Diana Krall - Friars Club honors Martin Scorsese with Entertainment Icon Award at Cipriani Wall Street at Cipriani Wall Street - New York City, United States - Wednesday 21st September 2016
Despite not winning any Grammys at the weekend, 1989's sales figures still increased and held off challenges by Ed Sheeran and Sam Smith.
It’s getting to be a bit like Groundhog Day… another Wednesday, another week at Number 1 for the musical machine that is Taylor Swift. 1989 has notched up an eleventh non-consecutive week at the top of the US Billboard 200, according to figures released by Nielsen SoundScan.
It means that the album, released 15 weeks ago way back November, is now equal with Swift’s second record Fearless for her longest reign at the top. In all that time, it has been no lower than Number 2, interrupted by one week stints for One Direction, J.Cole, Meghan Trainor and Fall Out Boy.
Taylor Swift scored an 11th non-consecutive week at Number 1
Continue reading: Taylor Swift Sittin' Pretty At Number One For 11th Week
Diana Krall, Barbra Streisand and Elvis Costello - Diana Krall and Elvis Costello Los Angeles, California - 2011 MusiCares Person of the Year Tribute to Barbara Streisand held at the Los Angeles Convention Center Friday 11th February 2011
"This is one of those avant-garde things, is it?" says a droll, dubious and dying Cole Porter (Kevin Kline) as he sits in an empty theater at the beginning of "De-Lovely," watching his life pass before his eyes on the stage, in a production conducted by an enigmatic, ironic, ethereal director named Gabe (Jonathan Pryce).
The answer to his question is a delighted "yes." This film is an imaginative, deconstructionist, celebratory musical biography woven together from elements of theater, meta-cinema, chamber drama and Porter's own MGM musicals with gratifying -- if deliberately glossy -- results.
Kline opens the picture as a frail but feisty old man (the age makeup is remarkable) who, as he watches his own story unfold, is alternatively tickled ("Oh, look, it's an opening number!"), critical ("He'd never wear that! Change it."), fondly reminiscent and pained by regret. And the actor also plays the younger Porter in the bulk of the picture, which has a merry, dreamlike quality to its stop-and-start interactions with the elderly Porter and his theatrical spirit guide.
Continue reading: De-Lovely Review