Fran Kranz

This new version of Shakespeare's romantic farce looks like it was shot on video in the filmmaker's house with his friends over the course of about two weeks, which is exactly the case. It's lively and funny, and occasionally also warm and emotional, but the uneven tone never quite comes together to bring out the passion in the characters. An enjoyable experiment, the film keeps us entertained but refuses to spring to life.

Set in present-day suburbia, the story opens as Don Pedro (Diamond) and his henchmen Benedick and Claudio (Denisof and Kranz) deliver rival gang leader Don John (Maher) to his mob boss brother Leonato (Gregg). A confirmed bachelor, Benedick continues his verbal sparring with Leonato's feisty love-rejecting daughter Beatrice (Acker), while Claudio seeks help in wooing her sweet cousin Hero (Morgese). But Leonato decides to have some fun here, tricking Benedick and Beatrice into falling in love with each other. Meanwhile, the imprisoned Don John is plotting to destroy his brother, while a bumbling detective (Fillion) tries to figure out what's up.

Filmmaker Whedon assembles his cast from actors he worked with in everything from Buffy to The Avengers, creating a loose, relaxed atmosphere that makes the film easy to watch, even though it's in black and white and is spoken in Shakespearean dialect. On the other hand, this kind of mutes the play's romantic highs and tragic lows, evening everything out into a gentle comedy of manners with slapstick touches. Part of the problem is that, if you're unfamiliar with these actors, it's not easy to tell them apart as they are dressed in identical black suits. But the cast is excellent, delivering the dialog with off-handed precision.

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Taking a break from her pre-med studies, Dana (Connolly) heads off to a mountain cabin with her flatmate Jules (Hutchison), their stoner pal Marty (Kranz) and Jules' muscle-jock boyfriend Curt (Hemsworth), who has invited his friend Holden (Williams) as a possible date for Dana. But they have no idea that two sardonic businessmen (Jenkins and Whitford) are managing an elaborate underground operation during which they are manipulating everything about the cabin. And it starts to become clear that, to save the world, all five young people must die in the correct order.

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Lauren Ambrose stars in this strange and often baffling story of a girl, her mentally disabled sister, and a mother who ignores the former and dotes on the latter. Faced with going to college, Admissions tells us that Lauren shouldn't care because mom (Amy Madigan) doesn't care about Lauren. Admittedly, mom could give the redhead a little more face time, but she truly does have her hands full dealing with the other one (Taylor Roberts -- who gives the least believable "special" performance in history).

Continue reading: Admissions Review