Ramin Bahrani

This harrowing morality play is timely and riveting, but never remotely subtle. The setting is the mortgage crisis, during which savvy fast-talkers figured out how to make a fortune on the back of other people's tragedy. It's strikingly written and directed by Iranian-American filmmaker Ramin Bahrani with an attention to internalised detail, revealing an aspect of Western culture that's deeply disturbing.

It's 2010, and the economy is in freefall as families and small businesses struggle to survive. When Florida builder Dennis (Andrew Garfield) loses his job, he has no idea how he'll support his mother and son (Laura Dern and Noah Lomax). Unable to pay their inflated mortgage, they're evicted from the family home by ruthless estate agent Rick (Michael Shannon). Then Rick sees something in Dennis that he admires, and hires him to do some building work, eventually taking him under his wing and teaching him how to profit from the record number of repossessions. But this means taking advantage of government grants, banking loopholes and people whose lives have collapsed. And it isn't long before it starts eating away at Dennis.

Garfield gives an open, searching performance as this desperate young father who's grasping at any lifeline he can find for his family. It's a complex, difficult character, mainly because his moral dithering sits in contrast to Shannon's flashier, shark-like Rick, who's often scary in the way he's able to avoid empathising with people in pain. In a much smaller role, Dern is the polar opposite, a warm blast of straight-arrow morality who continually prods her son to do the right thing. Yes, these characters are somewhat constructed as three points in a triangle, but they beautifully highlight the issues involved. And the actors dig deep into the emotional ramifications.

Continue reading: 99 Homes Review

Fans of film journalism will love this documentary about the noted Chicago critic Roger Ebert, although the movie is just as much about his battle with the cancer that took his life in 2013. It's a lively, fast-paced doc, but even at two hours it feels oddly truncated as the two topics seem to fight for screen time. Fortunately both are potent: the story of Roger's love of cinema and the footage of his astoundingly cheerful refusal to let illness get him down.

Based around Roger's eponymous autobiography, the film quickly traces his background as a film lover who rose through the ranks at the Chicago Sun-Times to become an unusually resonant film reviewer, able to express opinions and even high-minded cinematic observations in ways that were never cynical or snobbish. He found national (and even global) fame through his TV programmes opposite rival Chicago critic Gene Siskel, which began in 1978 and standardised their "thumbs up"/"thumbs down" verdicts. At age 50, Roger met his wife Chaz at an Alcoholics Anonymous meeting, and her children and grandchildren became his. In 2002, he was diagnosed with thyroid cancer and underwent a series of surgeries that by 2006 made it impossible for him to speak. But he carried on writing reviews and making public appearances (speaking through his computer) until his death.

Filmmaker Steve James had startling access to Roger during the final year of his life, following him to hospitals and rehabilitation centres. Looking at his cancer-ravaged face is difficult at first, but Roger's smiling eyes and constant joking reinforces his optimistic, matter-of-fact approach to life. And he keeps reminding James that this documentary has to show everything, never flinching away from the truth. As a result, the film is a remarkably intimate look at how Roger and Chaz faced the illness and made difficult decisions along the way. This adds an emotional layer to the documentary that's remarkably moving, putting Roger's work into the context of his life and death.

Continue reading: Life Itself Review