They say that marriage can sometimes destroy a couple's sexual chemistry - but that is most certainly not the case for Christian Grey (Jamie Dornan) and Anastasia Steele (Dakota Johnson), even if they have mutually decided to take a more vanilla approach to their bedroom antics. On the other hand, it doesn't mean that everything is plain sailing for their relationship either. Christian is still as possessive as always, as much as he loves his new wife, hating her not taking his surname at work following their nuptials and feeling angry about her sneaking out to see her friends. He tries to keep her happy by throwing his billions around, but when their relationship plans go awry there's massive discord between them.
Meanwhile, Ana's father has a serious car accident, and she's being hunted down by her vengeful former boss Jack Hyde (Eric Johnson) who is extremely bitter about being fired from Seattle Independent Publishing and will do anything to take down Grey's empire. Plus, there's all manner of people in between causing strife, including Elena Lincoln (Kim Basinger); a former friend of his mother's who seduced him at a young age and introduced him into the world of BDSM; who he continues to have in his life.
'Fifty Shades Freed' is the final movie in this intense erotic thriller trilogy, following 'Fifty Shades of Grey' and 'Fifty Shades Darker', based on the book series by E. L. James released between 2011 and 2012. Director James Foley ('House of Cards', 'At Close Range') from the previous movie is at the helm once again with Niall Leonard ('Wire in the Blood', 'Monarch of the Glen') having returned to write the screenplay.
Continue: Fifty Shades Freed Trailer
Laurel Hester is a high-ranking New Jersey police detective who is hugely respected at work. While she never fails to earn recognition for her police services, she also manages to catch the eye of a young woman almost 20 years her senior. Stacie Andree's career is less high-flying but the pair find themselves connecting over their shared idyllic fantasies of a home and true love. However, their dreams are about to be shattered when Hester is diagnosed with terminal lung cancer, but she wishes to soften the blow by passing on her pension benefits to her Andree, so that she can afford to continue living in their new home. However, under Ocean County laws this is not possible for domestic partners - only married couples, and this is pre-marriage equality reforms. The couple implore the New Jersey Board of Chosen Freeholders to help sort this issue out, but as Hester grows ever weaker, it seems they're running out of time. With the help of Hester's supportive colleague Dane Wells and a gay Jewish activist named Steven Goldstein (the founder of Garden State Equality), they set out to defend the rights of same-sex couples across the state.
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After all the hype, it's impossible not to expect steam from this adaptation of E.L. James' mommy-porn bestseller, but the average episode of Red Shoe Diaries is friskier than this movie. Still, it's a well written and played drama, building an unusual romance with a series of scenes that are sometimes sexy but never actually transgressive. And the nicest surprise is that in the hands of director Sam Taylor-Johnson it becomes a witty tale of female empowerment.
It's set in the American Northwest, where Anastasia Steele (Dakota Johnson) is finishing her studies as an English literature major when she's asked by her journalist roommate Kate (Eloise Mumford) to interview Seattle's most eligible bachelor, billionaire Christian Grey (Jamie Dornan). Ana's awkwardly confident approach immediately gets under his skin, and he pursues her as if she's a corporate acquisition, complete with non-disclosure agreements and a contract that would make her submissive to his dominant. But she isn't so sure about all of this, and as she falls for him, she begins to make him break his own rules. Of course he thinks she should be punished for that.
Essentially, this film is mere foreplay, as the push and pull between Ana and Christian cycles through various set-pieces on the way to an ending that is clearly designed to get fans in a lather for films based on the second and third novels in the trilogy. And the studio would be wise to keep Taylor-Johnson and screenwriter Kelly Marcel (Saving Mr Banks, another story of male-female control) on board, as they have clearly beefed up James' novel with a strong dose of wry humour, bringing out the deeper themes rather than focussing on the under-developed plot and characters.
Continue reading: Fifty Shades Of Grey Review
When reserved college girl Anastasia Steele meets mysterious businessman Christian Grey for an interview, she ends up feeling rather foolish, fearing that she's messed up the opportunity. Mr. Grey doesn't see it that way however; on the contrary, he develops a strong romantic fixation with her. Anastasia is flattered, but soon realises that this guy isn't the sort to take her to take her out for romantic meals or shower her with gifts. Nonetheless, he is an enigmatic presence in her life that she cannot hope to resist, and she soon finds herself treading deeper and deeper into this man's life. As their relationship progresses, he reveals his unusual sexual desires which involves Anastasia signing a written document in order to give him permission to do whatever he likes with her. Enchanted and seduced by the sense of unknown that lies ahead, she agrees.
Once again, director Clint Eastwood lurks in the background, springing a stunningly atmospheric thriller on audiences when they least expect it. Honestly, for an 84-year-old Eastwood is an astoundingly nimble filmmaker, able to take an audience right into a tense situation while never cheating with flashy movie trickery. This film grabs us without mercy, pulling us into a morally complex situation that gets our head spinning.
