Almost criminally entertaining, this preposterous thriller mixes buckets of humour and emotion into the violent, twisty action. And Kevin Costner gets his best role in years, a remarkably complex character who's unpredictable and thoroughly engaging. So even as the story grows increasingly ridiculous, the film remains both gripping and a lot of fun.
It's set in London, where hot CIA operative Bill (Ryan Reynolds) is on the trail of an evil anarchist (Jordi Molla) when he's captured, tortured and killed. To stop an imminent attack, the CIA chief Wells (Gary Oldman) needs to know what Bill was working on. So he calls in scientist Franks (Tommy Lee Jones), who has been experimenting with transferring memories from brain to brain in animals. For his first human trial, he copies Bill's dying memories into the only suitable brain available on such short notice: psycho killer Jericho (Kevin Costner), who's serving a death sentence in prison. And now Jericho is desperate to sort out the chaos in his head.
Director Ariel Vromen (The Iceman) keeps everything moving so briskly that there isn't time to stop and think about how silly the premise is. All of these characters act on their basest impulses, never thinking through anything before they charge into the next situation. Viewers who try to make sense of the plot, or of London's geography, will find their brains aching like Jericho's. So it's better to just hang on and enjoy the ride. The film's edgy, urgent tone adds the illusion of depth amid the mindlessly brutal violence, while the formidable cast adds weight to a variety of rather thinly drawn characters, from Oldman's bluster to Jones' wry wit. Only Costner gets some real depth to play with, and Jericho is constantly surprising, mixing a killer instinct with brainy invention and some properly dark emotions. His scenes with Gal Gadot (as Bill's wife) are unnervingly tense and moving.
Continue reading: Criminal Review
Bill Pope is a CIA operative who's been recruited to carryout a very special mission. Pope must hide a hugely valuable asset and protect him from the people who are hunting him. Pope manages to hide the asset but is killed in the aftermath. With none of his collegues knowning where the asset is stored they must find a solution to their problem.
Continue: Criminal Trailer
In The Heart Of The Sea is the true seaman's tale based on the last outing of the Whaling Ship Essex. After setting sale from the port on Nantuckett the 20 man crew expect their journey to be much like the others they've been on, very long and tough but on an old but very trusty ship.
After leaving the port, almost immediately the men are hit by a powerful storm which damages the boat. knowing they must make money and make the trip profitable before returning home, the men continue with their mission. After months of good fishing, the men doc at various ports for supplies. Almost a year into their trip and the Essex is struck by a gigantic whale which causes irreparable damage to the ship's hull.
Stuck with no other choice the surviving men must board one of the incredibly small whaling boats that they have on board. The remaining crew members find themselves stuck in a life-threatening situation, 1000 miles from land, incredibly tight rations and stuck at sea for an unknown amount of time, the crew must find a way to endure - both mentally and physically.
Continue: In The Heart Of The Sea Trailer
When you need someone to break into a place and steal something, a career cat burglar is your best bet. Scott Lang (Paul Rudd) is in jail, which isn't the best start, but when Dr. Hank Pym (Michael Douglas) needs a thief, Lang is still his man. Pym was once a miniature superhero known as Ant-Man, yet when Darren Cross (Corey Stoll) takes over his company and tries to mass-market the powerful Ant-Man suits, Pym hires Lang to break in and steal the suit back. From there, he must become the Ant-Man - no matter how much he hates the name.
Continue: Ant-Man Trailer
In August of 1819, The Essex set sail from New England. The whaling ship set out beyond the edges of the map to hunt in unknown waters. What the 21-man crew discovered, was far from what they could ever have imagined. A sperm whale - absolutely gigantic and hell-bent on destroying their comparatively tiny ship. While battling the demon of a sea beast, the ship was destroyed, and many of the crew were killed. As the few survivors struggled to find land and make their way back to South America, they faced a harrowing adventure, and fought insanity, storms, starvation and despair. All with the great whale fresh in their minds. The crew referred to it as Moby Dick.
Continue: In The Heart of The Sea - Teaser Trailer
Ex-convict Richard B. Riddick is back and more formidable than ever before. He is alone after being left for dead on a burning planet (not for the first time) but, as he is preyed upon by a new army of deadly creatures, he becomes more and more powerful making himself the biggest predator on the planet. His adversaries soon return, however, determined to finally have his head (literally) but with more than one advantage over them such as the ability to see in the dark, it becomes a brutal and deadly chase with only one likely victor. Riddick has his enemies just where he wants them in his bloody scheme to rescue his home planet Furya.
Continue: Riddick Trailer
Jordi Molla and Fred Segal Wednesday 21st September 2011 Spanish actor, Jordi Molla in a stripped t-shirt leaving Fred Segal before hosting an art show at the Chateaux Marmont. One of his art pieces will show a canvas which he shot at the gun range and then painted over Los Angeles, California
In Colombia, feisty 9-year-old Cataleya (Stenberg) witnesses her parents' massacre of by Marco (Molla), henchman the drug kingpin Luis (Benites). Years layer (now Saldana) she's in Chicago, where she's been raised by her uncle (Curtis) to be a stealthy assassin. Now she's trying to draw Marco and Luis out of protective CIA custody by leaving clues at each murder scene. And it seems to be working. With an FBI agent (James) on her trail and a boyfriend (Vartan) who knows nothing, she's playing a dangerous game.
Continue reading: Colombiana Review
For one thing, historical costume dramas rarely spawn second chapters, particularly ones that struggle to make back their production budgets. Kapur's critically acclaimed original Elizabeth earned multiple Oscar nominations but was largely overshadowed (at the ceremony and in the public eye) by John Madden's opposing Golden Age tryst Shakespeare in Love.
Continue reading: Elizabeth: The Golden Age Review
Yet such is the world of Blow, the most wildly anticipated drug thriller since, well, last year's Traffic. Welcome to the "based on a true story" tale of George Jung (the inimitable Johnny Depp), just a suburban boy from New England who tires of his conservative life and heads for -- where else -- L.A. Here (in the 1960s, natch), Jung hooks up with the local hair stylist/drug dealer and starts his own small pot distributorship. Soon enough he's running drugs back to Boston with the help of his friends and flight attendant girlfriend (Run Lola Run's Franka Potente). But just as he's made a name for himself, he gets busted and lands in prison.
Continue reading: Blow Review
If you want to remember the Alamo, the latest feature film version of the Texas fort's famous last stand may not be much help.
A beautifully produced but relatively bloodless (literally and figuratively) Hollywood rendering of the 1836 siege on San Antonio by tyrannical General Santa Anna, who was determined to recapture the territory for Mexico, it's a movie more concerned with details like Jim Bowie's terminal case of consumption than it is with the historical context of its story and its legendary characters.
In this movie, Bowie (Jason Patric) the frontier adventurer and volunteer army colonel is presented as little more than an infamous "knife fighter" haunted by his wife's death. Newspaper publisher, lawyer and militiaman Lt. Col. William B. Travis (Patrick Wilson) is just a determined dandy with questioned military skills (questioned mostly by Bowie) who rises to the occasion as temporary commander of these now-fortified grounds surrounding an unfinished mission. David "Davey" Crockett (Billy Bob Thornton) is a fiddle-playing former senator made famous by a stage play written about something he once did while wearing a coonskin hat -- and why he's even at the Alamo isn't entirely clear.
Continue reading: The Alamo Review
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