Aaron Eckhart is having a great year, with three movies in cinemas at the moment.
He's playing Tom Hanks' copilot in Sully, Miles Teller's boxing coach in Bleed for This and now a maverick exorcist in Incarnate. And he is enjoying the variety. "Early on in my career, I was very much into independent movies," he says. "I wanted to work with my heroes. I was the brooding actor, so it was very important that I stayed away from Hollywood. I did it very deliberately. And I'm glad I did because it made me who I am. But as I've gotten more experience, I feel like I've filled that quotient and I can let myself have fun."
He says the thing that pushed him out of the serious movie mould was the wordiness of the screenplays he was sent. "I'd gotten to a point where I would get scripts, and it would just be page after page of monologue, monologue, monologue," he laughs. "And I was just like, I don't want to say any more words! My ideal movie now is me on a train, just grunting."
Continue reading: Incarnate Gave Aaron Eckhart A Chance To Have Fun
This is such a ripping true story that it can't help but grab hold of the audience, even if the film never quite breaks through the surface. A story of tenacious triumph in the face of seemingly impossible odds, it also offers Miles Teller a terrific against-type role as a beefy young boxer who simply won't take no for an answer. And the entire cast is just as surprising, adding textures to a movie that's a bit too straightforward for its own good.
This is the story of Vinny Pazienza (Teller), a young boxer who wins two world championships in two weight classes with the help of his father Angelo (Ciaran Hinds) and his trainer Kevin (Aaron Eckhart). Then at the top of his game, he breaks his neck in a car crash and is told he may never walk again, let alone fight. But Vinny is determined to remain the champ, so he returns to training, even though an injury could leave him permanently disabled. Kevin reluctantly agrees to train him, pushing him up into yet another weight class. And seeing the publicity possibilities, father-and-son promoters (Ted Levine and Jordan Gelber) set up a massive Vegas comeback match.
Writer-director Ben Younger shoots this with a steady authenticity, charging inexorably through the story in a way that echoes Vinny's singleminded determination. Along the way, there are strained relationships, a variety of physical and emotional obstacles, intense boxing matches and, of course, a few emotive training montage sequences. The story is so strong that the film can't help but be engaging and even rousing, even if there are very few shadings along the way. Vinny never seems to doubt himself at all, his family only barely objects to his potentially life-threatening decisions, and his opponents are clearly going down for the count.
Continue reading: Bleed For This Review
Vinny Paz always had the passion and drive to be the best boxer in which ever division he turned his hand to, he trained rigorously and his whole life revolved around winning the next title. Cheeky in nature Vinny immediately caught the attention of the sporting press earning himself the nickname 'The Pazmanian Devil' for his speed and ability to run circles around his competition in.
Continue: Bleed For This Trailer
Chesley Sullenberger has been a pilot all of his adult life. Having had an interest in planes from a young age, Sully decided to join the United States Air Force Academy where he became a 'top flyer' in his class. From his initial position as a cadet, he worked his way up the ranks be become a captain. His astute knowledge of planes was one of the reasons why he was also part of an accident investigation board.
After leaving the air force, he began work at American Airways, whilst also keeping up his interest in aircraft safety. On January 15, 2009 sully began work as usual, travelling to LaGuardia Airport for a flight to Charlotte. The bags were loaded, the passengers seated and the checks completed as it was time for take-off.
As Sully and his co-pilot, Jeff Skiles, initiate the take-off procedure, there was nothing to make either think that this wouldn't be a straightforward shuttle flight. As the wheels took off and the plane lifted from the ground, the plane is suddenly thrown into chaos as a flock of geese fly into the plane and cause serious malfunctions in both engines.
Continue: Sully Trailer
It didn't seem possible, but somehow this action movie is even more preposterous than its predecessor, 2013's over-serious Olympus Has Fallen. Gerard Butler is back as a Secret Service agent protecting US President Aaron Eckhart, this time in a Taken-style scenario in which they leave America only to be immediately thrown into the middle of a massive terrorist attack. But the script is so lazy that there isn't a moment when any of this is remotely believable.
