@mayzwatson But we traveled more
We Are Scientists
We Are Scientists (also known as W.A.S.) are a New York based indie band comprising Keith Murray (guitar and vocals), Chris Cain (bass guitar and backing vocals) and, until 2007, Michael Tapper (drums and backing vocals). We Are Scientists formed in 2000 and have released three EPs, five Top 40 singles, and three albums, including 2008's Brain Thrust Mastery which reached number eleven in the UK.
The nucleus of We Are Scientists came together in 1997 when Keith Murray and Chris Cain met at Pomona College in Claremont, California. It was here that they hooked up with Michael Tapper who studied at nearby Harvey Mudd College. After graduating they moved to Berkeley and started rehearsing as We Are Scientists. There is much speculation surrounding where the name originated, but the most popular theory is that the band were asked by a U-Haul truck worker if they were scientists to which they regrettably replied 'no'.
After moving to New York, We Are Scientists released their debut album, the self-made Safety, Fun, and Learning (In That Order) in April 2002. We Are Scientists also released three EPs, Bitchin', In Action, and The Wolf's Hour, on their own Checkered Seagull label.
We Are Scientists describe their output as "rock music of the thoughtful, sometimes epic, often loud, vaguely danceable, implicitly humanist variety" and their gigs are notoriously wacky, often featuring jokes and banter between the band and their devoted following.
2005 saw the release of We Are Scientists' major label debut album, With Love & Squalor (Virgin Records), which sold over 100,000 copies in the UK. It featured the singles Nobody Move, Nobody Get Hurt, The Great Escape, and It's a Hit. Nobody Move, Nobody Get Hurt was reissued in 2006 and climbed to number 21 in the UK chart. We Are Scientists also performed the song on The Late Show with David Letterman. That year We Are Scientists featured on the NME Shockwaves Tour alongside Arctic Monkeys, The Mystery Jets, and Maximo Park.
We Are Scientists released Crap Attack, a compilation of b-sides and rarities, in November 2006. In 2007, We Are Scientists were nominated for NME Best International Band Award and supported The Kaiser Chiefs on tour.
Long-time drummer Michael Tapper retired from We Are Scientists in November 2007 and was eventually replaced by Adam Aaronson. Keyboardist Max Hart from The High Speed Scene joined We Are Scientists and has since become a permanent fixture.
In March 2008, We Are Scientists released one of their most successful singles, After Hours, which reached number fifteen in the UK Singles Chart. It was the first single to be taken from We Are Scientists' third album, Brain Thrust Mastery (EMI), also released that month. Another Top 40 single, Chick Lit, followed in June 2008.
The first official announcement for Live At Leeds 2016 is here...
One of the biggest UK music events of the North is returning in Spring 2016, accompanied by another spectacular line-up. Live At Leeds have just announced the first seven acts for the citywide festival which will mark their landmark 10 year anniversary.
They previously won 'Best Metropolitan Festival' and they are certainly still proving worthy of that title if recent announcements are anything to go by. The first acts of Live At Leeds are now confirmed for the multi-venue extravaganza on April 30th 2016, and organisers also reveal their Leeds Digital Festival; more information on which is yet to be announced.
Continue reading: Live At Leeds 2016: Pop Sensation Jess Glynne Among First Acts Announced
Having seen original drummer Micheal Tapper leave at the end of 2007 on the eve of a UK tour, We Are Scientists have used, Libertine Gary Powell, and later Adam Aaronson to fill in, before former Razorlight stick-wielder Andy Burrows took over rhythm section duties last year. A renewed focus, perhaps, for their new material, albeit written in the shadow of their 6-episode TV show 'Steve Wants His Money' debuting on MTV.
From October to December last year, Chris Cain and Keith Murray were seen taking a radio porno idea to Edith Bowman at Radio 1, and trying to persuade Alphabeat to be the brand image for their alcoholic drinks for toddlers. Amusing to some, maybe, but clearly with minds on other things, a second series of 'Steve' is apparently imminent, it remains to be seen if 'Barbara' will prove a return to early form.
Released at the start of April, first single 'Rules Don't Stop' serves as the album's opener. Tense verses over jangly guitars contrasts the hopeful relief of the chorus refrain 'Rules Don't Stop Me / Forget About It/ Rules Don't Stop Me / We'll Get Around It.' More 'With Love And Squalor' than 'Brain Trust Mastery,' it's WAS a la 2005. One half geek-chic, the other unorthodox rule-breaker.
