Herbert Lom, the actor best known for playing Charles Dreyfus in the Pink Panther movies, has died aged 95. He may have starred alongside Hollywood greats Kirk Douglas, Charlton Heston and Alec Guinness, he may have portrayed historical figures such as Napoleon Bonaparte, but it will be his performance alongside the hapless Inspector Clouseau (played by Peter Sellers) for which he will be most fondly remembered.
The family of the Czech-born star confirmed that he died peacefully in his sleep, Sky News report today (September 27, 2012) and his son Alec Lom has spoken of his long and varied career. “Like many actors, he never wanted to be pigeon-holed in a particular role,” his son revealed. “After having played the role of East European gangster in many films, it was a delight to him later in his career to be cast by Pink Panther producer and director Blake Edwards in a comedy role opposite Peter Sellers, and he hugely enjoyed that move.”
Alec also spoke fondly of his father’s working relationship with Sellers, saying “he had many funny stories about the antics that he and Peter Sellers got up to on the set. It was a nightmare working with Peter because he was a terrible giggler and, between my father and Peter's laughter, they ruined dozens and dozens of takes.”
Trail certainly isn't historically unique in its use of archival footage to create a role for a passed-on movie star, but it's inarguably one of the ballsiest attempts at it. Sellers isn't some bit player (like Lawrence Olivier in Sky Captain and the World of Tomorrow), he's the star. He's Inspector freakin' Clouseau, and he's in more than half of the running time of the film.
Continue reading: Trail Of The Pink Panther Review
No matter: She acquits herself far better here, namely ecause she has nearly no lines. This is Dudley Moore's show: An absurd and hopelessly dated bit of slapstick about Moore's showbiz star facing a midlife crisis. Zoom, he's off to Mexico, where he daydreams about Derek (in those hideous braids) at length. Blake Edwards made worse films than this, but his comic timing is all wrong, exiled to long bouts of non-sequitur gags, such as Moore's run-in with dentistry.
Continue reading: 10 Review
Problem #1 can be seen in a premise: It's a film that no self-respecting studio head should have ever greenlit, but inexplicably somebody did. Who in their right mind could have thought that anyone would want to see a musical about Mata Hari? Not even the real Mata Hari, but a Mata Hari-like character plying her trade during World War I.
Continue reading: Darling Lili Review
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