It may be rather long for a romantic comedy, but this film has such a strikingly original script that it grabs hold and never lets go. Based on the real-life story of actor-writer Kumail Nanjiani (Silicon Valley) and his cowriter wife Emily Gordon, the movie is packed with engaging characters who each take their own journey through a series of unexpected events. In other words, it's a clever screenplay that's beautifully played and often very, very funny.
Playing an only slightly fictionalised version of himself, Kumail is a stand-up comic in Chicago when he meets Emily (Zoe Kazan), who heckles him at one of his gigs. Their banter quickly turns to flirtation and then love. But there's a hitch in the fact that Kumail's parents (Anupan Kher and Zenobia Sfiroff) expect him to marry a nice Pakistani Muslim girl, and he doesn't want to let them down. He's even reluctant to reveal Emily to his slightly more open-minded brother (Adeel Akhtar). This strains the burgeoning romance, which takes a turn when Emily is put into an induced coma in hospital. It also forces Kumail to get to know Emily's parents (Holly Hunter and Ray Romano), who turn up to sit with him as they wait for her condition to improve.
It's rare for a rom-com to take such a serious turn, and this film plays the situation with a proper sense of dramatic tension while maintaining an awkwardly edgy comical sensibility. All of this allows characters to come to vivid life, each with his or her own big issues that need to be dealt with as they interact with other people. The network of relationships reflect real life better than most movies, exploring Kumail's professional life and his camaraderie with his fellow comics as well as the layered family bonds and his developing connection with Emily and her parents. It's also a refreshingly realistic depiction of multi-cultural society.
Continue reading: The Big Sick Review
When Kumail and Emily meet, they're instantly drawn toward one another. Emily is a student and Kumail is an aspiring comedian who also works part time as an Uber driver to make money. After spending the night together, Emily awakes and decides to make an early exist only to ring an Uber and for Kumail to, obviously, be the nearest driver.
As the pair become more and more endeared to one another they spend more time together and things look like they could get more serious but for Kumail, things aren't quiet as straight forward boy meets girl, boy and girl fall in love and marry. Being Muslim from a Pakistani background, Kumail's parents expect him to have an arranged marriage and as he grows older his mother becomes more and more obsessed with finding the right person to share his life with.
Kumail can no longer keep his new Beau secret and confides in his brother that he's been dating a white girl and his reaction isn't exactly as positive as he might've hoped. When Emily finds out about the plans for Kumail's arranged marriage, the pair have a talk and, even though in their heart of hearts neither want to, they break their relationship up.
Continue: The Big Sick Trailer
Ray Romano - Ray Romano out shopping with his son in Beverly Hills - Hollywood, California, United States - Friday 17th July 2015
The sad announcement was made on Thursday and had taken over social media by Friday.
Sawyer Sweeten, the 19-year-old former child star, who began his career playing one of the Barone twins on Everybody Loves Raymond, has committed suicide. His family confirmed that Sweeten had “taken his own life” on Thursday.
Sawyer played Geoffrey Barone in the hit show, which also featured his twin brother Sullivan as Michael Barone and older sister Madylin as Ally Barone.
Based on lead actor Ray Romano’s stand-up routines, the show focused on the title character – Ray Barone’s – strained relationship with his parents and older brother. Everybody loves Raymond ran successfully between 1996 - when Sawyer and Sullivan were just 16 months old - and 2005.
Tommy and Rosie are a young couple living in New York who are madly in love with one another - mad enough that they begin to pull off the most dangerous heists possible in order to make enough money to start a life together after their stints in prison. While Rosie attempts to make an honest living as a debt collector, Tommy is hell-bent on revenge after watching his father get beaten to a pulp by the Mafia when he was just a child. He follows a court trial of mobster Sammy 'The Bull' Gravano whose information in court about his recent exploits present Tommy with an idea to rob the gang's No-Guns social club with Rosie as the getaway driver. After getting away with it without a hit contract, they continue to rob the mob before discovering an important piece of inside information that could permanently bring down the world's most formidable criminals.
Continue: Rob The Mob Trailer
Can a UK version starring Lee Mack and Catherine Tate work?
British comedy stars Lee Mack and Catherine Tate have signed on to appear in a British remake of Everybody Loves Raymond, one of the most successful US sitcoms of all time. The Smiths will be set in Cheshire and follows a successful sportswriter who lives across the street from his overbearing parents and socially inept older brother. The BBC One pilot has been written by Mack and will be produced by Silver River, the team behind Pulling.
Image: Catherine Tate
Continue reading: Lee Mack And Catherine Tate Sign Up For UK 'Everybody Loves Raymond'
Ashton Kutcher has been named TV’s highest paid actor. The Two and a Half Men star may have disgraced himself in the celebrity gossip world, by allegedly cheating on his partner Demi Moore, but in the world of television, he’s still hot property and commands a staggering fee for his appearances in the show.
