Will Varley - Spirit Of Minnie Album Review
Will Varley's fifth album sees a step change in terms of delivery in more ways than one. Having seemingly tired of the odd comic ditty (you'll find nothing approaching 'Self Checkout Shuffle' or 'A Monkey On A Rock' on this album), he's also gone and got himself a full blown backing band to help enhance and elaborate upon his performance. It's as if Varley has finally accepted some sort of perceived view that to make a bigger breakthrough, to become more successful, to appeal to a much wider audience, he should listen to the advice he's no doubt been given, and embrace it. Combined with his raised profile, due in part to some priceless endorsements that include, tellingly, Billy Bragg, notable support slots with the likes of Frank Turner, Beans On Toast and The Proclaimers, as well as his own stand-out solo gigs, Will's stars would appear to be finally aligned.

'Spirit Of Minnie' sees Will in more of a reflective and contemplative mood than ever. The mantra of only being taken seriously as an artist if you are a serious artist has undoubtedly come to manifest itself on Will's third release for Xtra Mile Records. In comparison to his earlier album releases there is certainly a distinct lack of attitude and petulance on his latest full length release. Gone are his digs and swipes at authority, his challenging and revolutionary stance, his militant or 'angry' voice. The protest singer in his younger self has not so much been silenced as subdued. Is it that he's just maturing or could he be selling out? Most likely, it is neither; merely just a foray into slightly unfamiliar territory, an exploration, a chance to experiment and diversify for one of our most emotive musical story-tellers.
The addition of a backing band five albums in is not entirely unexpected (all the great singer-songwriters have dallied with it during their careers) and has varying effects throughout. At times you barely register the difference as Varley's songs hold up to close scrutiny when paired back to the most minimal of arrangements. However, on a couple of occasions, you are left to wonder if elaboration is absolutely necessary (the revolving steel guitar, with its inherent Country twang on 'Statues' and the addition of mandolin on 'Let It Slide' sit less comfortably in the arrangements, for example). The band are by no means intrusive but they do from time-to-time change the whole dynamic of Will's performance on his latest release.
Continue reading: Will Varley - Spirit Of Minnie Album Review