Somebody is committing increasingly gruesome and elaborate murders and the FBI don't know where to begin with tracking down the suspect. A team, led by special agent Joe Merriweather, decide that they have no choice but to enlist a veteran doctor named John Clancy, whose psychic abilites allow him to see things that no-one else can see no matter how much detective work they do. He has been living a life of solitude for the last two years after his own daughter died, but agrees to help for the sake of his old friend Joe. Unfortunately for him, this case is more than a match for his powers because their serial killer is constantly one step ahead of them. Clancy soon deduces that they are looking at somebody with psychic skills far superior to his own, and that the FBI agents are little more than flies running towards Charles Ambrose's sprawling web of death with each move.
Continue: Solace Trailer
Abbie Cornish - Los Angeles premiere of Columbia Pictures 'RoboCop' at TCL Chinese Theatre - Arrivals - Los Angeles, California, United States - Monday 10th February 2014
There's a robust, intelligent tone to this action remake that makes it continually intriguing, even if it's never properly exciting. The problem is that the characters are far too simplistic for us to care about, with moral dilemmas that are extremely cut and dried. Because the premise deals with several provocative themes, it wouldn't have taken much work to beef up the screenplay.
Set in the near future when American military robots patrol the world but are outlawed at home, the story centres on Omnicorp boss Sellars (Keaton), who is determined to sell his robots to the US market as police enforcers. So he decides to get around the law by putting a man inside a robot, drafting seriously injured Detroit cop Murphy (Kinnaman) as his guinea pig. Doctor Norton (Oldman) does an amazing job, building a machine around Murphy with extremely high technical capabilities. But Murphy can't help but worry about his wife (Cornish) and son, and he's obsessed with revenge over his attempted murder. So Norton is forced to use chemicals to suppress his emotions.
In other words, Murphy is actually more machine than man now, and operates at the whim of Sellars and his media spokesperson (Ehle), marketing nerd (Baruchel) and a rabid TV host (Jackson) to manipulate the US Congress to change the law. This greedy corporation gives the film a bite of satire, as does the issue of America's rampant willingness to brutally suppress anyone outside its borders. But without even a shading of complexity, the plot feels predictable and, frankly, rather dull. It's fun to watch everything happen, but our pulse rates never rise at all.
Continue reading: RoboCop Review
When news gets round about a gold discovery in the Klondike region of the Yukon, Canada in 1897, it becomes one of the last great gold rushes in history. Bill Haskell and Byron Epstein are two hopeful travellers with an ambition of wealth who travel up to Dawson City (often dubbed 'The Paris of the North') to receive their fortune. However, digging up a life of luxury becomes less straightforward as they are forced to face bitter sub-zero temperatures, gold-digging temptresses and men who won't think twice about killing for profit. Making an easy fortune is one thing; surviving long enough to use it is another.
Continue: Klondike Trailer
Alex Murphy is a hard-working police officer who lives an ordinary life with his beautiful wife Clara and young son David. However, his life is swiftly turned upside down when a bomb in his car explodes leaving him with 70% burns all over his body. Meanwhile, the multinational corporation OmniCorp who have been sending out robot technology abroad for warfare purposes are now coming up with other ideas; namely to deal with the increased crime rate of Detroit. They create a robot with the intention of programming it to target major wanted criminals, but on discovering Murphy's predicament and seeing how he has lost two limbs from his accident, they decide to kill two birds with one stone by fixing him into the suit so that he's able to continue working as a cop, but with more power than he could ever have imagined. The suit has been created to give him the illusion of free will while being externally controlled, however that changes when Murphy begins to use the suit for his own means.
'Robocop' is the upcoming remake of the 1987 sci-fi action flick of the same name directed by Paul Verhoeven. This adaptation has been helmed by Jose Padilha ('Elite Squad', 'Bus 174') and written by Nick Schenk ('Gran Torino'), James Vanderbilt ('The Amazing Spider-Man') and Joshua Zetumer. It will be reaching UK cinemas on February 7th 2014.
