Stacy Keach

Based on a true story, this lively and sometimes outrageous adventure is packed with twists and turns that the audience never sees coming. It's a complex series of events that sometimes gets a bit bogged down in the under-explained details, but the characters are fantastic. And at the centre, Matthew McConaughey shines in a role that requires him to completely change the way he looks.

It's set in the late 1980s, as the fast-talking salesman Kenny (McConaughey) is trying to raise funding in Reno for a project he has been dreaming about for decades: prospecting for gold in Indonesia. He is sure there's a fortune in those mountains, but everyone else is dubious. And even as he's on the verge of losing everything, his wife Kay (Bryce Dallas Howard) quietly stands by him. In desperation, he gets on a plane to Jakarta, pitching his idea to local adventurer Michael (Edgar Ramirez), who escorts him into an area populated by head-hunters. When the companies back in America hear that they've found gold, there's more money than Kenny and Michael can count. But the FBI suspects it's a scam.

McConaughey is magnetic as the balding, overweight Kenny, a guy who simply won't take no for an answer. He is convinced that there's gold in the rainforest, even though no one has ever seen any, and his optimism is infectious to both the other characters and the movie's audience. This makes all the men in suits opposite Kenny look rather dull by comparison. Howard gives her role a powerful kick of emotion, although Kay is sidelined by the plot. And Ramirez gets some terrific scenes as the Indiana Jones-style explorer. All of these people seem to be caught up in a flood of events they have no control over, and the film races along without pausing for breath.

Continue reading: Gold Review

Based on the Gayle Forman novel, this teen weepie is wrenchingly emotional and packed with girly fantasies. But the characters and situations have a lot more earthy honesty to them than this summer's other big adolescent tearjerker The Fault in Our Stars. It may be just as relentlessly sentimentalised, but the issues involved are faced with a lot more grit and realism, so the film earns its sob-inducing emotions.

Set in Portland, Oregon, the story centres on the Hall family. Parents Kat and Denny (Mireille Enos and Joshua Leonard) are former rockers who have mildly toned down their wild ways as they have raised their children: 17-year-old Mia (Chloe Grace Moretz) and the younger Teddy (Jakob Davies) to be independent and artistic. Although Kat and Denny are rather taken aback by Mia's obsessive love of classical music and prodigious gift with the cello. Then Mia is shocked to discover that the cool rock-god Adam (Jamie Blackley) at her high school is interested in her. As their relationship develops over the next year, it hits a few bumps along the way. And it's during one of these bad patches that Mia is in a life-threatening car crash with her family. In an out-of-body experience, she watches everyone react to her life-and-death situation, wondering, "Should I stay or should I go?"

Which of course would be a much better title for a rock-n-roll movie than this one. Never mind, since the film is structured as a peeling-onion of flashbacks and out-of-sequence revelations, Mia's conundrum is genuinely complicated, in a movie sort of way. But then everything about this film exists only in the movies, most notably Adam, the most perfect boyfriend in the history of cinema: a bad boy musician with a deep soul, open emotions and thoughtful reactions. He has so clearly been devised to appeal to the teen-girl audience that it's occasionally a bit ridiculous.

Continue reading: If I Stay Review

Despite the fact that this too-soon spin-off feels like a mere cash-in on the Disney Cars/Planes marketing machine, this sequel is actually a lot more fun than expected. Not only is the animation witty and sometimes even exhilarating, but there are some solid messages in the story. On the other hand, there's also the continuing problem of making movies in which the central characters are inanimate objects with cute faces drawn on them. But never mind: see the movies, buy the toys, keep the kids happy!

After the globe-hopping race in 2013's Planes, the new champ Dusty (voiced by Dane Cook) sees his new celebrity career grounded when he develops a problem in his gearbox. He can still fly, but the torque required for racing stunts could do him in. So he decides to retrain as an aerial firefighter to help his local airfield maintain its certification in time for the annual Corn Festival. In training, he is mentored by veteran chopper Blade (Ed Harris), working alongside his starstruck fan Dipper (Julie Bowen), the noble Windlifter (Wes Studi), the sassy Dynamite (Regina King) and the genius mechanic Maru (Curtis Armstrong). But a raging wildfire is threatening the nearby Fusel Lodge, and the local park superintendent (John Michael Higgins) doesn't want to shut it down with so many stars as guests.

The best touch here is to make Dusty utterly full of himself, never listening to any advice before charging in unprepared for the next challenge. It's predictable and underdeveloped, but it makes this chirpy crop-duster far more interesting, and adds some unexpected diversions in a plot that otherwise heads exactly where it has to go. Meanwhile, the screenwriters pack the dialog with witty puns and some snappy verbal and visual gags that allow the actors to give their vehicles a bit of personality, even if some of this is merely ethnic stereotyping or simplistic hero/villain morality.

Continue reading: Planes: Fire & Rescue Review

After travelling to Hawaii with George Clooney for The Descendants, Payne returns to middle America for this gentle, enjoyable exploration of family connections. Featuring an award-winning performance from Bruce Dern, the film harks back to Payne's About Schmidt as well as David Lynch's The Straight Story in the way it tracks straightforward characters across a rural landscape.

Dern plays Woody, a ramshackle drunk who lives in Montana and is convinced by a marketing mail-out that he has won a million dollars. His wife Kate (Squibb) has given up trying to talk to him, and son Ross (Odenkirk) is distracted by his new anchorman career. But younger son David (Forte) tries to explain the scam before giving in and agreeing to drive Woody to Nebraska to claim his prize. After all, this gives him a rare chance to bond with his rascally dad. Along the way, their journey takes some unexpected sideroads as they visit Woody's hometown, meeting friends and relatives from his past.

The film has a timeless quality thanks to Payne's strikingly astute direction and the elegant black and white photography by Phedon Papamichael. It also has a rhythmic pace, boosted by Mark Orton's tuneful score, infused with both spiky wit and understated sentiment. The key here is David's discovery of who his father really is: an unusually generous man who can't quite balance the reality of how his family and friends have treated him over the years.

Continue reading: Nebraska Review

Disney takes over Pixar's "World of Cars" with this spin-off that no-one really asked for (Cars 2 wasn't exactly a mega-hit). Indeed, this is an essentially disposable adventure, smiley and formulaic with a few minor thrills and a gentle sense of humour. Fortunately, the animation has some charm, as well as the occasional exhilarating moment. So kids are likely to enjoy it.

The protagonist is Dusty (voiced by Cook), a cropduster in rural America who dreams of racing against world champion Ripslinger (Smith) in the Wings Around the Globe race. So he gathers forklift Dottie (Hatcher) and fuel truck Chug (Garrett) as his pit crew, and convinces war veteran Skipper (Keach) to coach him. Despite being afraid of heights, he makes it into the final against Britain's Bulldog (Cleese), Mexico's Chupacabra (Alazraqui) and French-Canadian Rochelle (Louis-Deryfus). But as the race gets underway, Ripslinger and his henchmen continually sabotage the increasingly plucky Dusty.

The plot is so simple that this feels like one of Disney's straight-to-DVD sequels, complete with the deeply bland hero and ruthlessly evil villain. Fortunately, it's livened up by snappy dialog and a cast of offbeat characters that continually add deranged touches adult viewers will enjoy (such as a German forklift in lederhosen or a group of chanting Himalayan-monk tuktuks). There's not much else the strong voice cast can do with these characters. But the animators have a lot of fun with the settings as the race zooms to Europe, India, Nepal, China and Mexico, with whizzy race action that makes the 3D worthwhile for a change.

Continue reading: Planes Review