Relax... It's Just Sex, on the other hand, is a more humble affair that presents seven or eight obvious gay stereotypes--lipstick lesbians, drama queens, muscle boys--and then tries to subvert them one by one with a whole lot of turbulent plotting and endless talk, some of it bitchily amusing but most of it, well, just talk.
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Amusing enough, and a quick read. And Fast Sofa, the movie, keeps the guts of this road trip intact -- enough to realize that our pal Rick is on a real road to nowhere. Jake Busey makes for a creepy and considerably miscast hero, though Jennifer Tilly's wanton Ginger is enough fun for the both of them. Stealing the show, however, is Crispin Glover, as a shut-in sophisticate named Julian who tags along on the latter half of Rick's abortive journey. His outfit alone is reason enough to rent the tape.
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Continue reading: The Killing Of A Chinese Bookie Review
Good movies about baseball make the game look like a lot of fun, sharing the enthusiasm and energy of the players. 61* doesn't do that. It does contain intense sequences of ball playing, but the main goal here is examining the overworked life a ballplayer must live in order to receive his short 15 minutes of fame. This movie allows us to take part in that experience, both positive and negative.
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Set in the fishing town of New Bedford, Massachusetts, a beautiful middle-aged Portuguese woman, Celia Amonte (Sofia Milos) uses her day job as a seamstress to support her teenage daughter Vicky (Emmy Rossum) in the house she shares with her mother-in-law (Lupe Ontiveros). At night, she sings and dances at a local restaurant to a more somber beat, using her music as an expression for the loss she feels over her husband's death. Even seven years after his death, Celia feels she could never love another, despite Vicky's attempts to set her up on various online dates. When an English drifter and professional gambler named Charlie (Jason Isaacs) rolls in town to clean out the local casino, he quickly becomes taken with Celia and tries every trick in the book to con his way into her heart.
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Too many crooks spoil "The Crew," and I'm not talking about the "grumpy old mobsters" played by Richard Dreyfuss, Burt Reynolds, Dan Hedaya and Seymour Cassel in this withering wiseguy comedy.
I'm talking about the throng of sardine-packed subplots that rob these good actors of all their quality screen time.
This facetious foursome play mobsters retired to South Florida who wind up in the middle of a drug war by trying to keep the run-down hotel they live in from going condo in the wake of all the Porsche-driving 20-somethings moving to town.
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When Walt Tenor (Greg Kinnear) decides he wants to become an actor, he tries to convince his twin brother Bob (Matt Damon) -- his conjoined twin brother -- to move out to Hollywood with him by saying, "You could be my stunt double!"
Yes folks, "Stuck On You" is another cheeky comedy of good humor and questionable taste from the Farrelly Brothers ("Kingpin," "There's Something About Mary" and "Shallow Hal"), and yes, folks, they get a surprising amount of mileage out of jokes like that one -- rim-shot-quality punchlines given winkingly ironic sparkle by the wily writing-directing team's laughing-with-not-laughing-at sensibilities.
There's the scene in which Walt walks his shy sibling over to a pretty blonde in a bar, then takes over the seduction himself when Bob blows it -- and ends up bringing the girl home (Bob tries to ignore their moaning from the other side of a makeshift curtain). There's Walt's "one-man" stage show about Truman Capote, in which Bob tries to slouch as inconspicuously as possible behind Walt's back.
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Too many crooks spoil "The Crew," and I'm not talking about the "grumpy old mobsters"...
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