It's 1963 and Elisa (Sally Hawkins) has spent her life trying to be as normal as possible, despite the fact that people rarely see her that way. She is a mute, which means there are few career opportunities for her at that time. But she does manage to land a job at a top secret government laboratory as a janitor, her brief being to get in, clean up and get out. Her life of silent solitude has left her curious to what's going on at her workplace, however, and she soon discovers that her bosses are hiding something deeply disturbing.
In a large tank of water she discovers a humanoid alien of sorts (Doug Jones), scaly and amphibious, and something about him makes her feel sympathy for him. She decides to visit him everyday, teach him about the world and how to communicate in the only way she knows how. She feels a bond with him; both of them are essentially trapped in the same lab, and both are thought of by society as outcasts in one way or another. But Elisa is in no danger of being dissected for science.
Her boss, Strickland (Michael Shannon), has no empathy for this incredible Amazonian creature. He is only interested in what he can gain from his prisoner. Elisa has no choice but to plan an rescue mission, though if she succeeds she'll surely be caught and arrested. But this isn't about being brave, it's about being human.
Continue: The Shape Of The Water Trailer
Somebody messed with the wrong mother when they murdered her daughter Angela Hayes (Kathryn Newton). Mildred Hayes (Frances McDormand) will stop at nothing to make sure that her child's killer is caught and after several months of still no arrests, she decides to take drastic action. She forks out for three enormous billboards to go up in her Missouri town with a message to the highly respected Police Sheriff Bill Willoughby (Woody Harrelson). An embarrassed Willoughby visits her to encourage her to take the billboards down, but she's standing firm and will certainly not be intimidated by police involvement - or, indeed, anyone who dares complain about them. She assaults her dentist with his own drill after discovering that he made a complaint and attacks two local high school kids who try to mock her. Even the local vicar is trying to appeal to her sanity at this point, but when she torches the local police station, it becomes clear that she's quickly becoming way out of control.
The summer after her high school graduation, rebellious Ronnie (Cyrus) and her precocious little brother Jonah (Coleman) are driven by their mum (Preston) from New York to the Georgia coast to stay with their estranged father (Kinnear). After sulking around in a huff, Ronnie starts to soften a bit, befriending shirtless volleyball hunk Will (Hemsworth). And as their romance grows, she starts warming up to her dad as well. But dark rumours, Will's snobby parents (Vernon and Searcy) and Ronnie's troubled friend Blaze (Chaikin) create various problems, as does the dreaded C-word.
Continue reading: The Last Song Review
Joel Schumacher, director of some of the worst films in a generation (8MM, Batman & Robin, Batman Forever), redeems himself with his first really good flick since Falling Down in 1993. A tale of army recruits in their final days of training before heading to Vietnam in 1971, Tigerland is an original and modestly powerful anti-war film that never even goes "in country."
Continue reading: Tigerland Review
Smart, sharp political satire it's not. But Chris Rock's "Head of State" -- the comedian's directorial debut in which he plays a black man running for president -- mixes a few stinging zingers into its generally crowd-pleasing brand of snickers and knee-slappers.
When asked if he'll step in for the Democratic candidate who died when his plane and his running mate's plane "crashed into each other over Virginia," Mays Gilliam (Rock), a Washington, D.C. alderman, has a split-second flash forward to being shot at his inaugural address before even finishing the line "My fellow Americans..." But he accepts the nomination anyway.
He's provided a specially trained, sworn-to-secrecy "super whore" -- a post-Clinton perk devised to help Democratic candidates avoid sex scandals.
Continue reading: Head Of State Review
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