Events are put into motion when the British prime minister dies of a heart attack and security services only have a few days to lock down London so that the world's leaders can arrive for the funeral at St Paul's Cathedral. Mike (Butler) flies in with his boss Lynn (Bassett) on Air Force One, accompanying President Asher (Eckhart) and a platoon of bodyguards. Then just before the funeral, a carefully orchestrated series of bombings and gun attacks take out five heads of state. Of course, Mike and Lynn get Asher out of the fray, but an army of bad guys led by terror mastermind Kamran (Waleed Zuaiter) pursue them across the city. Back in Washington, Vice President Trumbull (Morgan Freeman) and the panicky cabinet (including Haley, Forster and Leo) watch all of this unfold on video screens and coordinates a counter-attack.
Even with four screenwriters, the movie makes no real sense. And worse than that, the filmmakers never take advantage of the story's potential or the heavy-hitting cast. There's a line about how all of London's landmarks have been destroyed, but the on-screen destruction is limited to just one of Westminster Abbey's towers. The depiction of world leaders is laughably cliched. And the award-winning actors have nothing to do but stand there looking worried. By contrast, Butler charges around shooting and stabbing everybody who moves in a display of shockingly brutal machismo. Eckhart is more believably reluctant to join in and dispense some violence, but of course he does.
Continue reading: London Has Fallen Review
The boxing biopic is a go, and it has its leading men.
Aaron Eckhart and Miles Teller are both set to star in a new boxing biopic based on the life of world champion Vinny Pazienza. The project is called Bleed for This and Martin Scorsese will oversee as executive producer. Pazienza’s story is ripe for feature film adaption.
Miles Teller is set for the biggest role of his career
After a near-fatal car crash, the boxer was faced with never walking again, let alone boxing again. Instead of giving in and living a life away from the sport he loved, Pazienza defied doctor’s orders, embarking on a remarkable comeback under the tutelage of renown trainer, Kevin Rooney.
Continue reading: Vinnie Pazienza Boxing Biopic Recruits Aaron Eckhart And Miles Teller
The new Frankenstein incarnation barely got out of the box office starting blocks.
The latest Hollywood incarnation of Mary Shelley's Frankenstein legend, I, Frankenstein, has flopped at the US box office, coming in sixth place on its debut weekend. The dark new action thriller, which shares its producers with the gloomy, supernatural Underworld movies, sees actor Aaron Eckhart take on the lead role.
New Aaron Eckhart Movie 'I, Frankenstein' Has Failed To Drum Up Much Interest At The US Box Office.
Despite an enduringly popular premise and a world-renowned story, the Stuart Beattie-directed I, Frankenstein has failed to coax American audiences towards its cinema screens over the weekend, taking $8.3m (£5m); a modest sum in comparison to the $65m (£39.3m) it cost to make the film, according to BBC News.
'I, Frankenstein' has failed, following its release in the US, to impress critics or audiences. On the day of its release the film failed to reach the top of the Box Office chart.
The Box office response to I, Frankenstein has mirrored the critics. The film has failed on its opening day to inspire audiences in the US and, despite expectations from the film's studio and producers, failed to reach the top of the US Box Office Chart on Friday (24th January).
I, Frankenstein, which opened on Friday, gained $2.8 million and it looks as though it may struggle to meet its $68 million production cost. It does appear surprising as the film boasts an expert special effects team and a strong cast. However critics were unimpressed with the film's script and the poor acting evident throughout.
Aaron Eckhart stars in I, Frankenstein.
Continue reading: Box Office Reflects Critics Views On 'I, Frankenstein'
'I, Frankenstein' has fallen far short of critics' expectations and has been highly criticised for having a weak script and poor acting.
I, Frankenstein, the latest adaptation of Mary Shelley's classic novel, has been crushed by critics and no electrical cables or extra body parts seem likely to rebuild its reputation.
