k.a. Elastigirl, voiced with adoring irony by Holly Hunter). Their kids are, of course, a hyperactive 8-year-old named Dash (Spencer Fox), who can run 100 mph, and mopey teenage Violet (NPR radio's droll Sarah Vowell), blessed with a gift many junior high girls would kill for -- invisibility.
Continue reading: The Incredibles Review
As mechanical as an old Disneyland automaton, "The Haunted Mansion" is the third movie in a year from the Mouse House studio based on one of its own theme park rides -- and while it's certainly no inspired delight like "Pirates of the Caribbean," at least it's not as insufferably brain-dead as "The Country Bears."
Eddie Murphy is at his family-flick hammiest as a typical workaholic Movie Dad in need of a trite examination of his one-dimensional priorities. A sycophantic phony of a real estate agent, he often misses soccer games and anniversary dinners to make a sale, so his wife (Marsha Thomason) and smart-lipped, eye-rolling kids (Marc John Jefferies, Aree Davis) are especially chagrined when he takes a detour during a family outing to try to land the account to sell a cobweb-covered manse out in the boonies.
Scripted for maximum cluelessness, it takes Murphy's clan half the movie to catch on that the house is cursed and its occupants are ghosts, and the other half to realize what any half-astute viewer can ascertain in the first 15 minutes: The family becomes trapped in the house by its dead-by-his-own-hand Edwardian master (Nathanial Parker) because he thinks Murphy's wife is his reincarnated long-lost love who can lift the curse by marrying him.
Continue reading: The Haunted Mansion Review
It's a very convincing 1940 in Woody Allen's "The Curse of the Jade Scorpion," and impetuous Howard Hawkes-style love-hate sniping -- infused with the requisite Allen neuroticism -- is the foundation of this comedy about an insurance detective hot on the trail of the cagiest jewel thief he's ever encountered: Himself.
Allen stars as C.W. Briggs, his company's best (or is it just luckiest?) in-house dick for the last 30 years. You can tell C.W. thinks he's a pretty smooth cat because he walks with a saucy bounce in his step and chases young secretaries around the office. He's the guy who found a stolen Picasso rolled up in a telescope, after all. "And it wasn't easy," he boasts, "because I was supposed to be looking for a painting of a woman holding a guitar, but it was in all these little cubes!"
But C.W. is stuck in his ways, and these days he spends most of his energy butting heads like a stubborn billy goat with the company's new tough-as-nails efficiency expert, Betty Ann Fitzgerald (Helen Hunt). She thinks his department is obsolete and that the firm should hire out when it needs a detective.
Continue reading: The Curse Of The Jade Scorpion Review
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