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Burt Young at the 54th New York Film Festival premiere of '20th Century Women', New York, United States - Saturday 8th October 2016

Rob The Mob Trailer

Tommy and Rosie are a young couple living in New York who are madly in love with one another - mad enough that they begin to pull off the most dangerous heists possible in order to make enough money to start a life together after their stints in prison. While Rosie attempts to make an honest living as a debt collector, Tommy is hell-bent on revenge after watching his father get beaten to a pulp by the Mafia when he was just a child. He follows a court trial of mobster Sammy 'The Bull' Gravano whose information in court about his recent exploits present Tommy with an idea to rob the gang's No-Guns social club with Rosie as the getaway driver. After getting away with it without a hit contract, they continue to rob the mob before discovering an important piece of inside information that could permanently bring down the world's most formidable criminals.

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The Florentine Review

By Christopher Null

Weak

The Florentine has that desperate desire to be Reservoir Dogs, with a rogues' gallery of ex-cons, mobsters, and sad sacks all trying to make a go at life and intersecting at their favorite bar. Alas, few of their stories are worth paying much attention to, though James Belushi is (unintentionally) hysterical as a scam artist taking advantage of poor Luke Perry.

Kiss The Bride Review

By Christopher Null

Weak

Industry-wise, egomania is probably at its worst in Hollywood, where seemingly anyone with a connection can grab a camera and a few hundred thousand bucks, dust off a crappy screenplay they've written, and make an honest to God movie.

Kiss the Bride is the kind of vanity project that every Hollywood actor dreams of making, and when it's all said and done they wonder why it never got theatrical distribution.

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Mickey Blue Eyes Review

By Rob Blackwelder

Zero

"Mickey Blue Eyes" is one of those movies that wouldn't last 20 minutes if the main character wasn't a certifiable moron.

A comedy of the uncomfortable, it's predicated on Hugh Grant, playing an tentative, English, auction house proprietor in New York, allowing himself to become embroiled in the mob when he unknowingly proposes to a mafia princess (Jeanne Tripplehorn).

She declines, crying her eyes out and explaining her background and the family she's tried to put behind her. Romantically, he says it doesn't matter. She exacts one promise from him: That he won't agree to do any favors for her family and won't accept any, either. "That's how they get you," she says. "Then you'll be one of them."

Continue reading: Mickey Blue Eyes Review