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Reese Witherspoon is so likeable that she can carry even the most hackneyed of romantic comedies. And indeed, that's what she's doing here. There's a nice sense of messiness in the plot of this rather silly film, but it's directed with so much sun-drenched perfection that everything feels fake. First world problems abound here: these people simply don't seem to realise how very privileged their lives are.
Of course it's set in Los Angeles, where Alice (Witherspoon) has returned after leaving her music producer husband Austen (Michael Sheen) in New York. She's now living in her late filmmaker father's spectacular house with her two bright daughters (Lola Flanery and Eden Grace Redfield), as all three of them try to start over with their lives and find a new sense of balance. Out celebrating her 40th birthday, Alice meets 27-year-old Harry (Pico Alexander), and she responds to his shameless flirtation. As he and his aspiring filmmaker friends George and Teddy (Jon Rudnitsky and Nat Wolff) move into Alice's guesthouse, Austen gets jealous and flies in from New York.
Nothing quite rings true about this entire set-up. And it doesn't help that Witherspoon basically looks younger than Alexander, even as the script centres obsessively on their 13-year age difference, as if anyone under 30 couldn't possibly be mature enough to relate to someone who's 40 (writer-director Hallie Meyers-Shyer is 30). This idiotic idea is relentlessly pushed at the audience all the way through the movie, and it undermines all of the film's goofy side-plots, which include more romantic confusion, the boys' ludicrously lucky attempts to break into filmmaking, and lingering feelings between Alice and Austen. Through all of this, Witherspoon still manages to make Alice a likeable, strong woman who is taking control of her life. But it's clear that everything about that life is utterly amazing, even in the middle of the film's contrived chaos.
Continue reading: Home Again Review
'Death Note' to be released as a Netflix Original Movie starring Nat Wolff.
Netflix are unveiling an English version of the dark Japanese manga phenomenon 'Death Note' this Summer, with a live action movie starring Nat Wolff as the lead character Light Turner. The first teaser trailer has just been unveiled, and so the horror begins.
Nat Wolff and Lakeith Stanfield star in 'Death Note'
Based on the comic book series of the same name by Tsugumi Ohba and Takeshi Obata, the film is about a high schooler named Light Turner who embarks on a crusade of death when he discovers an ominous notebook with supernatural powers. The book is called Death Note, and cites that any person whose name is written in the pages will be led to an untimely death.
Continue reading: Nat Wolff Leads Netflix Death Note Cast [Trailer]
Ed Wallis has never really been the popular boy in his class and the thought of having to move to a brand new school and start over isn't exactly his idea of fun. Starting over in a new location with his mum, Ed soon becomes an easy target for the class jocks but he doesn't let it bother him. When he's given a new assignment from school to speak with and write an essay on an older person, Ed doesn't know where - or rather who - to turn to, that is until he sees his neighbour might and thinks he might be just the person to speak to.
Though hesitant at the start, the neighbour agrees to speak with Ed. After the duo spend some time together, Ashby and Ed soon open up to one another and form an unlikely friendship. Ashby teaches Ed some much needed life lessons and vice versa.
Ashby was written and directed by Tony McNamara and had its premiere at this year's Tribeca Film Festival. Natt Wolf recently starred in Paper Towns with Cara Delevingne and The Fault in Our Stars alongside Shailene Woodley.
After setting the scene with vivid characters and some insightful interaction, the plot of this teen comedy-drama feels like a let down. It's an inventive twist on the usual high school movie, and it has a darkly realistic tone, but where the story goes is rather pushy and melodramatic, straining for a sentimental surge of emotion. It's very well made, and the cast is excellent, but the film is ultimately rather forgettable.
It's set in small-town Florida, where 18-year-old Quentin (Nat Wolff) is trying to focus on graduating and heading to university. He has had a crush on his neighbour Margot (Cara Delevingne) since they were children, but they've drifted apart as she fell in with the rebellious kids. Then one night she appears asking for his help to get even with her cheating boyfriend (Griffin Freeman), giving Quentin the night of his life as they stage a series of pranks. The next day Margot vanishes, leaving enigmatic clues about where she's gone. So Quentin enlists his pals Ben and Radar (Austin Abrams and Justice Smith) to help him find her, and they end up taking a road trip with Margot's best pal Lacey (Halston Sage) and Radar's girlfriend Angela (Jaz Sinclair), following her trail to a blip on a map of rural New York.
The title refers to fictional towns cartographers put on maps to alert them to plagiarists, a metaphor that never quite rings true but adds to the overall mystery. More interesting is the way the story puts a fresh spin on the usual teen-movie themes: peer pressure, wild parties, loss of virginity, the prom, plans for the future. These things are grappled with using a superb mix of humour and angst, giving the cast some very strong scenes along the way. Wolff anchors the film as a late-bloomer who's only just discovering himself, and Delevingne brings a wild allure to her role, even though everything Margot does feels somewhat contrived, which makes her feel like a romanticised memory.
