Sarah Guyard-Guillot, a performer in Cirque du Soleil's "Ka", died tragically during a performance in Las Vegas. The mother of two fell around 50 feet onto the stage below. Despite regulations put in place to protect entertainers and performers, accidents do happen, and deaths whilst performing are more common than one would expect.
Cirque Du Soleil's performance of "Ka" was cut short on Saturday (29th June 2013) following the death of one of the troop's performers Sarah Guyard-Guillot. The 31-year-old performer seems to have slipped from her harness, during a performance in Las Vegas, and fallen around 50 feet to the stage below.
An acrobatic performer during Cirque du Soleil's Alegria in Birmingham, UK, in 2012.
Guyard-Guillot was a veteran performer. She was one of the original performers of "Ka", having been in the show since 2006. Her death is not being treated as suspicious. However, authorities are working with the Cirque in order to gain a complete picture of the events leading to Guyard-Guillot's untimely death.
Continue reading: Cirque Du Soleil Accident Isn't The First On-Stage Tragedy
All of Oscar Grubman's (Aaron Stanford) prep school friends - including best friend Charlie (Robert Iler of Sopranos fame) - tell him that he's a 40-year-old trapped in a 15-year-old's body. Instead of feeding on pop culture and pop music, Oscar spends his time quoting Voltaire and listening to opera. Think of him as a Max Fisher minus the bullshit. He strives to be cultured and sophisticated well beyond his years, and girls his age just don't cut the gouda.
Continue reading: Tadpole Review
But then there's Sling Blade, and with Thornton in complete control as the writer, director, and star of the show, I do believe he's created a real gem.
Continue reading: Sling Blade Review
Home from boarding school for Thanksgiving holiday with unruly hormones and a festering Oedipal jones for his 40-something stepmom, idiosyncratic 15-year-old Manhattan sophisticate Oscar Grubman is having a hard time coping with life.
Versed in the classics, a voracious reader of Voltaire, fluent in French and tortured by his own high expectations, he doesn't have much use for girls his own age -- even the ones that like him. But as he waits impatiently for some elusive perfect moment to reveal his desires to Dad's wife (Sigounrey Weaver), Oscar gets a little drunk one night and goes to bed with her lusty best friend (Bebe Neuwirth) instead.
Such is the framework for "Tadpole," the enticingly tart, oddball coming-of-age comedy that won helmer Gary Winick the Director's Award at this year's Sundance Film Festival.
Continue reading: Tadpole Review
A brilliantly observant, darkly humorous and immaculately acted movie about an average suburban father in the throes of a midlife crisis, "Panic" bears an vague, off-kilter resemblance to "American Beauty" in style and subject.
Its central character is a meek and neurotic man in his 40s (William H. Macy) whose growing fixation with a sexually conflicted nymph (Neve Campbell) half his age is turning his life upside-down. The two films share a similar dysfunctional domesticity as well, and a crisp but sparse visual elegance with just a pinch of excess color.
But Alex (Macy), the sympathetic anti-hero of "Panic," has a much bigger secret than his newfound temptation for a younger woman. Alex is a hit man -- and he's just not sure he's comfortable in that line of work anymore.
Continue reading: Panic Review
Date of birth
17th September, 1948
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