British director Andrew Douglas (2005's Amityville Horror remake) takes a clever look at youthful naivete in this strikingly inventive thriller, which is based on a true story. Its focussed perspective lets us see the events unfold as the main character might, and watching him misinterpret everything is seriously unsettling.
That character is the cool North London teen Mark (Blackley), who avoids his annoying parents (Womack and Delamere) by hiding in his room while chatting online to local teen Rachel (Winstone). She has gone into witness protection because of her brutish boyfriend (Johnston), and she asks Mark to look out for her nerdy little brother John (Regbo), who's being bullied in school. As they hang out together, Mark and John strike up a friendship. But when Rachel disappears, Mark begins chatting online to an MI5 agent (White) who convinces him that he needs to take violent action to save lives at school.
Right from the start, we suspect that something is up with the people Mark meets in internet chatrooms. But we also understand why he doesn't question anything: the setting is 2003, rife with still-gurgling paranoia after 9/11 and Columbine. Also, the film intercuts Mark's story with the aftermath of his actions, as he's interviewed by a tenacious detective (Downton Abbey's Froggatt). So we know that we are seeing the people he's chatting to through his mind's eye, which is why director Douglas makes the eerie decision to show them talking to their computers rather than just typing. We question whether they're real, but Mark never does.
Continue reading: Uwantme2killhim? Review
Since their mum left nine months earlier, 15-year-old Dean (Poulter) has been taking care of 11-year-old brother Jimmy (Williams) by working in construction at the Olympic park. But Jimmy is failing at school and getting increasingly involved with a gang of local drug dealers (Gregory, Maskell and Rheon). Then after eight years in prison, their dad Bill (Creed-Miles) comes home, realising that he must show some responsibility to keep his sons from being taken into care. But they don't know him, and he doesn't know anything about being a father.
Continue reading: Wild Bill Review
In early 1900s London, single dad Arthur (Radcliffe) is a young lawyer in trouble with his boss (Allam), so his next case is make-or-break. To settle an estate, he heads to an isolated Northeast village that gives him a cold-shouldered welcome. And when he gets to the abandoned seaside mansion, he sees the spectre of a woman (White) lurking in the corners. A friendly local (Hinds) is cynical about this, even though it also haunts his wife (McTeer), who is grieving over their son's death. And dying children are a theme in this village.
Continue reading: The Woman In Black Review
We want to speak to the Grammys manager...
From child star to rockstar, Taylor Momsen has been through quite the career evolution in her time - and all by the age of 27!
True stories of music and the macabre...
Doja Cat isn't the only one who shocked the world with a new image.
Eight stunning covers of Nine Inch Nails as we welcome them into the Rock and Roll Hall of Fame.
System of a Down have never been ones to shy away from social and political issues, but 'Protect The Land' is one of the most powerful...
British director Andrew Douglas (2005's Amityville Horror remake) takes a clever look at youthful naivete...
British actor Fletcher makes a terrific directing debut with this sharply told story of a...