According to Forbes’ annual survey of the highest paid television actors, Kutcher earned $24 million between May 2011 and May 2012. His predecessor on Two and a Half Men, Charlie Sheen (who left the show in a pretty dramatic fashion after suffering what appeared to be some kind of mental breakdown) did not even make the Top 10. That said, when Sheen was at the top of his game, he out-classed Kutcher significantly, with earnings of $40 million. Sheen wasn’t the only big name star to mysteriously disappear from the Top 10 though. Steve Carell, who proved to be a massive hit on the small screen with the US adaptation of Ricky Gervais’ The Office, also dropped off the list.
Snapping at Kutcher’s heels at the top of the list was Hugh Laurie, who ranked second with $18 million, largely for his role in House. Ray Romano earned an equal amount, and still appears to be raking it in with re-runs of his classic Everybody Loves Raymond comedy. Alec Baldwin’s in next with $15 million, still charming TV audiences with his role in 30 Rock.
Two-and-a-Half Men is the show that forks out the most for its lead actors; last year Charlie Sheen topped Forbes' list of TV's Highest-Paid TV Actors list with $40m and this year its new lead Ashton Kutcher has taken over the prestigious spot, albeit with a decidedly smaller sum of just $26m.
Hugh Laurie for his role in 'House' and Ray Romano, for a now cancelled 'Men of a Certain Age' were runners up to Kutcher, each raking in $18m. We'd all be happy to plum for second place in this race. Aside from Laurie, it was entirely sitcom actors that scored the bigtime in this list, with stars of 30 Rock, Last Man Standing, Men, and The Big Bang Theory - Alec Baldwin, family favourite Tim Allen, Jon Cryer, and Jim Parsons and Alan Galecki, respectively, all managing to make it into the top ten.
However, as much as it's always great to celebrate in the successes of others, for women in the equivalent category, financial success seems to not be quite so easy. Sophia Vergara from Modern Family is this year's female top earner, but at just (ha! just?) $19m, she's lagging behind Kutcher by $7m! Plus, the genres in which these women find their careers is far more varied than men - still including comedy, but also drama, reality and medical dramas all find their way into the list. Desperate Housewives is one show that truly shows women multitasking, and Felicity Huffman and Eva Longoria, two stars of the show, both appear in the top ten. Although men still earn more than women, it seems the ladies can take the prize for versatility.
When the ice shelf suddenly cracks in two, mammoth Manny (Romano) finds himself adrift with sabre-tooth Diego (Leary), sloth Sid (Leguizamo) and Sid's toothless granny (Sykes). But as they attempt to get home, they're waylaid by a pirated iceberg sailed by Captain Gutt (Dinklage) and his scurvy crew.
Meanwhile, Manny's wife Ellie (Latifah) and their mildly rebellious daughter Peaches (Palmer) are trying to outrun the shifting continental plates. And the film's real star Scrat is on a hunt for a hidden acorn treasure.
Continue reading: Ice Age: Continental Drift Review
Sid, Manny and Diego are doing a good job so far of surviving the Ice Age but now a new danger is threatening to finish them off - continental drift. The three heroes are now living on a small iceberg in the middle of the ocean and they are determined to find the rest of the herd, while trying to work out how it all happened. Unbeknownst to them, the cause of the problem leads back to Scrat and yet another attempt at rescuing his precious nut.
Continue: Ice Age 4: Continental Drift Trailer
Ray Romano Monday 19th September 2011 Tropicana Las Vegas hosts a poker tournament for Brad Garrett's 'Maximum Hope Foundation' at Tropicana Hotel & Casino Los Vegas, Nevada
Ray Romano, Brad Garrett and Jose Canseco - Ray Romano, Jose Canseco, Brad Garrett Las Vegas, Nevada - Tropicana Las Vegas to Host Poker Tournament for Brad Garrett's 'Maximum Hope Foundation' at Tropicana Hotel & Casino Saturday 17th September 2011
Ray Romano - Ray Romano and wife Anna Scarpulla Malibu, California - at the Malibu summer fair Saturday 1st September 2007
Standard black-comedy stuff, then, though not without promise. Clancy doesn't have a strong directorial touch, operating only a level or two above the point-and-shoot techniques of an actual sitcom -- and a little lower when it comes to the laugh-track ready entrances and exits. But he does capture the feel -- the shabby decor, the lines of cereal boxes, the personal trepidation -- of a reluctant and unkempt family gathering. The Collins family is trapped in the family home until the funeral is over, foraging for emotional connections purely out of necessity. Whether this authenticity is achieved through close observation or a low budget is not immediately apparent; regardless, Eulogy's distaff family unit is more or less convincing -- as a whole, at least.
Continue reading: Eulogy Review
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