Goodbye Shameless. End of an era. Finale this Sunday on Showtime. https://t.co/K0MVik9HtT
The drama picked up the coveted People's Choice Award at the Toronto International Film Festival on Sunday (September 20th).
Lenny Abrahamson’s drama Room impressed the critics and wowed audiences at this year’s Toronto International Film Festival, taking home the prestigious People's Choice Award. In the film Brie Larson stars as Ma, a woman being held captive in a room with her son Jack, in a role which required the actress to really get in the mind of someone cut off from the outside world.
Brie Larson stars in Room.
For Larson, becoming Ma would take enormous mental and physical preparation which started with an intense diet and exercise program to get her inside the mind of someone being held in captivity. “That physical process really put me in a certain mindset,” Larson said.
A young woman and her 5-year-old son Jack live together in a confined, sound-proofed room in the outhouse of Old Nick's backyard. There is nothing but a bed, a bathtub and a few household items inside, with Old Nick making occasional visits when Jack hides away in a wardrobe. The woman was kidnapped seven years ago by Nick, and subsequently raped by him, meaning that Jack knows nothing of life outside the room. He's content with life with his mother, but she has never given up hopes to escape their prison. She hatches a plan for Jack to escape and seek help and the pair are eventually re-united with her mother and father, and given temporary accommodation in hospital. But Jack is barely able to comprehend all the new experiences and longs for the comfort of his dark former home.
Continue: Room Trailer
The shift from bright comedy to rather grim drama is gradual enough to carry the audience along, but it's rather startling to end up somewhere so serious after such a cheeky start. Director Anna Mastro and writer Paul Shoulberg set this up as a breezy coming-of-age movie before adding a supernatural twist and quietly moving the goal posts. Fortunately, the strong cast and assured filmmaking carry the audience along. So even if it ultimately begins to feel melodramatic, it's also surprisingly moving and meaningful.
Convinced that he has been called by God to decide who goes to heaven and hell, 18-year-old Walter (Andrew J. West) is a perfectionist who maintains order in his life both at home with his over-concerned mother Karen (Virginia Madsen) and at his job taking tickets in the local multiplex. At work, he has his eye on the smart-sexy Kendall (Levin Rambin), but is too shy to speak to her and is teased mercilessly about this by bullying colleague Vince (Milo Ventimiglia). Then a ghost named Greg (Justin Kirk) starts taunting him as well, and Walter finally agrees to see a shrink (William H. Macy) in the hopes of restoring order to his life.
Of course, the point is that Walter doesn't need order: he needs to face up to the truth about the death of his father (Peter Facinelli in flashbacks). But the more he acknowledges, the more his life seems to unravel around him. This is played beautifully by West, a likeable actor who manages to get even more engaging as Walter falls apart. His interaction with the rest of the cast is pointed and witty, packed with knowing commentary and some sharply funny observations. And all of the actors around him bring layers of emotion and energy to the film.
Continue reading: Walter Review
Jennifer Aniston delivers an Oscar-calibre performance in this rather over-worked drama, which tries to emphasise heavy-handed metaphors more than the characters themselves. But it's an involving personal odyssey thanks to Aniston's honest acting, and Daniel Barnz's sensitive direction manages to dodge most of the script's more glaring pitfalls.
Aniston plays Claire, a woman who has been in continual pain, both emotional and physical, following the car accident that claimed the life of her young son. Revelling in her bitter sarcasm, she has alienated her husband (Chris Messina), driven her physiotherapist (Mamie Gummer) to despair and so enraged her therapy leader (Felicity Huffman) that she's been thrown out of the group. The only person who patiently sticks by her side is her maid/assistant Silvana (Adriana Barazza), and she's beginning to waver. Then Nina (Anna Kendrick), a therapy-group member, commits suicide, making Claire question why she's still bothering to be alive. There has to be a spark of hope there, and she decides to stalk Nina's single-dad widower Roy (Sam Worthington) for answers.