It's the true story of Chris Kyle (Bradley Cooper), the Navy Seal sniper credited with the most official kills after serving four tours of duty in Iraq. Based on his memoir, the film traces him from his religious upbringing, during which he's taught about guns and encroaching evil from an early age. So after the 9/11 attacks, he enlists in the Navy. His sharp-shooting skills are quickly apparent. And as he prepares for his first assignment abroad, he romances local girl Taya (Sienna Miller), a feisty woman who knows what she's getting into. Chris, on the other hand, is instantly thrown into a quandary when his first targets as a sniper are a woman and child who seem to be carrying a bomb. Over the next few years, his marriage to Taya and his moral centre are tested by his military service. And when an Iraqi sniper challenges him, he takes it personally.
Jason Hall's script sticks close to Chris' perspective, which is intensified by Eastwood's coolly efficient direction and Cooper's beefy performance. By putting the audience so tightly within Chris' point of view, we are unable to escape the psychological impact of his experiences, even if real warfare is no doubt much more horrific even than what's depicted here. Cleverly, the film never asks us to judge Chris, merely to see how battle changes him. And Cooper is terrific at finding tiny details that reveal both Chris' altered state and the core stability that never leaves him.
Continue reading: American Sniper Review
Sometimes, a single favour to a friend can end up changing you entirely. When a young literature student, Anastasia Steele (Dakota Johnson) attends an interview on behalf of her sick friend, she is totally unaware of the consequences. Steele meets with the illusive, enigmatic and intimidating young billionaire businessman, Christian Grey (Jamie Dornan), and almost immediately finds herself wildly attracted to him. Grey is insistent on controlling every aspect of his life, business and personal feelings, yet Steele represents a problem for him: he, too, is attracted to her, yet it is because of her free nature. As the couple clash, their futures are thrown into jeopardy with the revelation that neither of their lives will ever be the same again.
Budding journalist and college student Anastasia Steele has never been the adventurous type in any respect, so when she is faced with the prospect of interviewing the handsome and frighteningly mysterious young entrepreneur Christian Grey, she is more than a little nervous. The interview doesn't go quite as well as she'd hoped, but it seems Christian has other interests in her. While he doesn't pander to the usual expectations of romance in a relationship, there's something utterly captivating and addictive about him that Anastasia just can't resist - even when he reveals to her his innermost unusual sexual desires. Thriving on the feeling of being in control, all he wants to do is tie Anastasia up and introduce her to a whole new world of sensual experiences. But is she curious enough to sign away her body to a stranger?
Continue: Fifty Shades Of Grey - Extended Trailer
Anastasia Steele is a shy college student who is forced to interview an enigmatic entrepreneur named Christian Grey. Their first meeting doesn't go as well as planned and subsequently she is shocked when it appears that he has a seemingly romantic interest in her. He's not the sort to go out on drunken nights or make any of the usual romantic gestures, but Anastasia remains captivated by the intense sense of mystery surrounding him. Some of that mystery is unveiled, however, when he reveals his sexual desires to her, but it seems even then his wishes are not of the usual kind. Christian asks Anastasia to sign a document in order for them to be intimate, and that coupled with the rope and tape he recently purchased starts to make her realise just what sort of sensual adventure she's about to experience.
Continue: Fifty Shades Of Grey Trailer
When young college student Anastasia Steele meets a mysterious wealthy businessman named Christian Grey, she had no idea she'd be embarking on the sexual adventure of her lifetime. While he makes it clear that he's not the type for wild nights of drunken laughs or even for a bunch of flowers and chocolates, Ana can't help but feel irresistably intrigued by the beguiling sense of unknown surrounding her new obsession. Soon though, all is revealed when Christian insists she sign a document before they enter into any kind of intimacy, and putting that together with the bunch of rope and masking tape she saw him purchase at the hardware store, she starts to realise that she's about to enter into a relationship that is more out of the ordinary than she could ever have possibly imagined.
Continue: Fifty Shades Of Grey Trailer
The singer has been confirmed for a part in the upcoming movie adaptation of the erotica novel
Rita Ora is the latest in a succession of names to be attached to the upcoming 50 Shades of Grey movie adaptation. The 'How We Do' singer was announced as the latest addition to the 50 Shades cast via The Hollywood Reporter earlier this week, with the 23-year-old singer signed on to star as Mia Grey, the adopted sister of the lead character Christian Grey, played by Jamie Dornan.
Say 'R.I.P.' to the girl Rita used to be
The news of her appointment was later confirmed by Ora herself, when she tweeted earlier this week, "It's official! I've been cast in @FiftyShades of Grey as Christian's sister Mia. #FiftyShades."
Continue reading: Rita Ora Lands A Role In '50 Shades Of Grey' Movie
Date of birth
21st January, 1984
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