King Arthur: Legend Of The Sword Review
It's unlikely that Guy Ritchie could make a boring movie if he wanted to. This raucous historical romp spins the iconic legend into something that's relentlessly entertaining, even if it never quite satisfies because it's in such a hurry to set up a sequel. Thankfully, there are some deeper themes along the way that give the actors something to chew on besides the scenery.
In post-Roman Britain, King Uther (Eric Bana) has been killed by his brother Vortigern (Jude Law), who made a deal that involved some very black magic. But Vortigern is haunted by the fact that Uther's infant son Arthur somehow escaped and will someday return to pull the sword Excalibur from the stone and claim his rightful throne. Meanwhile in Londinium, Arthur (Charlie Hunnam) has no idea who he really is. Raised in a brothel and trained as a muscled fighter, he has a nice little racket going on. So discovering his identity is a shock. He's immediately spirited away by a mage (Astrid Berges-Frisbey) and some rebels (Djimon Hounsou and Aiden Gillen) who help him plot how to take back his crown.
The entire film is essentially a chase as Vortigern and his chief goon (Peter Ferdinando) pursue Arthur and his growing band of rebels. That all of this is leading to an epic confrontation is no surprise. But Ritchie oddly frames each action sequence as a splintered montage, which means we're only ever watching a series of key images with no momentum or context. Some of these work cleverly, but they begin to wear us out: we know what's happening but we're not able to experience it ourselves. Thankfully the dialogue has a witty present-day snap that brings the characters and the camaraderie between them to vivid life.
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