Continue reading: Paper Towns Review
Retired and, frankly, bored, 70-year-old Ben Whittaker decides the quiet life is not one he needs right now and instead opts for a career move. He applies as a senior intern for a fashion website following the death of his wife, and despite his age he is taken on by the young company CEO Jules Ostin. It isn't long before Ostin beccomes increasingly reliant on Whittaker as he becomes something of a grandfather figure to her; his old-fashioned charm, positive energy and kind wisdown beguiling her as she struggles under the pressure of managing an ever-growing business. Even the board are suggesting she take on a new manager to take off some of the pressure, so Whittaker is exactly what she needs to boost her self esteem and help her stay on track. She's not the only one with a soft spot for Whittaker; the youth of the rest of the office are being taught a thing or two about relationships of all kinds, as he himself learns about the beauty of the modern world.
Continue: The Intern - Extended Trailer
The model-turned-actress is in her element after modelling became 'just a job'.
When supermodel Cara Delevingne said she was moving into acting, cynics sighed. But the 22-year-old has taken to her new career with a vengeance, appearing in seven films this year alone, from Michael Winterbottom's gritty drama The Face of an Angel to the fantasy epic Pan. Her first leading role is opposite Nat Wolff in the teen romance Paper Towns, based on the novel by John Green (The Fault in Our Stars).
Cara Delevingne enjoys her first leading film role in 'Paper Towns'
Landing this role was even better than she'd expected. "I fell in love with the character," she says. "I just thought she was so amazing. I was far more unsure and self-conscious when I was that age. So being on set was like getting to relive school again, but happy!"
Continue reading: Paper Towns Boosts Cara Delevingne To Leading Lady Status
Elle Reid may be tough, but she's struggling coping with a recent break-up with her girlfriend. If that wasn't enough to contend with, her 18-year-old granddaughter Sage has just shown up at her house, and she needs over $600 immediately. She's pregnant and Elle's financial situation isn't at its best, but she's determined to do everything she can to help her granddaughter. She takes her on a roadtrip to recover cash from Sage's ex-boyfriend - and while her method of extracting money could be more polite, Sage is glad of her company when she manages to obtain it. Elle gives Sage a lesson in tough-talking as she continues to tour the country selling her possessions and begging cash of some old friends. When the pair arrive to see Sage's mom, it's another story; she's a high-flying business woman and the complete opposite of her mother and daughter - and it's clear to see why Sage chose Elle to help her out.
Continue: Grandma Trailer
Ben Whittaker is a 70-year-old retiree who has little left in his life to keep him occupied, now that his wife has passed away. He's keen to re-start and take on new job and discovers a vacant position for a senior intern at a fashion website. He gets the job to much surprise from the rest of the company. The site is run by Jules Ostin; a young entrepreneur who's visibly struggling in her role as CEO and feels like she's on the verge of a crisis. Ben becomes an unlikely confidante, boosting her self-esteem with words of wisdom and worldly advice, as she in turn shows him the wonders of modern life and technology. The other young employees are starting to feel that they could take a leaf out of his book too, as the smart and sophisticated Ben proves firmly that there's life in the old dog yet.
Continue: The Intern Trailer
Elle Reid is an ageing poet recovering from a broken heart following her break-up with her long term girlfriend. When her troubled 18-year-old granddaughter Sage turns up on her doorstep one day, she thinks she finally has the distraction she needs. However, Sage needs $600 and Elle, now being pretty much broke, can't give it to her. Instead, she offers to drive her around on a long road trip to recover cash from various friends and ex-boyfriends; though it's not only cash they find on the way. Numerous secrets are uncovered and old conflict is resurfaced, and Sage is forced to face responsibility and start becoming an adult. At the same time, Elle knows it's time for her to start thinking about the most important things in life, accept the troubles of her past and stop living under the 'tough woman' guise.
Continue: Grandma - Clip
MTV Movie Awards bring out the stars, as does the Avengers 2 premiere in Los Angeles. Matthias Schoenaerts is accompanied by costars Kate Winslet and Carey Mulligan at two London premieres. And we get further glimpses of a Western with Michael Fassbender, the next Terminator action romp and Paul Rudd as a tiny superhero in Ant-Man...
The MTV Movie Awards caught the headlines this week, not for their offbeat winners but for the usual antics of the stars who were in attendance. Those on hand to walk the blue carpet included multiple winner Shailene Woodley as well as Jennifer Lopez, Scarlett Johansson, Hailee Steinfeld, Rebel Wilson, Miles Teller, Mark Ruffalo, Michael B. Jordan, Cara Delevingne and Nat Wolff.
Actually, all of the Marvel Avengers were at the awards, then reassembled two nights later for the Los Angeles premiere of Avengers: Age of Ultron, which opens next week. This time the carpet was red, and attendees included Robert Downey Jr., Chris Hemsworth, Scarlett Johansson, Chris Evans, Mark Ruffalo, Jeremy Renner, Samuel L. Jackson, Paul Rudd and Paul Bettany.
Date of birth
17th December, 1994
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Wow! That’s all I can say! Wow! Congratulations to Biden/Harris and congratulations to our entire country on a brighter future.
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Very true! https://t.co/4UdxcKGl1J
RT @nytimes: When asked about climate change during the debate on Tuesday, President Trump responded with a series of false claims. Joe Bid…
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@jazzyazzzy @KaczowkaNatalie That is very true. But of course it shouldn’t be.
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@KaczowkaNatalie Yay! That’s amazing!
RT @KaczowkaNatalie: @natandalex And yes I said trunk. He ain’t a trump no more to me.
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RT @chancetherapper: He called racial sensitivity training Racist
Yes! I know! Let’s change that! https://t.co/lZunsJdcQH
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