Aaron Eckhart stars as Adam, Frankenstein's monster.
The creators of the Underworld saga have contributed to this supernatural monstrosity, which is hardly surprising considering the standards of the latter movies in that particular franchise. The film is based on the graphic novel of the same name by Kevin Grevioux which places Frankenstein's monster in an alternative present day where gargoyles and demons struggle for dominance.
Continue reading: 'I, Frankenstein' Fails To Raise Critics' Pulses
Butler and co are back for more.
If you thought Olympus Has Fallen was bad, then wait until you heard this: the brainiacs at Millennium Films have decided a sequel is in order, and will move the action over to the U.K in London Has Fallen.
The news of a sequel was broken by ScreenDaily, who say the story surrounds "a plot to strike the city during the funeral of the British Prime Minister. Only the President Of The United States, his secret service head and an English MI6 agent can save the day.”
Despite IGN giving Olympus a 7.5 out of 10 – desperately wanting an action film so much so they dreamed a good one up – most of the critics agreed it was a pretty rotten film, culminating in a 48% rating from 178 reviews.
Continue reading: Now That 'Olympus Has Fallen,' It's London's Turn In The Sequel
Adam is the original creature created by Dr. Frankenstein 200 years ago and has taken on his maker's surname having been mourning his death for so long. He now returns to society having been hidden away in the North Pole for the last two centuries and finds that he is stronger than any other lifeform on the planet. However, he soon finds himself embroiled in a deadly battle between two different immortal forces of the world that are determined to take over the planet. Adam wants to save the human race that he was born into and that once showed him mercy, but how can he when he's one guy against so many unstoppable beings who are determined to destroy him no matter what?
'I, Frankenstein' is the thrilling fantasy adventure written and directed by Stuart Beattie ('Tomorrow, When the War Began', 'Australia', '30 Days of Night') and based on the as yet unpublished graphic novel by Kevin Grevioux. It acts as a sequel to the original 1818 gothic novel 'Frankenstein' by Mary Shelley, bringing Frankenstein's monster into a modern society that is under threat by more of his own kind. The film is set to be released in the UK on January 24th 2014.
Aaron Eckhart talks about his new movie 'I, Frankenstein' - a modern take on the classic Mary Shelley story that was turned into a graphic novel - at Comic-Con ahead of the unveiling of some new footage.
As this massive blockbuster thriller progresses, it's impossible not to become amused by how ridiculous its script becomes. Because the production values are first-rate, with mammoth set pieces, rampant destruction and elaborate stunt action. Meanwhile, the plot and dialog are comically inane, to the point where knowing audience members start giggling helplessly. And frankly, these viewers will enjoy the film a lot more than anyone who tries to take it seriously.
The film opens with a harrowing scene in which Secret Service agent Mike (Butler) saves the President (Echkart) from an accident in which the First Lady (Judd) dies. So he's transferred to office duty, and now only keeps an eye on the White House from across the road. But this is how he spots a fringe group of radical Koreans launch an assault. Led by nutcase Kang (Yune) they storm the Oval Office and take the President, Defense Secretary (Leo) and others hostage. As Mike tries to break them free, he stays in touch with the temporary command centre at the Pentagon, where top dogs (including Freeman, Forster and Bassett) attempt to keep the menace from spreading.
But of course, these officials are useless, and it'll be up to Mike to save the day on his own, Die Hard-style. Improbably, all of his old access codes and passwords still work, so he's able to sneak around the White House and take out the villains one by one. Butler turns out to be rather good in this kind of meathead role, combining Bruce Willis' wit with Sylvester Stallone's brawn. By contrast, everyone else pretty much just sits around saying ridiculous things like, "Oh my God, we're doomed!" At least Leo gets to show some backbone.
Continue reading: Olympus Has Fallen Review
Becca And Howie Corbett have a perfect life, they live in a nice house with their son Danny and their dog. When Danny runs out of the garden and is hit by a car their existence is thrown into turmoil. Struggling to deal with the loss, the couple find very different ways of dealing with their pain.