Continue reading: We Are Scientists, Barbara Album Review
We Are Scientists return to the table to present their latest wares. Hoping to once again re-ignite what can only be described as somewhat of a stop-start, spluttering, career to date. Rather like some of their British contemporaries (Futureheads/Divine Comedy) We Are Scientists have never quite engaged the public imagination with any great significance. Lacking direction, focus and a certain determination has hindered their quest to popularise their musical creations. Line up changes that have included borrowing drummers from Dirty Pretty Things and now Razorlight have not always helped.
After three studio albums, and one thin compilation of b-sides and covers, We Are Scientists are looking for a kick start. They have not been short on opportunity. Playing at Glastonbury, T In The Park and Reading & Leeds. Supporting the likes of Kings Of Leon and Art Brut. Touring extensively, and included in the NME line up. Championed by many on the radio, and loved for their comical quips, We Are Scientists have had their fair share of chances, as well as exposure.
Continue reading: We Are Scientists, Rules Don't Change Single Review
We Are Scientists
Brain Thrust Mastery
Since selling a respectable 150,000 units of their debut album 'With love And Squalor', American outfit We Are Scientists have lost original drummer Michael Tapper, but that hasn't dampened expectations for this follow-up release. Anyone wanting to catch them on their April UK tour had best act quickly as the majority of dates have already sold out.
Having never been ones to knock out a bog-standard indie tune, WAS stick to the adage of 'if it isn't broke, don't fix it'. Though the record begins in the solemn tones of the appropriately named 'Ghouls', they soon crack out an anthem in the shape of 'Let's See It' which features catchy 'oh ohs' and a riff to match. Recent single 'After Hours' is slick pop, while those in the mood for a dance should check out the bass-based groove of 'Lethal Enforcer'. It is this direction which works particular well and sees the pulsating 'Chick Lit' standout as one of the highlights of the album.
Though WAS have an obvious knack of making a decent song, they don't always get it right, with the punky 'Dinosaurs' and 'Tonight' making little impression. 'Spoken For' showcases a successful mellower tone, while the relentless droning guitars of 'Impatience' make the track reminiscent of Primal Scream's 2006 hit 'Country Girl'. Without really establishing any new ground for the band, 'Brain Thrust Mastery' should at least appease fans of WAS and provide their gigs with a fresh batch of anthems.
@mayzwatson But we traveled more
@FeeltheJoe @senatorcain Strong likelihood…
RT @wearescientists: Big thanks to this man, and compliments on his wonderful format — a beacon in these dark times! https://t.co/S3G7Y1bEyK
Big thanks to this man, and compliments on his wonderful format — a beacon in these dark times! https://t.co/S3G7Y1bEyK
@Tim_Burgess Thanks for having us! That was loads of fun.
RT @senatorcain: I think this perfectly illustrates the WAS ethos: sufficiently irreverent to glug a brew in front of a church, despite wha…
For those still seeking this album on vinyl, by the way, we've got them on the web store, and our label is giving y… https://t.co/uAuPgn74zY
Well, that was a damned whirlwind. #timstwitterlisteningparties
We need more outros in our songs, that's for sure. #timstwitterlisteningparties
I always liked when the beat got all straight and disco-ey for that verse. #timstwitterlisteningparties
The line “Who’s kidding who” was interpolated from the line “Who’s killing who?!” in the Michael Bay-produced 2003… https://t.co/9yIR3lMWNB
I think I got outvoted two-to-one on whether this song or the (eventual) B-side This Means War should be on the alb… https://t.co/116CTeDCKq
WHAT’S THE WORD At one point, this was definitely the general musical direction that the band *might* have taken -… https://t.co/bPovFkv98C
These are better promo photos https://t.co/EDIHUHBXNR
The label said it would *probably* be a bad idea to deploy a promo photo in which the band members couldn’t actuall… https://t.co/BASZyyWhVS
Speaking of bad marketing, here’s a polaroid excerpt from one of our earliest photoshoots. We quickly decided that… https://t.co/5IvZqZaYwh
WORTH THE WAIT I finished the lyrics to this song at the last minute, sitting in that aforementioned pool hall, aro… https://t.co/HR9JKZbhbW
I’ve always loved the word lousy. It’s casually brutal. How dumb do you have to be to not let someone’s *lousy rep… https://t.co/mOXsfH5NKy
The intro to this song uses the same crappy delay pedal as This Scene Is Dead, but I never really figured out how t… https://t.co/vYXSVIW1UX
LOUSY REPUTATION This song is a companion piece to Textbook - both are about not listening to people when they hel… https://t.co/3iH1mQPFVj