Wild Cub - Youth Album Review
Fifteen songs is a lot for one album. Rarely, if ever, does an album of such volume deliver consist-ently across the piece. Still, that is exactly what Wild Cub have served up on their debut album 'Youth'. In many ways, attempting such an expansive album on debut should be applauded. After all, shouldn't we want artists to indulge themselves in the free expression of all their ideas across the course of an album? The problem for Wild Cub is that while the first half of 'Youth' shimmers and sparkles in a beguiling haze of intelligent indie pop, the second half sounds jaded - a faded rehash of the elements which worked so well earlier.
The most frustrating thing about 'Youth' is that, had Wild Cub been more ruthless, they could have cut the slack and delivered a highly listenable indie-pop record. Intriguing opener 'Shapeless' is driv-en by a highly melodic bass line, propelling the song forward over shuffling electronic drums and stabs of synth which betray a new wave influence. In what sounds like a definite nod to the sound Foals have perfected, there's muted, reverb-soaked guitar at work here too, although it's buried so deeply in the mix that it takes several listens to reveal itself.
'Colour' is equally impressive, again utilising Foals-esque guitar stylings, but this time pushing them to the front of the mix and combining them with huge 80s style drums and synthesisers to create highly melodic indie pop with a slight retro slant. Album highlight 'Thunder Clatter' comes early. It's a bluster of joyous wide-eyed optimism atop intricately interchanging guitar riffs. The bridge in particu-lar is the melodic highlight of the album, with an irresistibly infectious riff that elevates the song above anything else present on 'Youth'.
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