Elizabeth Marvel

Noah Baumbach (Frances Ha) is on his way to becoming the new Woody Allen, which is a compliment. This film features an eclectic ensemble of A-listers coming together to play a hilariously neurotic Jewish New York family. The film is episodic and very entertaining as these people collide against each other. And their banter is wickedly funny, even when they're grappling with some very dark themes. It's also a rare chance to see Adam Sandler shine in a non-silly role.

He's at the centre of the story as Danny, who has just split from his wife and moved back in with his cantankerous father Harold (Dustin Hoffman) and his loveably goofy fourth wife Maureen (Emma Thompson). Everyone in this family has artistic tendencies, including Danny, his sister Jean (Elizabeth Marvel) and Danny's 18-year-old daughter Eliza (Grace Van Patten), who is heading off to university to study film. And then there's younger half-brother Matthew (Ben Stiller), who abandoned art to become a wealthy businessman in Los Angeles. Danny and Jean have always felt ignored in Matthew's presence, and this comes out into the open when they all gather to help take care of Harold when he ends up in hospital.

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This is one of those films that dances right up to the edge of soapy sentimentality, making us a little nervous about where it might go. But director Marc Webb (500 Days of Summer) holds his nerve, letting the emotions build without ever tipping over into melodrama. What emerges is a striking exploration of the tricky connections between parents and children and the importance of makeshift families. And it's so sharply played that it can't help but move us.

It's set in rural Florida, where the quietly intelligent Frank (Chris Evans) is hiding out from his academically minded mother Evelyn (Lindsay Duncan), trying to give his 6-year-old niece Mary (Mckenna Grace) the free-spirited childhood his late sister wanted for her. Their life includes sassy neighbour Roberta (Octavia Spencer) and a one-eyed cat named Fred. But Mary is a mathematical prodigy, and her teacher Bonnie (Jenny Slate) is worried that the public school can't keep up with her. This alerts Evelyn to Mary's gifts and, after taking no interest before, she sweeps in with a legal challenge to Frank's custody. Like her daughter and granddaughter, Evelyn is also a maths genius, and believes that Mary's abilities need to be exploited in a higher-class educational environment.

While the argument about what's better for this little girl is fairly simple, Tom Flynn's script never lapses into the usual trite courtroom drama. And while there are a lot of formulae scribbled on white boards, the focus is always on the people rather than the numbers. Thankfully, these characters also never turn into heroes or villains; each is just trying to do what they think is best. This means that the actors can invest unusual depth into the roles, adding surprisingly sharp edges while revealing their softer sides as well. Evans has rarely had a chance to flex like this as an actor, and he's terrific, creating some powerful chemistry with the, yes, gifted Grace.

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The breezy, entertaining tone of this historical comedy-drama kind of undermines the fact that it centres on one of the most pivotal moments in US-British history. Director Michell (Notting Hill) knows how to keep an audience engaged, and yet he indulges in both tawdry innuendo and silly cliches, never giving the real-life events a proper sense of perspective. Even so, some terrific performances make it enjoyable.

The events in question take place in 1939, when President Franklin D. Roosevelt (Murray) invites Britain's King George VI and Queen Elizabeth (West and Colman) to visit Hyde Park, the upstate New York residence he shares with his mother (Wilson), while his wife Eleanor (Williams) lives down the road with her "she-male" friends. Roosevelt knows that George is here to ask for help against the growing threat of Hitler's Germany, and as a result of their talks a "special relationship" develops between America and Britain. Meanwhile, the womanising Roosevelt is not-so-quietly having an affair with his distant cousin and confidant Daisy (Linney).

Essentially there are two films here fighting for our attention. Much of the story is seen through Daisy's eyes, complete with an annoyingly mousy voiceover that never tells us anything we can't see on screen. Linney underplays the character to the point where we barely notice that she's in the room, and the depiction of Daisy's romance with FDR is often squirm-inducing. By contrast, the other aspect of the plot is fascinating, with West and especially Colman shining in their roles as witty, nervous Brits trying to make the most of the first ever visit of a British monarch to America. Their steely resolve is brilliantly undermined by their brittle nerves and endless curiosity. 

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