Max played an important role as a working dog in the US military, but he is sent back from his service in Afghanistan following the traumatic loss of his beloved friend and handler, Kyle Wincott. He is brought into the care of the soldier's grieving family, but, frightened by the unfamiliar surroundings and suffering from post-traumatic stress disorder after his master's terrifying death in an explosion, Max proves to be difficult to integrate into regular society. However, it soon becomes clear that he wants to be loved again, and forms a heart-warming bond with his former owner's younger brother Justin as they each do their best to heal each other's broken hearts - and that means embarking on some rollicking adventures.
Continue: Max Trailer
The idea of magicians conducting a series of heists is a great one, but this under-developed film never quite seizes the opportunity. Even its terrific A-list cast can't make much of the lame plot. And director Leterrier is so enamoured with magic that he packs the film with whizzy digital trickery. Which completely misses the point.
At the centre are four illusionists: card trickster Daniel (Eisenberg), hypnotist Merrit (Harrelson), escapologist Henley (Fisher) and street magician Jack (Franco). They're summoned by a mysterious figure to team up for a series of elaborate performances funded by a wealthy benefactor (Caine). First up is a Las Vegas show that involves stealing millions of euros from a Paris bank and raining them down on the audience. This attracts the attention of FBI Agent Rhodes (Ruffalo) and Interpol's Dray (Laurent), who follow them to their next shows in New Orleans and New York. As does a notorious debunker (Freeman) determined to expose their secrets.
The film never quite gets the balance right, as we're not sure if we should root for these flashy young magicians or the people they're leading on a wild goose chase. But there's plenty of eye candy to keep us happy, as each whizzy stunt goes over-the-top to make us wonder what's really happening here. Everything this quartet does has an anarchist slant, stealing from the wealthy to help the needy, which adds a tinge of topicality. Although the gratuitous action scenes and ludicrous effects leave the film about as realistic as a Road Runner cartoon.
Continue reading: Now You See Me Review
Bombay Beach is a community on the edge of the Salton Sea, just a two-hour drive from Los Angeles. But instead of a seaside holiday destination, it's now a collection of falling-down buildings and misfit residents living in the parched desert on the edge of a saltwater lake that's surrounded by dead fish.
Instead of approaching this journalistically, filmmaker Har'el explores the lives of three residents through beautifully shot and edited fly-on-the-wall footage.
Continue reading: Bombay Beach Review
Former elite agent Luke White lives in New York and is all too familiar with the city's seedy underbelly, which crawls with corrupt policemen, killers and gangsters. The policemen, along with the Russian mafia and the Triads, are all looking for New York's Most Wanted, who has memorised a very long safe combination that is of the utmost importance.
Continue: Safe Trailer
However, as a still agile Swayze danced with the new movie's star, Romola Garai, it dawned on me: The new movie needed Swayze, or rather his hunky heir. Part of what made the original Dirty Dancing so appealing was Swayze's presence. Physically, you couldn't take your eyes off him, and he had a cool, aloof sex appeal that set up good girl Grey to fall madly in love with him. And Grey did a masterful job falling for his charms, slowly and assuredly.
Continue reading: Dirty Dancing: Havana Nights Review
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