Martin Joubert is a French baker living in Normandy who has a deep passion for the writer Gustave Flaubert and his masterpiece novel 'Madame Bovary', which takes place in the same town in which he lives. Soon he meets an English couple who have moved over to France to begin a new life, and of course their names are Charlie and Gemma Bovery. Joubert immediately senses oncoming disaster, especially when he notices problems in the couple's relationship. Gemma is an artist who, upon her arrival, is enlisted to help another English couple with some design work, and as fate would have it they introduce her to Patrick - who happens to be her former lover. Joubert watches as Gemma and Patrick begin an illicit affair and predicts that this is another story that's bound to end in tragedy, no matter what he does to try and stop it.
Continue: Gemma Bovery Trailer
This time out it's French singer-composer-actor Jacques Dutronc's turn to play the troubled master artist, recreating the final two months of Van Gogh's life, a feat which earned him the Cesar Award.
Continue reading: Van Gogh Review
The story introduces us to Thomas Cross (Furlong), who is obsessed with Internet webcams (so 1999!). One night, he witnesses his favorite gal Cathy as she is murdered while she's preparing dinner in her apartment. Yipes! The dinner preparation isn't so exciting (though Thomas is enthralled by it), but that murder certainly wakes him up. Too bad he doesn't really know where she lives, just her web URL, which the cops don't really grab on to.
Continue reading: Three Blind Mice Review
After a brief prelude, the film picks up Modigliani's story in 1919, the year before his death, at a time when modern art was flourishing in Paris. Artists such as Pablo Picasso, Diego Rivera, and Jean Cocteau haunted the cafes at night as their fame and influence spread over the globe. It is here, in a café, where Modigliani (Andy Garcia) makes his entrance, drunkenly hopping onto a table and publicly ridiculing Picasso with the question, "How do you make love to a cube?"
Continue reading: Modigliani Review
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