Kathy Burke

Nearly 25 years after the sitcom debuted, Edina and Patsy arrive on the big screen to continue their drunken antics, although without the usual enthusiastic laugh-track everything feels eerily muted. Thankfully, there's still a lot of fun to be had, including well-aimed jabs at celebrity culture. Jennifer Saunders and Joanna Lumley are still hilarious in their signature roles. And it's hard to get too worried about the limp plot when every scene is packed with amusing cameo appearances.

With her PR agency fading and her money spent on expanding her home, Edina (Saunders) discovers that her credit cards are "broken" and her champagne fridge is empty. So she and her pal Patsy (Lumley) set out to make some cash. After failing to sell her memoirs, Edina sets out to woo Kate Moss as a client. But this goes spectacularly wrong when Kate ends up falling off a balcony into the Thames. Now under investigation, Eddie and Pats flee to the South of France to find Patsy's wealthy ex (Barry Humphreys). They're chased by a detective (Robert Webb), who's the boyfriend of Edina's daughter Saffron (Julia Sawalha), whose teen daughter (Indeharna Donaldson-Holness) has run off with them.

Written by Saunders, the script is very loose, bouncing around without much focus before a series of impatient, nonsensical conclusions. Basically, it's little more than a flimsy framework that includes brief scenes for series regulars (including Jane Horrock's airhead assistant, June Whitfield's dotty mum, Celia Imrie's rival PR and Kathy Burke's bulldog editor), plus a few new characters like Chris Colfer's stylist. All of these people have their moments, but never quite emerge as much more than comedy sketch figures. On the other hand, the big-screen format allows Saunders and Lumley to give Edina and Patsy a bit of surprising emotional depth amid the usual slapstick nuttiness.

Continue reading: Absolutely Fabulous: The Movie Review

After several high-profile grown-up movies (from Atonement to Anna Karenina), director Joe Wright aims this Peter Pan origin story squarely at children. So while it's far too manic and broad for adults, this adventure will be the most exciting movie any 8-year-old has seen in years. It's colourful and fantastical, and it thankfully doesn't indulge in reworking the beloved J.M. Barrie stories. Instead, it imagines an action-packed prequel universe.

As German bombs fall on London during the Blitz, young Peter (Levi Miller) is up to all kinds of mischief in the grim orphanage overseen by Mother Barnabas (Kathy Burke), who sells bad boys to airborne pirates. Sure enough, one night Peter is taken, sailing into the sky to Neverland, where he is sent to work in the mines for the swaggering, heartless Captain Blackbeard (Hugh Jackman). In the mines Peter is befriended by the adventurer Hook (Garrett Hedlund), and when Peter discovers that he can fly they make their escape. Blackbeard chases them out into the woods, where they take refuge with Princess Tiger Lily (Rooney Mara) and her tribe, which is convinced that Peter is the child of a prophecy that will lead the fairy kingdom to freedom. But just when Peter learns who his parents really were, Blackbeard catches up with them.

This is an old-school kids' movie, packed with larger-than-life characters and outrageously imaginative action sequences that make the most of the 3D cinematography. Yes, there's so much digital trickery going on that the movie is essentially a cartoon, but it's so vividly explosive that it's a lot of fun to watch. And many of the big set-pieces are genuinely thrilling. There's also quite a lot of fun to be had in the way the story twists the familiar characters around. Obviously, Hook couldn't have always been a bad guy; here he's one of the heroes, and he still has both hands, which hints that further prequel adventures may be on the cards.

Continue reading: Pan Review

Especially when it shows as much audacious skill as this British thriller does.

In the Cold War paranoia of 1973, there's a Russian mole in British intelligence. And the top boss Control (Hurt) has narrowed it down to four top colleagues (Firth, Jones, Hinds and Dencik). He asks faithful George Smiley (Oldman) to root out the spy, so he and Peter (Cumberbatch) begin a complex investigation that involves a discredited agent (Hardy) and a murdered operative (Strong). But the truth only seems to get more elusive the further they descend into the rabbit hole.

Continue reading: Tinker Tailor Soldier Spy Review