Continue: Rabbit Hole Trailer
For the first time, LaBute is not directing from his own script, which might explain why, if I didn't know better, I would have sworn I was watching a Coen brothers movie. Who else would put a fantasy dancing sequence on the edge of the Grand Canyon at night?
Continue reading: Nurse Betty Review
"My life is nothing but highlights," confesses Mike Jennings (Affleck), a genius computer hacker who trades big cash for small chunks of his own memory. Jennings gets rich by dissecting massive programs and passing the goods onto rival companies - at which point, all recent activity is erased from his brain.
Continue reading: Paycheck Review
While it might make a charming book-on-tape for the Oprah crowd, this "love loves to love love" hokum masquerades as a real movie. The present day academics exist in counterpoint to the period movie flashbacks (basically Jeremy Northam donning his suit again and looking forlorn, intercut with shots of his beautiful mistress Jennifer Ehle looking voluptuous and forlorn). And they talk, talk, talk about subtext within the letters; but they're actually talking about each other. Yes, it's When Harry Met Sally in the Library. So help me God, Eckhart's emotional revelation is when he asks Paltrow, "Is there an Us in You and Me?" (If I were Paltrow, I'd say, "I'll call you.")
Continue reading: Possession Review
There's only about 22 minutes of plot in "Any Given Sunday," Oliver Stone's innovative, bone-crunching ballet of sound and fury football, so lets get that out of the way right now:
Al Pacino stars as the embattled, old-school coach of a fictitious pro football team. Cameron Diaz, is the willful, profit-zealous daughter of the franchise's recently deceased owner. Jamie Foxx is a hotshot young quarterback whose know-it-all attitude and colossal ego threaten team unity. He's just replaced the injured, aging, Elway-esque veteran QB Dennis Quaid, whose compound back injury has spelled curtains for his career -- if only his ruthlessly ambitious, harpy of a wife (Lauren Holly) would accept that fact.
During the last two minutes of the fourth quarter of the Big Playoff Game that serves as the film's climax, each of these characters (especially the selfish ones) will have an epiphany about what's really important in their lives.
Continue reading: Any Given Sunday Review
It would be a terrible shame if talented actors like Stanley Tucci, Delroy Lindo and Alfre Woodard have reached a point where money trumps professional pride. But I can't imagine any other reason they'd sign on to a half-witted, obscenely formulaic, huge-budget save-the-Earth sci-fi embarrassment like "The Core."
Almost exactly the same movie as "Armageddon" -- and almost as insufferable -- it features a handful of good-looking scientists and NASA astronauts who, instead of going into space to set off a nuke and save the world from a asteroid, travel to the center of the Earth to set off a nuke, thus restarting the dying molten core and saving the world from electromagnetic disaster.
The exact same shopworn characters die in the exact same order, some accidentally, some heroically to save the mission. The simplest laws of physics and even plain-as-day physical facts are utterly ignored (the nuke-the-core plan is based on two-dimensional thinking even though the Earth is -- duh! -- a sphere).
Continue reading: The Core Review
This is such a ripping true story that it can't help but grab hold of...
Chesley Sullenberger has been a pilot all of his adult life. Having had an interest...
It didn't seem possible, but somehow this action movie is even more preposterous than its...
Gerard Butler, Morgan Freeman, Aaron Eckhart and Angela Bassett once again team up in the...
Even with its relentlessly cliched production design (trenchcoats and flickering candles galore), this raucous gothic...
Adam is the original creature created by Dr. Frankenstein 200 years ago and has taken...
As this massive blockbuster thriller progresses, it's impossible not to become amused by how ridiculous...
Ben Logan is a seemingly well-respected former CIA operative working at Halgate Security Systems. His...
President of the United States Benjamin Asher has had enough trauma while being in office,...
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Freelance journalist Paul Kemp decides one day that's he had enough of the hectic lifestyle...
How do you defeat an enemy you know nothing about and never planned to fight?...