After a brief prologue that finds Hitler (Bruno Ganz) choosing Traudl Junge (Alexandra Maria Lara) - the woman who would later become the subject of the 2002 documentary Blind Spot: Hitler's Secretary - as his secretary, Hirschbiegel's film whisks us away to 1945 Berlin, where der Fuhrer and company are vainly attempting to keep the Aryan dream alive from a concrete bunker deep underneath the battle-ravaged city. Hitler remains convinced, against overwhelming evidence to the contrary, that the war remains winnable, and Ganz - an actor whose strength is usually found in contemplative silence - superbly brings the horrific fascist to maniacal life, balancing an exhausted, stooped posture and twitching left hand (always held behind his back) with sudden delusional tirades of mouth-frothing madness. Surrounded by increasingly cynical military officers, an unrepentant Hitler is agitated, desperate, and unable to relinquish the belief that his Nazi army will re-mobilize for a final, fatal strike against the Russians. Meanwhile, absurd and surreal last-gasp mini-dramas play out throughout the bunker, from Junge and her fellow secretary's attempts to remain optimistic and Albert Speer (Heino Ferch) and Heinrich Himmler's (Ulrich Noethen) eventual desertions to, most chillingly, Magda (Corinna Harfouch) and Joseph Goebbels' (Ulrich Matthes) plans to exterminate their six children should National Socialism crumble.
Continue reading: Downfall Review
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