The star of 'Lawrence of Arabia' and 'Dr Zhivago' suffered a heart attack at a Cairo hospital on Friday.
Omar Sharif, the Egyptian-born actor who rose to global fame following his role in Lawrence of Arabia, has died in Cairo at the age of 83.
Omar Sharif conquered the movie world in the 1960s
Continue reading: Screen Legend Omar Sharif Dies Aged 83
The trailer for 'The Company You Keep' suggest Robert Redford has returned to form as a director.
Robert Redford appears to be back on track. Some five years after his disappointing drama 'Lions For Lambs', the Oscar winning director has returned to similar territory with 'The Company You Keep,' a slick looking drama starring an all-star cast. And when we say all-star cast, we really do mean it.
Redford stars and directs in the story of Jim Grant, a public interest lawyer and single father living in New York. Shia LaBeouf plays a scruffy intrepid journalist who exposes Grant as a man wanted for a murder he allegedly committed in his days as an anti-war radical. When another member of the Weather Underground - played by Susan Sarandon - is arrested, LaBeouf's Ben Shepard smells an opportunity to make a name for himself with a national story. The superb Stanley Tucci plays his prickly finger-pointing editor (is it us, or was he born to play a prickly finger-pointing editor?) while the excellent Anna Kendrick plays a vulnerable FBI agent. Elsewhere, there's a gruff looking Nick Nolte, the old-hand Richard Jenkins and legendary western actor Sam Elliott. Oh, and there's Brendan Gleeson. And Terrence Howard. And Julie Christie.
Ben Shepard is a young and ambitious reporter determined to make a name for himself in the media world. When Sharon Solarz, a member of the radical left organisation Weather Underground, is arrested for her involvement in a bank robbery and subsequent murder 30 years ago, Ben smells an important story that could be his big break. Meanwhile, attorney Jim Grant, a single father of an 11-year-old daughter named Isabel who was also involved in the crime, is forced on the run from the FBI as Ben sparks a new manhunt, but on the way he changes course in an effort to expose the truth and prove his innocence. Ben discovers that the whole story is more complicated than he initially thought, particularly as not everyone appears to be who they say they are.
Continue: The Company You Keep Trailer
Anne (Garai) is the adopted eldest daughter of powerful politician Alexander Keyes (Nighy) and his wife (Agutter), who went on to have two of their own children (Redmayne and Temple). It's the glorious summer of 1939, when Britain felt like it had averted conflict with Hitler, so when Anne stumbles on hints of a government conspiracy, she turns to a fellow actor (Bonneville) and her boyfriend (Cox) for help. But the mystery only deepens, compounded by a sinister Home Office official (Northam) and the distracting presence of her Aunt Elizabeth (Christie).
Continue reading: Glorious 39 Review
British actors Julie Christie and Daniel Day-Lewis have won the top acting prizes at the Screen Actors' Guild (SAG) awards.
While Christie took the best actress gong for her acclaimed portrayal of a woman facing dementia in Sarah Polley's Away From Her, Day-Lewis was rewarded for his stunning role as an amoral oil prospector in Paul Thomas Anderson's There Will Be Blood.
Though the awards season has been jeopardised by the ongoing industrial action by the Writers' Guild of America (WGA), the SAG awards were held without a hitch after an interim agreement was signed between the two unions, allowing acting talent to attend the ceremony without having to cross picket lines.
Christie - who is nominated for the best actress Academy award for her part in Away From Her - paid tribute to the SAG, adding to The Associated Press: "It's lovely to receive an award from your own union, especially at a time when we're being so forcefully reminded how important unions are."
And Day-Lewis dedicated his award to the late Heath Ledger, who was tragically found dead in his New York apartment last week.
"In Brokeback Mountain he was unique, he was perfect," Day-Lewis said while accepting his trophy.
"That scene in the trailer at the end of the film is as moving as anything I think I've ever seen."
The 50-year-old added backstage that he had never met Ledger but had been profoundly affected by the actor's death.
"I thought he was beautiful. I just had a very strong feeling I would have liked him very much as a man," he said. "I admired him very much. I'm absolutely certain he would have done many wonderful things in his life."
Javier Bardem took the best supporting actor prize for his role as psychotic killer Anton Chigurh in the Coen Brothers' No Country For Old Men, which also won the award for outstanding cast in a motion picture.
With The Sopranos finally coming to an end, leads James Gandolfini and Edie Falco claimed the best actor and best actress prizes for TV dramas, while Alec Baldwin and Tina Fey, the stars of NBC's 30 Rock, took the comedy equivalents.
And another NBC series, The Office - an adaptation of Ricky Gervais and Stephen Merchant's Golden Globe-winning sitcom - won the award for best cast in a comedy programme.
Continue reading: Brits Julie Christie And Daniel Day-lewis Take Sag Awards
Julie Christie, David Foster and Vimos Zsigmond - Julie Christie, David Foster and Vimos Zsigmond Los Angeles, California - Master of Ceremonies Bill Paxton hosts 'Into The Limelight' project - Eighth Annual Ojai Film Festival 2007 Friday 5th October 2007
Rudolph makes movies about characters living out their fates in ways we often understand and see in ourselves. And though his characters come off as real, his movies seem contrived, sliding between the edges of sweet and biting, while running off on tangents that both intrigue and bore. All at the same time. It's a disorientation he relishes: his view of life and how people really behave. With movies like Choose Me, Trixie, Investigating Sex, and The Secret Lives of Dentists, Rudolph's career is a living, breathing embodiment of quixotic variability.
Continue reading: Afterglow Review
Sarah Polley, an exquisite actress, stars as a young journalist-wannabe named Beatrice (in pigtails, natch) who flies to Iceland to locate her boyfriend, who has gone missing along with his entire TV crew. Her plan crashes, she undergoes surgery to get fixed up, then continues on to Iceland where she discovers the fate of her guy: He was killed by a monster (played by Robert John Burke) who lives like a hermit in an abandoned building.
Continue reading: No Such Thing Review
Darling exposes the jet-set high society of the mid-'60s with the cynicism and detail of a muckraking documentary. Antonioni and Fellini explored the same milieu, but writer Frederic Raphael is a much sharper and subtler satirist than either. (Raphael is also responsible for Kubrick's Eyes Wide Shut, and Darling's influence on that film is easy to spot). Raphael's script effectively surveys a gallery of posers -- vapid trendsetters, journalists and fashionistas, pretentious artists, and even minor royalty (Diana marries an Italian prince). Though the film drags in a few places, John Schlesinger's direction is generally excellent.
Continue reading: Darling Review
Harry Potter is growing up, and so is his movie franchise.Under the tutelage of a new director -- Alfonso Cuarón, known for both children's fare (the 1995 remake of "A Little Princess") and an edgy, insightfully soulful, sex-charged teen road-trip flick ("Y Tu Mama, Tambien") -- the boy wizard has graduated from the world of kiddie movie spectacles with tie-in toys.
"Harry Potter and the Prisoner of Azkaban" is a film in which depth of character, cunning humor and hair-raising chills come shining through the visual blitzkrieg of special effects -- which are also magnificently improved over the series first two installments. Case in point: a half-horse, half-eagle creature called a Hippogriff that gives "Lord of the Rings'" Gollum a run for his money as the most life-like CGI creation in cinema history.
Beyond just its detailed feathers (which fluff when it shakes) or its golden eyes (which bore holes in the screen with obstinate personality), this winged equine's every movement, from its canter to its peck, is a studied yet natural, amazingly fluid amalgam of the two beasts that were combined to create it.
Continue reading: Harry Potter And The Prisoner Of Azkaban Review
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