While the premise seems to set up the usual story about two damaged souls healing each other, the story thankfully doesn't go down that tired route. Instead, Patrick Tobin's script keeps the interaction prickly and unexpected, even as it layers in so much symbolism that it becomes rather exhausting. Claire's physical scarring is clearly indicative of something deeper, as is her array of cruel defence mechanisms. Thankfully, Aniston plays these scenes with a mixture of black comedy and aching sadness that makes the character thoroughly involving and only slightly likeable. Her interaction with Barraza is the heart of the film, beautifully played because their connection remains mainly unspoken. By contrast, Worthington feels almost superfluous; he sharply matches Aniston's cynicism, but is too nice to register very strongly.
Continue reading: Cake Review
Claire Bennett is struggling to get through day-to-day life despite her buffet of pills, one-on-one medical support and the Women's Chronic Pain Support Group she regularly attends. She is forced to cope with the heart-breaking break-up of her relationship but becomes deeply obsessed with the suicide of Nina Collins, another woman from the support group. In a bid to learn more about her death and, indeed, her life, she persuades the group leader to pass on Nina's address. It's then she meets her widower Roy with whom she strikes up a significant relationship, with both of them dealing with the loss of a loved one and their own brand of chronic pain. Meanwhile, Claire frequently experiences hallucinations of Nina, who slowly draws her towards normality and, perhaps, a happier life.
Continue: Cake Trailer
Jeremy Allen White, Shanola Hampton, Kristen Bell, Emma Kenney, Donis Leonard Jr and William H Macy - 'The cast of Shameless and House of Lies were on hand to help out at the Greater Los Angeles house build for the Non profit organisation 'Habitat for Humanity' at Magnolia Blvd in Lynwood, California, United States - Saturday 25th October 2014
For what he has said will be his final film, animation maestro Hayao Miyazaki tackles a controversial biopic that could just as easily have been shot in live action. It's as if he's challenging filmmakers to use their imaginations and make the best movies they can make in whatever way they can. And the result is utterly magical, transcending the touchy subject matter to tell a story about the purity of creativity.
Based on the life of aviation engineer Jiro Horikoshi, this Oscar-nominated film opens in the 1920s when young Jiro (voiced by Joseph Gordon-Levitt in the English version) decides to study aeronautics because his poor eyesight won't let him become a pilot. So he dreams of designing the perfect plane, and his inventive approach catches the attention of Mitsubishi, which assigns him to a secret military project working with Japan's allies in Nazi Germany. Meanwhile, Jiro meets Nahoko (Emily Blunt) and they fall for each other as she struggles to recover from tuberculosis and he grapples with the moral issues of designing a beautiful plane that will be used to kill people in wartime.
Clearly this isn't the kind of animated movie Hollywood would ever produce: it's packed with complex characters who don't always do the right thing, and it takes a perspective that requires sympathy with someone who could be considered a historical villain. But Miyazaki tells the story exquisitely, animating the scenes with such inventiveness that it's impossible not to get lost in the breathtaking imagery. Scenes are also packed with lively side characters, including Jiro's bulldog-like boss (Martin Short), a more grounded colleague (John Krazinski) and a suspicious foreigner (Werner Herzog) who seems to be following Jiro.
Continue reading: The Wind Rises Review
Jiro Horikoshi is an aeronautical engineer whose childhood was filled with dreams about becoming a pilot. His poor vision meant that he would never realise his ambition, but he is encouraged to keep up his passion by Italian plane designer Caproni. Resolving to design aircrafts instead of fly them, Jiro studies the art at university, during which time he meets an attractive young woman named Naoko. Their relationship was born out of the dangerous circumstances of the Great Kanto Earthquake, throughout which they helped one another off a fast moving train. As their life together progresses, Naoko falls ill and Jiro struggles to bring in a regular income. He must succeed in the challenge of building the most exquisitely beautiful aeroplane in the world in order to get back on his feet, as his career could be the only thing he has left.
'The Wind Rises' is romantic, heart-wrenching animated adventure directed and written by the Oscar winning Hayao Miyazaki ('Spirited Away', 'Princess Mononoke', 'Howl's Moving Castle'). This Japanese drama, loosely based on Tatsuo Hori's 1936 short story 'The Wind Has Risen', features the voices of Joseph Gordon-Levitt, Emily Blunt and Stanley Tucci in the English version. It is due for release in the UK on May 9th 2014.
The poignant and beautiful new Studio Ghibli movie will soon be released in the UK.
