Life is complicated enough for teacher, Claire (Jennifer Lopez). Her husband, Kevin (Ian Nelson) is having an affair with his secretary and their marriage is close to falling apart entirely. With Kevin barely around, she is left struggling to do some of the work around the house and raise her son. Until the young and fit boy next door, Noah (Ryan Guzman) offers a helping hand. In a moment of weakness, Claire falls for Noah and they being their own affair. But when Claire calls it off, things get thrown way out of proportion. Noah tries to reveal the truth and has himself transferred to her class at school. While trying to tear apart her career, Noah also seems intent on killing Claire's husband. He is far for the quiet boy next door she thought.
Continue: The Boy Next Door Trailer
Could 'The Lone Ranger' be headed for the Guinness Book of Records?
Ok, so by now everyone's well aware that Jerry Buckheimer and Gore Verbinski's The Lone Ranger is a monumental flop - a serious disaster that could cost Disney $150 million. The Johnny Depp-Armie Hammer starring western took just $48.9 million over the usually lucrative five-day Independence Day weekend - leaving it miles from its $175 million marketing budget, not to mention its $250 million production costs.
Johnny Depp starred as Tonto and Armie Hammer played The Lone Ranger
According to the Hollywood Reporter, Disney is praying for a return of $150 million abroad, taking its worldwide total to $275 million and $150 million short of its $425 million total budget. "It's very disappointing," said Disney executive vice-president of worldwide distribution Dave Hollis. "Everything was perfect on paper, so today was incredibly frustrating." The problem is, nothing could be described as perfect. If Hollis is referring to Johnny Depp than it's lazy marketing. If he's referring to Verbinski in the directorial seat, or the bloated budget, than it's just stupid talk. The Lone Ranger has received some of the worst reviews of the year - it's a terrible movie - and unfortunately, nobody wants to watch big-budget westerns. Did Cowboys and Aliens teach them nothing?
Continue reading: Where Does 'The Lone Ranger' Rank In List Of Biggest Movie Flops?
Sometimes a marriage can feel so bad as to feel like you’re not even in one anymore. And sometimes they feel like that because you’d completely forgotten you’d got married in the first place. Sound impossible? Actress Janeane Garofalo and writer and The Big Bang Theory producer Rob Cohen managed to do just that, after it was revealed that Cohen’s plans for a new matrimony couldn’t go through until his current one had ended.
What current one though? According to the New York Post the pair did in fact get hitched 20 years ago in – where else – that most romantic of environments, Las Vegas. After a skin full, and then presumably another skin full as well, Garofalo and Cohen – who were dating at the time – decided to go down the aisle at Vegas. “Rob and I got married, for real, which we had to have a notary dissolve not 30 minutes before we got here tonight,” Garofalo said as she turned up for a reunion for The Ben Stiller Show. “We were married for 20 years until this evening.”
She added, “We got married drunk in Vegas . . . We dated for a year, and we got married at a drive-through chapel in a cab. [We thought] you have to go down to the courthouse and sign papers and stuff, so who knew? We were married, and apparently now that [Rob] is getting married for real, his lawyer dug up something.” Though their marriage has been referenced in the past, it’s long been considered a joke between the two still-close friends, and not a real … y’know… thing. Think again.
Continue reading: Janeane Garofalo Married Big Bang Producer, But Forgot All About It
Alex Cross is a homicide detective in Washington DC who comes across a series of gruesome and elaborate murders on duty. The victims look as if they've been tortured to death with a reasonable amount of skill, as if the perpetrator was an expert in inflicting pain. Cross deduces that their suspect is ex-military going by his techniques and it doesn't take long before he and the murderer, Michael 'The Butcher' Sullivan make contact. It is clear that Sullivan is deranged, believing that inflicting pain is his calling in life. In spite of any mental incapacities, however, Cross loses all sense of his own morality and indeed sanity when Sullivan targets and murders his beautiful wife on their anniversary and he sets out to track down this killer once and for all, though things do not appear as easy as he might've thought.
'Alex Cross' is the crime thriller adapted from the popular American novelist James Patterson's twelfth book on the character, 'Cross'. The movie's screenplay has been written by Marc Moss, who also wrote the previous Alex Cross-based movie 'Along Came a Spider', alongside Kerry Williamson in her writing debut. With a director like Rob Cohen ('The Fast and the Furious', 'xXx'), expect high-energy action and thrilling danger from this exciting upcoming flick set ton hit UK cinemas on November 30th 2012.
Starring: Tyler Perry, Matthew Fox, Jean Reno, Giancarlo Esposito, Rachel Nichols, Edward Burns, John C. McGinley, Yara Shahidi, Chad Lindberg, Cicely Tyson, Carmen Ejogo, Stephanie Jacobsen and Ingo Rademacher
Drunk on adulation from her Oscar-nominated performance in Lady Sings the Blues three years earlier, how could Ross resist such a star vehicle, especially one that let her design her own costumes: a decision, by the way, that ranks up there with the Watergate break-in as one of the worst ideas of the 1970s? Even Cher must have averted her eyes.
Continue reading: Mahogany Review
This documentary is precisely what it's title purports to be, an in-depth and instructive look at movie editing that literally spans 100 years of film history, from The Great Train Robbery to Cold Mountain. Through interviews with a copious number of directors and editors, The Cutting Edge covers everything from basic editing techniques like the matching of cuts to modern editing theory as inspired by MTV and The Matrix. The film goes into extreme detail in parts, like when we get to see James Cameron's trick of removing one frame per second out of Terminator 2 to give it more momentum and realism. It's all a little bit insidery and self-congratulatory, but the movie works far more often than not. Any film buff will find it hard not to like.
Continue reading: The Cutting Edge: The Magic Of Movie Editing Review
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