The decision to resurrect 'RoboCop' was met with groans, but the first trailer for the film actually makes the latest unnecessary reboot from Hollywood look pretty damn good
Joel Kinnaman will star as Alex Murphy/RoboCop in the upcoming reboot of cult 80's action movie RoboCop. This, like sop many other recent reboots, was a film that few people wanted or expected to be any good, however if the first official trailer for the film is anything to go by, then the naysayers may be proved wrong after all because from the look of the 2 and a half minute clip, the film doesn't look half bad.
Joel Kinnaman stars as Alex Murphy/RoboCop
With established stars like Samuel L. Jackson, Michael Keaton and Gary Oldman featuring in the film, there is a presence of experience that is comforting to see for fans of the original film, and the action sequences that are teased look pretty decent too. On top of this, the glimpses of the storyline make it look as though the writers have given their own take on the original source material, rather than just rip off the 1987 classic.
Martin McDonagh gleefully plays with both the gang thriller genre and the moviemaking process with this enjoyably absurd action comedy. It's a little self-indulgent, acknowledging how difficult he found it to follow up his acclaimed film In Bruges. But a continual stream of hilariously clever gags make it thoroughly entertaining, and the seriously great actors are so playful that it's infectious.
At the centre, naturally, is an Irish writer named Marty (Farrell), living in Hollywood and struggling to write his next screenplay. He settles on the title Seven Psychopaths, and decides that his lead character will be a nonviolent Buddhist killer. Otherwise he's stuck. Then he discovers that his hyperactive pal Billy (Rockwell) is running a scam with Hans (Walken), kidnapping dogs and claiming the rewards from their owners. This all goes terribly wrong when they grab the beloved shitzu of the mercurial thug Charlie (Harrelson), sending him into a murderous rampage. And as Marty finds himself in the middle of it, his script starts to take shape.
McDonagh is adept at combining freewheeling wackiness with more astute observational comedy. This film isn't as emotionally resonant as In Bruges, but it crackles with the same sharp dialog and offhanded violent silliness. Most of this plays up the amusing shock value of sudden death, although there are moments that are surprisingly touching, mainly due to a wonderfully textured turn from Walken. Rockwell is the other standout as the manic, unpredictable Billy, an enthusiastic mischief-maker. And Harrelson has a great presence as the funny-terrifying Charlie.
Continue reading: Seven Psychopaths Review
Named after the notorious Mrs Simpson, Wally (Cornish) is in a 1998 New York auction house examining a vast collection from the life of the British king who gave up the throne for the woman he loved. In swirling flashback, Wally's story is woven in with that of Edward (D'Arcy) and Wallis (Riseborough) in the 20s and 30s, including Wallis' marriages to the violent Win (Hayward) and the accommodating Ernest (Harbour). Meanwhile, Wally is stuck in a cold marriage to William (Coyle) and looked after by a kindly security guard (Isaac).
Continue reading: W.E. Review
In 1998 came the news that the estate of the Duke and Duchess of Windsor was to be auctioned off. No one was more interested in this news than Wally Winthrop, who discovers the romantic story of King Edward VIII and American socialite Wallis Simpson. Wally, who is trapped in an unhappy marriage, is enchanted by the way the unlikely couple were in love and she dreams of being in a love like that. She becomes obessed with Edward and Wallis and begins researching into their romance, by travelling to various places that the couple frequented and even visiting several auctions of the Windsor estate.
Continue: W.E. Trailer
In December 1936, the UK was left reeling after the news that King Edward VIII would abdicate the throne, after only 326 days served as the head of the country. The reason for his resignation was so he could successfully marry two times divorcee Wallis Simpson, an American socialite, who would never be accepted because of her previous failed marriages.
Continue: W.E. - Clips - Clips
Abbie Cornish Wednesday 30th March 2011 Sucker Punch - UK film premiere Vue Cinema, Leicester Square - Arrivals London, England
Abbie Cornish Tuesday 8th March 2011 The New York Premiere of 'Limitless' - Outside Arrivals New York City, USA
Abbie Cornish Tuesday 8th March 2011 The New York Premiere of 'Limitless' - Inside Arrivals New York City, USA
Abbie Cornish Thursday 3rd March 2011 Special Screening of Limitless held at the ArcLight Hollywood Theatre Hollywood, California
Date of birth
7th August, 1982
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