The Wind Rises may not have been the flashiest or most talked-about movie at last night's Academy Awards but could prove to be one of the most arresting animated movies of all time upon its widespread UK release in May. The new Studio Ghibli picture was completely overshadowed by Disney's Frozen at the Oscars, with the winter musical's months of box office success and performance from Idina Menzel at the ceremony proving too difficult to ignore.
'The Wind Rises' Follows The Story Of Jiro Horikoshi, A Designer Of Fighter Planes.
Animated in the distinctive, delicate and detailed anime style, the Japanese film deals with challenging historical events and presents them in a creative yet respectful way. The Wind Rises is a look at the life of real-life Japanese engineer, Jiro Horikoshi, the man who designed Japanese fighter planes during World War II. The story follows the genius Jiro from his childhood to becoming an adult amidst the savagery of war.
Several films due to be premiered at the Sundance Film Festival are generating a hefty amount of conversation
The Sundance Film Festival is the place to be for young, aspiring filmmakers hoping to crack into the hotly-contested business of the movies. By the end of the film festival, which this year runs from 16-26 January, there are always a selection of film titles that are revived for the following awards season, and this year people are so eager for the celluloid showcase that a number of early contenders for festival glory have been marked before their debut release.
The dark God's Pocket stars Philip Seymour Hoffman and Eddie Marsan
In thirty years the film has discovered some of the most promising filmmakers out there and continues to deliver, from Roland Joffé’s The Killing Fields in the festival's opening year (1985) to last year's most notable success; Fruitvale Station, the debut feature length from Ryan Coogler. With another 120 films to get through this year it seems more than likely that at least one of the releases will be leaving Park City, Utah, with more than a few skiing lessons and a commemorative t-shirt.
The multi-award-winning filmmakers will turn their Oscar-winning black comedy into a TV series, with Billy Bob Thornton taking on the starring role
Joel and Ethan Coen will be reviving their much-acclaimed 1996 dark crime caper Fargo for a television audience, Reuters reported, with plans for a Fargo TV series being announced earlier this week. On Friday (2 August), a spokesperson for Fox's FX channel revealed that the filmmaking siblings are working on a TV-version of the Oscar-winning film, due to air on the channel in Spring 2014.
The Coen Brothers are taking their first steps into television
The spokesperson also added that the 10-episode mini-series already has a major acting talent lined-up to star in the film-adaption, with Billy Bob Thornton unveiled as one of the stars of the series. The 57-year-old will play one of several new characters due to be introduced in the new series, taking on the part of criminal Lorne Malvo, who was described as "a rootless, manipulative man who meets a small town insurance salesman and sets him on a path of destruction" in the FX statement. No further cast and character details were announced, however it was revealed that the Coens will be serving as executive producers for the mini-series.
Continue reading: The Coen Brothers Lining Up 'Fargo' TV Series For FX
Goodbye Shameless. End of an era. Finale this Sunday on Showtime. https://t.co/K0MVik9HtT
I’m gonna miss this. Thanks for watching! #Shameless
My god I love this cast. We’re running out the clock on this one folks. #Shameless
Emma Kenney ladies and gentlemen. #Shameless
Wow what a scene with Jeremy and Kate. #Shameless
Gallavich rules. #Shameless
It’s tough acting through a mask. #Shameless
I think @stevehowey has put on a little weight. #Shameless
It’s tough to watch Frank go through this. My dad died of dementia. #Shameless
That hurts my heart to see a bike dumped in the water like that. #Shameless
From the sublime to the ridiculous. #Shameless
I love Scott Michael Campbell. #Shameless
What’s so fun about this for me is that we do a table read (zoom) and that’s all I see until I watch it on televisi… https://t.co/x1fPvUua79
I love the way #Shameless gets down to it. Those writers are fearless.
Frank you old fox. #Shameless
Steve Howey and I rode to Colorado together on motorcycles. #Shameless @stevehowey
Anthony Hardwick, our DP, does beautiful lighting. #Shameless
I love these guys. Noel and Cameron are great. #Shameless
Poor Frank. #Shameless
Scenes like that kitchen scene are incredibly difficult to shoot. That was really well done. #Shameless
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