Blackly comical writing and direction add a playful slant to what could have been a typically over-serious British crime thriller. And there's also a coming-of-age element to the plot that holds our interest. It's all relatively simplistic, and never really goes anywhere, but the offbeat approach and vividly well-played characters make it worth a look.
Rising-star Brit Jack O'Connell (Skins) plays 19-year-old Adam, a goof-off who thinks it's hilarious when he wrecks his stepdad Peter's (Mullan) pricey car. But Peter is a mobster, and his patience is wearing thin. Without telling Adam's mother (Wareing), he gives Adam a job to help pay for the damage. He'll be a driver for Roy (Roth), who turns out to be a hitman on a nasty mission. This opens Adam up to a world he has never known, and as the stakes begin to rise he has to grow up very quickly. Then things get even more intense when he and Roy encounter a backpacker (Riley) who sends them on a crazed cat-and-mouse chase.
Mixing comedy with suspense isn't easy to pull off, but writer Wrathall and director Viveiros manage it by keeping the humour pitch black and playing everything dead straight. O'Connell portrays Adam as a hapless buffoon who has no idea how to behave in any given situation. But he's deeply likeable, so we root for him in the face of Roy's stony silence. Roth can play this kind of thug in his sleep, but stirs in some wry exasperation and even a low-lying emotional resonance as things develop. And the chemistry between them never feels remotely safe.
Continue reading: The Liability Review
Adam is just 19-years-old but, after managing to prang his mother's mobster boyfriend's car, is coerced into performing a driving job for jaded hitman Roy who, apart from being visibly annoyed at having to mentor a kid who knows less about organised crime than the average person, would like nothing better than the chance to finally retire from his life of killing. They drive to Northumberland where the unlikely duo dispose of their target deep in a woods. However, despite their presumed isolation, they are spotted by a beautiful young girl who they understand they must also kill to save their own skins. She manages to make an escape though, with some extremely important evidence and the assassins are forced to chase her down. Along the way, they find out her identity and connections that place Adam's stepfather involved in some debauched dealings.
Continue: The Liability - Clip
Live music returned to Dreamland in Margate in spectacular fashion as Sports Team brought their 'Bus Trip All-Dayer' back to the seaside town for the...
Wolf Alice are nominated for the third time and Arlo Parks is an unsurprising first-time nominee.
Well before they enjoyed meteoric success with 'The Black Parade', My Chemical Romance started their musical journey with another concept album, 'I...
Willow Smith and more rocked a buzzcut for so many reasons.
Normani and Cardi B dispense with the need to maintain any resemblance of social distancing as they get up-close and personal in the video their...
'Diamond Life', released on the 16th July 1984, is not only a significant album in it's own right, it's a cultural touchstone and a near perfect...
The resurrection of punk presents an exciting year for music.