Bronson Pinchot

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The First Wives Club Review


Very Good
The biggest crowd-pleaser of the year is upon us -- the powerhouse trio of Goldie Hawn, Bette Midler, and Diane Keaton foisting their womanness on us with a vengeance. Sure to revive the debate over whether films like this are "man hating," The First Wives Club is, in reality, a harmless big screen sitcom that actually manages to appeal to a large audience.

Rambling through its first 30 minutes with no real direction, The First Wives Club eventually turns into a story about three old friends who want to exact vengeance on their wayward ex-husbands. Elise (Hawn) is an aging movie star, obsessed, as most aging movie stars are, about her looks. Brenda (Midler) is a bitter ex-housewife who loves her son and bemoans her lack of funds to support him -- and hasn't changed her hair since 1969. Annie (Keaton) is basically a middle-aged version of Annie Hall, only now she has a lesbian daughter and an intrusive mother, and Woody Allen is nowhere to be seen.

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After Hours Review


Extraordinary
It's one of cinema's greatest freak-outs. The mild-mannered and terminably hapless Paul (Griffin Dunne, in the defining role of his career) encounters Marcy (Rosanna Arquette, ditto) in a coffee shop, reading Tropic of Cancer, naturally. When he gets her number and takes a cab ride to a desolate and rain-drenched SoHo to meet her at her loft, things take a turn for the bizarre -- with Paul finding himself entangled with an intertwined web of people, including an obsessive cocktail waitress (Teri Garr), a suicidal girl, a possibly murderous sculptress (Linda Fiorentino), an unhinged ice cream truck driver (Catherine O'Hara), and a whole host of other characters that represent some of the wackiest nutjobs in cinema. No one else seems to notice it's so bizarre except for Paul: As Dick Miller's diner cook character puts it, when it's after hours, "Different rules apply."

By the end, Paul is on the run from an angry mob who thinks he's a burglar, fleeing in fear for his life. Will he escape? Well, rest assured that After Hours is actually a comedy. It's also one of my favorite Martin Scorsese movies (and a massive departure from his grittier fare), fresh every time you see it and full of little touches that you catch more of with each subsequent viewing. Check out the rows of Aqua Net in Garr's apartment. Or the "tie" she's wearing.

Continue reading: After Hours Review

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The First Wives Club Movie Review

The First Wives Club Movie Review

The biggest crowd-pleaser of the year is upon us -- the powerhouse trio of Goldie...

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