Drake is set to release his mixtape 'If You're Reading This, It's Too Late' in March 2015, through Young Money/Cash Money Records. Being so influential in terms of the hip-hop industry, this surprise release has already blown his last album out of the water. It has broken the record for the most-streamed album in its first week on Spotify.
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Some tracks suggest Drake is reacting to current events in his personal life, exuding atmospheric, dark and nocturnal vibes. But while the seventeen tracks included are not really approaching any new topics that haven't been addressed before in various releases, there are some memorable lines within some tracks. He talks about how he has to act like he likes his fellow rappers, and how his acting days are over now.
Drake is very in tune with his emotions, and doesn't adhere to the 'macho' aesthetic of most contemporary hip-hop artists. His previous album, 'Thank Me Later', was very love-song orientated in comparison with this release. He is starting to sound more aggressive and intense, giving much more energy and a certain hunger to proceedings. There's a thin and careful beat to 'Legend', a song of confidence in his own legacy. Although it is a very minimal track, it picks up gradually and opens the mixtape in flawless fashion. 'You & The 6' is far more nostalgic and heartfelt, as he is rapping directly to his mother. It is slow paced, which matches the tone perfectly and strengthens the audibility of the lyrics. 'Company' shows him to be unworthy of a real loving relationship and is another very meagre track, with a dark vibe to it, which only supports the lyrics. 'Used To' is talking about Drake getting used to his fame, as even at his highest points in music there is still some awkwardness where it doesn't really feel as though he belongs. It has a forceful beat, and with Lil Wayne contributing to the track, it comes across as though they are trying to make this particular track a powerful one in comparison to the others. He should instead be more open about his insecurities rather than swinging back and forth from giving too much, to not enough in his music.
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