It's a brave artist that chooses five iconic tracks from wildly different acts and gives them a significant, contemporary make-over as they attempt to re-interpret them with a fresh prospective. Shut Up Kiss Me singer Angel Olsen is that artist and she's definitely brought something new to the table on all five of the fondly remembered songs.
Cover versions of course are nothing new, and when done well can have spectacular results that can shift the popularity of the song to the alternative. Tainted Love, Song To The Siren, Nothing Compares 2 U, Valerie and Hallelujah are all prime examples of songs that are now more associated with those who have covered the track than the original artist.
Continue reading: Angel Olsen: 'Aisles' EP Review
If you're looking for a song to soundtrack your Valentine's Day then we have the answer for you right here.
If you're struggling to express your feelings, finding it difficult to choose a gesture, a gift or even a card for the object of your desire then music always has the answer. Whilst Steve Wright's 'Sunday Love Songs' may have you running to dial up on God's white telephone, and Radcliffe and Maconie's 'Sunday Glove Songs' might be just an amusing stretch too far for the apple of your eye or the target of your affections, there's many other routes to explore. Whilst the schmaltzy, saccharine sweet, Hallmark moments can be pink and fluffy and work if you're wooing your primary school sweetheart they don't necessarily have the same effect as you get older. Now, you can try flowers and you can try chocolates (or both) but I guarantee you that a special song will live longer in the memory than either Interflora's best bouquet or Fortnum & Mason's best selection box. You don't want to be too obvious and you want it to be memorable but most importantly you want it to convey your feelings, so here's just a few alternative tracks for your consideration.
Nick Cave, Berlin. Photo credit - Britta Pedersen PA Images.
Nick Cave & The Bad Seeds - Babe You Turn Me On.
2016 has been overshadowed by bad news, both politically and for the music industry itself.
Yet the shifting social landscape and loss of musical icons doesn't seem to have galvanised any one artistic movement in response, surely that's on the horizon for 2017. But while this annus horribilis may not be remembered for a particular genre or artist capturing the cultural zeitgeist, it did reinforce the simple point that the concept of an album is not dead yet. From Bowie and Cohen quite brilliantly using the format as a last will and testament, Beyonce's lavish visual album for Lemonade, to Kanye and Frank Ocean bypassing some methods of traditional distribution, it's clear that the digital age of single song downloads hasn't killed the album as an artistic statement. Vinyl has helped to massively bolster sales of physical products too, emphasising the artistic merits of the album beyond simply the music on the record.
With that in mind, many well-established artists delivered records vying for position with their best work. Bands such as Weezer, Green Day, Biffy Clyro, and Against Me! may not be making many end of year top ten lists, but their output in 2016 has been impressively solid. Even Metallica returned with a record that lived up to its hype. Elsewhere other artists produced records that at an earlier point in the year would certainly have made my list; Ray LaMontagne, Brian Fallon, Iggy Pop, Shearwater, Wye Oak, A Tribe Called Quest, Bob Mould, PJ Harvey, Joseph Arthur, and St. Paul & The Broken Bones, all comfortably fit into that category. Of particular note was the album, which kept appearing on my list and then just falling frustratingly into a lower position. Underworld's Barbara Barbara, We Face A Shining Future is a glorious album. It's two men at a very different point in their lives using the music of their youth to paint a portrait of life post 50, and the result is uplifting and hopeful in a way that many other albums weren't this year. I'm delighted that Underworld has picked up a Grammy nomination for such a great record.
One final mention before sharing my ten favourite records of 2016 is for Jimmy Broomfield. Performing under the name Heart Of Oak, his debut EP, aptly titled EP 1, was released this year. It's a collection of songs that are deeply personal and wonderfully intimate with their bare bones performances. His song-writing is both clever and witty and if you're looking for some home-grown talent with a promising future you need look no further than Heart Of Oak's website.
Continue reading: Jim Pusey's Top Ten Albums Of 2016
St. Louis' hip hop scene is explored in the latest Budweiser documentary.
The ever overlooked St. Louis, Missouri is our next stop for the Budweiser Made in America documentary series, and an appropriate point ahead of Jay Z's music festival.
Almost every major city in the United States has some sort of musical identity which is exactly that sort of thing that inspired Jay Z to create Budweiser Made in America festival. It's all about looking at different genres from all over the country and uniting them in two major cities: Philadelphia and Los Angeles. However, there are plenty of musically rich cities out there that just barely get noticed - even in spite of some of the major stars that have come out of them.
On the same day that Glastonbury welcomed back Margate's adopted sons, The Libertines, Margate itself put on it's very own Leisure Festival as it...
Sheffield's very own all girl group Pretty Fierce are still on a high after the recent release of their debut single - 'Ready For Me'.
Three nights before the end of his current tour Will Varley returned to his home town of Deal to delight a sold out crowd in The Astor Theatre.
Former Marigolds band member Keelan Cunningham has rediscovered his love of music with his new solo project Keelan X.
Wiltshire singer-songwriter Luke De Sciscio, formally known as Folk Boy, is set to release is latest album - 'The Banquet' via AntiFragile Music on...
Electronic music pioneer and producer Annie Elise says that the release of her first EP - 'Breathe In, Breathe Out' feels "both vulnerable and...